Writers And Partisans

As the primary source for important political and literary ideas from its founding in 1934 until the post-World War II era, the Partisan Review is a useful guide to the changing nature of 20th-century American socialism. James Gilbert uses the Partisan Review, Masses and Seven Arts to show how avant-garde literature became identified with radical politics and art, and how literary radicalism matured beyond the confines of Marxist philosophy and literary criticism.

In wartime, people are either friends or enemies. In wartime, friends are friends and enemies die...

Combining literary biography with astute reporting and moral insight, David Laskin shows how sex, politics, and art affected relationships among the Partisan Review writers: Mary McCarthy, Edmund Wilson, Philip Rahv, Robert Lowell, Jean Stafford, Elizabeth Hardwick, Hannah Arendt, Allen Tate, Caroline Gordon, and Diana Trilling. It is the women who steal the show with their their groundbreaking work, their harrowing experiences of marriage, abuse, and betrayal, their passion for writing and disdain for feminism, their struggles and achievements.

Palace intrigues and clientelism drove politics at the viceregal court of colonial Mexico. By carefully reconstructing social networks in the court of Viceroy Duke of Alburquerque (1702-1710), Christoph Rosenm ller reveals that the Duke presided over one of the most corrupt viceregal terms in Mexican history. Alburquerque was appointed by Spain's King Philip V at a time when expanding state power was beginning to meet with opposition in colonial Mexico. The Duke and his retainers, though seemingly working for the crown, actually built close alliances with locals to thwart the reform efforts emanating from Spain. Alburquerque collaborated with contraband traders and opposed the secularization of Indian parishes. He persecuted several local craftsmen and merchants, some of whom died after languishing in jail, accusing them of treason to bolster his own credentials as a loyal official. In the end, however, the dominant clique at the royal court in Madrid sought revenge. Alburquerque was forced to pay an unheard-of indemnity of 700,000 silver pesos to regain the king's favour. Dealing with a topic and period largely ignored by historiography, Rosenm ller exposes the vast patronage power of the viceroy at the historical watershed between the expiring Habsburg dynasty and the incoming Bourbon rulers. His analysis reveals that precursors of the Bourbon reforms and the struggle for Mexican independence were already at play in the early eighteenth century.

The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts-first from the Nazis and then from the Soviets-by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion-including the readiness to risk one's life-to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. This group, nicknamed "the Paper Brigade," and informally led by poet Shmerke Kaczerginski, a garrulous, street-smart adventurer and master of deception, smuggled thousands of books and manuscripts past German guards. If caught, the men would have faced death by firing squad at Ponar, the mass-murder site outside of Vilna. To store the rescued manuscripts, poet Abraham Sutzkever helped build an underground book-bunker sixty feet beneath the Vilna ghetto. Kaczerginski smuggled weapons as well, using the group's worksite, the former building of the Yiddish Scientific Institute, to purchase arms for the ghetto's secret partisan organization. All the while, both men wrote poetry that was recited and sung by the fast-dwindling population of ghetto inhabitants. With the Soviet "liberation" of Vilna (now known as Vilnius), the Paper Brigade thought themselves and their precious cultural treasures saved-only to learn that their new masters were no more welcoming toward Jewish culture than the old, and the books must now be smuggled out of the USSR. Thoroughly researched by the foremost scholar of the Vilna Ghetto-a writer of exceptional daring, style, and reach-The Book Smugglers is an epic story of human heroism, a little-known tale from the blackest days of the war.

By addressing key issues in visual culture and the politics of representation, this book provides a reference and an analysis of the work of Orton and Pollock, internationally acknowledged as the leading exponents of the social history of art.

Literary Nonfiction. "In his new collection of essays, PARTISANS, Joe Oestreich piles his readers into a tour van and barrels unflinchingly down the highway into subjects like guilt and murder, race, privilege, youth, music, marriage, work, and other deep territory of contemporary American life. Guiding you with a mix of muscle, humor, and grace, these essays are part escapist travel narrative, part personal essay, all blended with artful but fearless critical reflection on social issues, ethics, and morality. We're not just watching road signs go by in this book; we're stopping and living, truly experiencing people and places from the neighborhoods of Columbus, Ohio, to the resorts and jungles of Mexico, to Paris, to the suburbs of South Carolina. PARTISANS is always driving, always pushing us to consider where we stand and how we understand our personal and collective legacy of youthful angst and artistic idealism. To read this book is to be bounced, rattled and changed by the ride." --Steven Church

NATIONAL BESTSELLER The extraordinary story of four courageous women who helped form the Italian Resistance against the Nazis and the Fascists during the Second World War. In the late summer of 1943, when Italy changed sides in WWII and the Germans, now their enemies, occupied the north of the country, an Italian Resistance was born. Ada, Frida, Silvia and Bianca were four young Piedmontese women who joined the Resistance, living secretively in the mountains surrounding Turin. They were not alone. Between 1943 and 1945, as the Allies battled their way north, thousands of men and women throughout occupied Italy rose up and fought to liberate their country from the German invaders and their Fascist collaborators. What made the partisan war all the more extraordinary was the number of women in its ranks. The bloody civil war that ensued across the country pitted neighbour against neighbour, and brought out the best and worst in Italian society. The courage shown by the partisans was exemplary, and eventually bound them together as a coherent fighting force. And the women's contribution was invaluable—they fought, carried messages and weapons, provided safe houses, laid mines and took prisoners. Ada's house deep in the mountains became a meeting place and refuge for many of them. The death rattle of Mussolini's two decades of Fascist rule—with its corruption, greed and anti-Semitism—was unrelentingly violent and brutal, but for the partisan women it was also a time of camaraderie and equality, pride and optimism. They would prove, to themselves and to the world, what resolve, tenacity and above all exceptional courage could achieve.