Work Song

An award-winning and beloved novelist of the American West spins the further adventures of a favorite character, in one of his richest historical settings yet. "If America was a melting pot, Butte would be its boiling point," observes Morrie Morgan, the itinerant teacher, walking encyclopedia, and inveterate charmer last seen leaving a one-room schoolhouse in Marias Coulee, the stage he stole in Ivan Doig's 2006 The Whistling Season. A decade later, Morrie is back in Montana, as the beguiling narrator of Work Song. Lured like so many others by "the richest hill on earth," Morrie steps off the train in Butte, copper-mining capital of the world, in its jittery heyday of 1919. But while riches elude Morrie, once again a colorful cast of local characters-and their dramas-seek him out: a look-alike, sound-alike pair of retired Welsh miners; a streak-of-lightning waif so skinny that he is dubbed Russian Famine; a pair of mining company goons; a comely landlady propitiously named Grace; and an eccentric boss at the public library, his whispered nickname a source of inexplicable terror. When Morrie crosses paths with a lively former student, now engaged to a fiery young union leader, he is caught up in the mounting clash between the iron-fisted mining company, radical "outside agitators," and the beleaguered miners. And as tensions above ground and below reach the explosion point, Morrie finds a unique way to give a voice to those who truly need one. Watch a Video

Illustrations and rhyming text depict people doing all kinds of work.

These essays offer striking portraits of working environments where song arose in response to prevailing conditions. Included are the protest blues of African American levee workers, the corridos of Chicano farm workers, and the European songs of immigrant lumber workers in the Midwest.

When society tries to put you in a box, knock the walls down. -Tati Green "You have a pretty face" is such a back-handed compliment. It's like telling me that my face is beautiful, but the rest of me is not. Despite what society says, my curves are hot. My love life, on the other hand, is not. My mom says I'll never find love because of my weight. My sister says I'll never find love because of my personality. My almost-fiance says I'll never find love because I'm incapable of loving anyone. My mom and sister are full of it, but my ex kind of has a point. At twenty-seven years old, I've never been in love. I date a lot, yet sparks never fly. But when I experienced the heart-pounding, skin tingling feeling for the first time, I didn't think it would be caused by a guy I've never met. And I damn sure didn't think he would end up holding my future in his hands in more ways than one."

DIVThe place of music in different forms of work from the earliest hunting and planting to the contemporary office./div

A career-spanning account of the artistry and politics of Bob Dylan’s songwriting Bob Dylan’s reception of the 2016 Nobel Prize for Literature has elevated him beyond the world of popular music, establishing him as a major modern artist. However, until now, no study of his career has focused on the details and nuances of the songs, showing how they work as artistic statements designed to create meaning and elicit emotion. Bob Dylan: How the Songs Work (originally published as Bob Dylan's Poetics) is the first comprehensive book on both the poetics and politics of Dylan’s compositions. It studies Dylan, not as a pop hero, but as an artist, as a maker of songs. Focusing on the interplay of music and lyric, it traces Dylan’s innovative use of musical form, his complex manipulation of poetic diction, and his dialogues with other artists, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan’s earliest experiments with the blues, through his mastery of rock and country, up to his densely allusive recent recordings, Timothy Hampton offers a detailed account of Dylan’s achievement. Locating Dylan in the long history of artistic modernism, the book studies the relationship between form, genre, and the political and social themes that crisscross Dylan’s work. Bob Dylan: How the Songs Work offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

The Cornerstone Biblical Commentary series (18 volumes) is the product of nearly 40 scholars, many of whom participated in the creation of the NLT. The contributors to this series, who are well-known and represent a wide spectrum of theological positions within the evangelical community, have built each volume to help pastors, teachers, and students of the Bible understand every thought contained in the Bible. In short, this will be one of the premier resources for those seeking an accessible but fairly high-level discussion of scriptural interpretation. August Konkel, PhD (Westminster Theological Seminary), has been professor of Old Testament at Providence Seminary since 1984 and president of the College and Seminary since 2001. A contributor to the New International Dictionary of Old Testament Theology and Exegesis, he has forthcoming commentaries on Chronicles (Herald Press) and on Kings (Zondervan). Tremper Longman III, PhD (Yale University), is the Robert H. Gundry Professor of Biblical Studies at Westmont College. Tremper has authored or coauthored 17 books, including A Biblical History of Israel (Westminster John Knox, 2003). He was also one of the main translators of the New Living Translation and has served as a consultant for other well-known Bible translations as well.