Words Of Her Own

Words of Her Own situates the experiences and articulations of emergent women writers in nineteenth-century Bengal through an exploration of works authored by them. Based on a spectrum of genres—such as autobiographies, novels, and travelogues—this book examines the sociocultural incentives that enabled the dawn of middle-class Hindu and Brahmo women authors at that time. Murmu explores the intersections of class, caste, gender, language, and religion in these works. Reading these texts within a specific milieu, Murmu sets out to rectify the essentialist conception of women’s writings being a monolithic body of works that displays a firmly gendered form and content, by offering rich insights into the complex world of subjectivities of women in colonial Bengal. In attempting to do so, this book opens up the possibility of reconfiguring mainstream history by questioning the scholarly conceptualization of patriarchy being omnipotent enough to shape the intricacies of gender relations, resulting in the flattening of self-fashioning by women writers. The book contends that there were women authors who flouted the norms of literary aesthetics and tastes set by male literati, thereby creating a literary tradition of their own in Bangla and becoming agents of history at the turn of the century.

Jill Ker Conway, author of one of the most celebrated memoirs of recent decades, is also the premier anthologist of women's autobiographical writing. In Her Own Words is Conway's distillation of women's experience from the British Commonwealth world she came from, compared with major themes in women's lives in the United States, which is now her home. In this dazzling collection, we meet twelve remarkable women−from Shirley Chisholm, the West Indian-raised girl who became the first black woman to be elected to the U.S. Congress, to Janet Frame, the brilliant New Zealand writer who overcame involuntary treatment in a mental institution to write one of the archetypal analyses of the post-colonial experience. We learn how the world of politics and the private self intersect in the four offshoots of the old British world, and see how these women have made a difference−by their honesty, by the scale of their struggle for self-knowledge and autonomy, and by the power of their writing. Patricia Adam-Smith Lillian Hellman Rosemary Brown Dorothy Hewett Kim Chernin Robin Hyde Shirley Chisholm Dorothy Livesay Lauris Edmond Sally Morgan Janet Frame Gabrielle Roy

Get inside the head of one of the most influential musicians of our time with this collection of her most inspiring and revealing quotes. The quotations in this book have been carefully curated from Taylor Swift’s numerous public statements—interviews, op-eds, social media posts, and more. It’s a comprehensive picture of her meteoric rise to the top, her ever-savvy business sense, and her increasingly forthright perspective on the music world and beyond. Swift’s catchy, chart-topping songs have propelled her to become one of the bestselling musicians of all time. But in the more than fifteen years she’s been making music, she has also amassed enough power to buck the norms of an industry notorious for controlling the images of its often very young female artists. She’s stood up for herself and for other artists, championing their rights to fair royalties, and inspired tens of thousands of fans to register to vote. Swift’s achievements have earned her spots on both Forbes’s Most Powerful Women and Time’s 100 Most Influential People lists. Now, for the first time, you can find her most inspirational, thought-provoking quotes in one place.

This collection of new interviews with twenty-five accomplished female composers substantially advances our knowledge of the work, experiences, compositional approaches, and musical intentions of a diverse group of creative individuals. With personal anecdotes and sometimes surprising intimacy and humor, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first. The composers work in a variety of genres including classical, jazz, multimedia, or collaborative forms for the stage, film, and video games. Their interviews illuminate questions about the status of women composers in America, the role of women in musical performance and education, the creative process and inspiration, the experiences and qualities that contemporary composers bring to their craft, and balancing creative and personal lives. Candidly sharing their experiences, advice, and views, these vibrant, thoughtful, and creative women open new perspectives on the prospects and possibilities of making music in a changing world.

"The first book from Ruth Bader Ginsburg since becoming a Supreme Court Justice in 1993--a ... collection of writings and speeches from the woman who has had [an] ... influence on law, women's rights, and popular culture"--

The public's appetite for all things Oprah Winfrey has waned little since her Chicago TV debut in 1983. Known as a self-help guru and the "Queen of All Media," Oprah (it's almost impossible not to refer to her by her globally recognized first name) has been shining light on social issues and encouraging fans to "live your best life" for more than 30 years, revolutionizing her corner of the entertainment industry in the process. Winfrey's unprecedented influence and celebrity often overshadow her indisputable entrepreneurial prowess and business acumen. Even though Oprah has stated that she wouldn't consider herself a businesswoman, her ever-expanding media empire and record-breaking multibillion-dollar fortune say otherwise. Own It: Oprah Winfrey In Her Own Words provides a unique look into the wisdom and thought processes of one of the most adored, respected, and powerful women in the world. This book collects her most insightful quotations, centered around her media career, life lessons, entrepreneurship, and remarkable personal story. Fortune has called O: The Oprah Magazine, now in its 16th year of publication, "the most successful startup ever in the industry." In its infancy, the magazine became a highly profitable addition to the Hearst portfolio, amassing ever-increasing ad sales and a paid circulation larger than industry giants such as Vogue and Martha Stewart Living. Over the last several years, her media holdings and interests have also included an award-winning movie production studio, a satellite radio channel, the cable-TV company Oxygen Media, and the burgeoning OWN: The Oprah Winfrey Network. Few entrepreneurs have been savvy enough to leverage their resources with the foresight Oprah has demonstrated in her decades-long career. Oprah's key asset, developed over the course of decades, is herself: a brand she controls by shrewdly choosing partnerships and endorsement deals and not kowtowing to convention. At the outset of her career, Oprah decided to start a company rather than take the conventional talent-for-hire path. She, along with a few close executives, took her initial TV success and grew it into a multibillion-dollar media conglomerate, with one woman at the helm. Her influence in the marketplace is unprecedented. Just look at the long-term impact her recommendations and endorsements have had in the fields of consumer products and book publishing, among others. Oprah's next venture is unknown, but its success, like her other triumphs, depends on Oprah—and the self-reliance, values, and vision on which she has built her empire.