World Beat

The poets are presented in ample selections so that each may be heard clearly, and biographical and bibliographical notes invite further investigation. From cover to cover, themes ebb and flow and boundaries blur as verses converse in a harmony unusual for the twenty-first century."--BOOK JACKET.

Exotic rhythms from around the world are used in over 400 examples for guitar, with strumming, single-line, and fingerstyle variations of every beat pattern. Features rhythms of West Africa, North Africa, the Caribbean, India, Latin America and beyond, all in standard music notation and TAB. 96 pages.

Zig introduces K--8 children to rhythms and sounds from various countries in World Beat Fun. Music technology integrates with world percussion to create an entertaining and educational collection of songs and rhythms for kids. Included are 74 cool CD tracks with call-and-responses, play-along without background rhythms, and play-along with Zig's original rhythm parts. Music styles/regions include Asian, Middle Eastern, African with hip-hop, Native American with hip-hop, North American rock, rain forest, and salsa. Traditional classroom rhythm instruments may be used to play the patterns. Teaching suggestions are included.

Global Beat Fusion The History of the Future of Music Words & Pix by Derek Beres Foreword by Ajay Naidu "Derek Beres is part reporter and part prophet standing in the middle of the eye of the World Music storm that is raining new musical genres on the Earth today, each one fused by the love of song and spirit." -Krishna Das, kirtan artist "I met Derek Beres as a writer interested in shedding light on what was happening in the world of future music. I know him now as a major force pushing this scene in all directions. He has gone so far deep inside that he has become exactly what he writes about. He will forget to write one chapter of this book and that is the one about himself." -Karsh Kale, tabla player/DJ/producer "Derek Beres is a modern-day shaman. He knows new hybrids of electronic and non-Western music deliver the same ecstatic release as ancient tribal rituals of so-called primitive societies, and that the implications go far beyond an ambient groove. For Beres, the fusion of technology and ritual, the reconciliation of mind, body and spirit that electronic world music represents, is not just the cutting edge of modern entertainment but the early stages of a numinous revolution in American culture. In Global Beat Fusion he explains why music is the new religion, and how, in one sense or another, we are all destined to become believers." -Guy Garcia, author of The New Mainstream: How the Multicultural Consumer is Transforming American Business For exclusive interviews, pictures, events artist info and more visit www.globalbeatfusion.com Cover artwork by Craig Anthony Miller www.craiganthonymiller.com Outside the Box Publishing www.otbpublishing.com

The first comprehensive guide to contemporary world music -- including reggae, calypso, klezmer, and ska -- available on compact disc.

“World Champion” Judah Friedlander tells you How to Beat Up Anybody in this insanely hilarious satirical martial arts guide. Better known as an award-winning stand-up comic, actor, and star of 30 Rock, Friedlander shares his adventures in butt-kicking with lucky readers in a self-defense handbook in the gut-busting vein of The Truth About Chuck Norris.

(Beginning Solo Guitar). The songs in this book have been carefully arranged for beginning fingerstyle guitar. Each solo combines melody and harmony in one full-sounding arrangement. Lyrics are also included. Songs: Blowin' in the Wind * Can You Feel the Love Tonight * Don't Know Why * Every Breath You Take * The Godfather (Love Theme) * Hallelujah * Happy Birthday to You * In My Life * Lean on Me * Moon River * No Woman No Cry * Over the Rainbow * Scarborough Fair/Canticle * Unchained Melody * What a Wonderful World.

This fascinating book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best na•ve tourists seeking exoticism for exoticism's sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs - as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin - World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature. This book presents an original treatment that will attract a broad spectrum of scholars.