Wordsworth S Fun

“The next day Wordsworth arrived from Bristol at Coleridge’s cottage,” William Hazlitt recalled, “He answered in some degree to his friend’s description of him, but was more quaint and Don Quixote- like . . . there was a convulsive inclination to laughter about the mouth.” Hazlitt presents a Wordsworth who differs from the one we know—and, as Matthew Bevis argues in his radical new reading of the poet, this Wordsworth owed his quixotic creativity to a profound feeling for comedy. Wordsworth’s Fun explores the writer’s debts to the ludic and the ludicrous in classical tradition; his reworkings of Ariosto, Erasmus, and Cervantes; his engagement with forms of English poetic humor; and his love of comic prose. Combining close reading with cultural analysis, Bevis travels many untrodden ways, studying Wordsworth’s interest in laughing gas, pantomime, the figure of the fool, and the value of play. Intrepid, immersive, and entertaining, Wordsworth’s Fun sheds fresh light on how one poet’s strange humor helped to shape modern literary experiment.

Where others have oriented Wordsworth towards ideas of transcendence, nature worship, or - more recently - political repression, Paul H. Fry argues that underlying all this is a more fundamental insight - Wordsworth is most astonished not that the world he experiences has any particular qualities, but rather that it simply exists.

Ages 4-8. The beautifully illustrated children's book tells the story of Wordsworth, a misunderstood mouse whose love of poetry set him apart from the others. Everyone in the Hawaiian rainforest makes fun of Wordsworth and his 'silly' poetry. But when a big thunderstorm darkens the forest for days on end, he takes pen in hand and shows the other mice how poetry can save the day.

Haunting’s consequences for the literary imagination. Reading is a weirdly phantasmic trade: animating words to revive absent voices, rehearing the past, fantasizing a future. In Romantic Shades and Shadows, Susan J. Wolfson explores spectral language, formations, and sensations, defining an apparitional poetics in the finely grained textures of writing and their effects on present reading. Framed by an introductory chapter on writing and apparition and an afterword on haunted reading, the book includes chapters of sustained, revelatory close attention to the particular, often peculiar, literary imaginations of William Wordsworth, William Hazlitt, Percy Bysshe Shelley, Lord Byron, W. B. Yeats, and John Keats. Wolfson also explores the work of Samuel Taylor Coleridge (a self-confessed Ghost-Theorist), Mary Shelley, and other writers of the Long Romantic era, canonical as well as less familiar. All are encountered in freshly pointed ways on an arc of investigation that builds with generative force. Romantic Shades and Shadows is written with a lucidity, wit, and accessibility that will appeal to general readers, and with a critical sophistication and scholarly expertise that will engage advanced students, critics, and professional peers.

A “thorough and painstaking” biography of the nineteenth-century poet who helped launch the Romantic movement in England (The Daily Mail, UK). Together with Samuel Taylor Coleridge, William Wordsworth pioneered a new poetic form that celebrated nature and prized freedom, emotion, and individuality. The force of his aesthetic and intellectual influence was pervasive, reaching from music and art to science, politics, and history. Drawing on the published letters and diaries of Wordsworth and his sister, Dorothy, and of their contemporaries Coleridge and Southey, this full-length biography of the poet’s life and times also draws on the author’s own knowledge of the Lake District, which was central to Wordsworth’s life. Hunter Davies discusses Wordsworth’s much-debated relationship with his sister; tells the story of his affair with Annette Vallon; and describes in detail William’s life with his wife, Mary. Readers will also learn of the poet’s family life at Grasmere and Rydal, his political activities, his formative meeting with Coleridge in the West Country, and his other travels.

Romantic Poets and the Laughter of Feeling embraces the sublime and the ridiculous to offer a compelling new reading of British Romanticism. Matthew Ward reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics.