Writers Workshop Of Horror 2

Writers Workshop of Horror 2 is a collection of essays and interviews focusing on the art and craft of writing horror and dark fantasy. From bestselling authors like Stephen King, Anne Rice, and R. L. Stine, to up-and-coming writers just making their mark, this anthology is chock-full of advice and information writers of any level will find valuable and useful. Writers Workshop of Horror 2 is helmed by Michael Knost, the Bram Stoker Award-winning editor that brought you Writers Workshop of Horror, Writers Workshop of Science Fiction & Fantasy, and Author's Guide to Marketing with Teeth.

From award-winning author Polly Hallcomes a “lyrical debut” (Booklist, Starred Review) and contemporary gothic tale “filled with startling conclusions about the nature of art and love and death” (NYT Book Review). A modern Gothic tale of a woman obsessed with her lover’s taxidermy creatures and haunted by her past. One stormy Christmas, Scarlett recalls the ebb and flow of a yearlong love affair with Henry, a renowned taxidermist. Obsessed with his taxidermy creatures, she pushes him to outdo his colleague and world-famous rival in a crescendo of species-blending creativity. Scarlett will not be able to avoid a reckoning with her own past as Henry’s inventions creep into her own thoughts, dreams, and desires. Drenched in the torrential rains of the Somerset moorland and the sensual pleasures of the characters, The Taxidermist’s Lover lures you ever deeper into Scarlett’s delightfully eerie world. Bram Stoker Award Shortlist for Superior Achievement in a First Novel • IPPY Awards 2021 Gold Medal Winner

From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

A haunting, historical adventure. When Harry and his mother inherit old Wickford Hall, they come up against an ancient evil. Can Harry defeat it? Particularly suitable for struggling, reluctant and dyslexic readers aged 8+

Pocket Workshop collects twenty-eight essays by instructors of the Clarion West Writers Workshop - essays that illuminate their authors' experiences of writing and of living as professional writers. Included here is advice for handling writer's block, working with voice, and using allegory, as well as methods for scene-setting, landing a good finish, writing despite distractions, mentoring, and so much more. Since 1984, the six-week writer's workshop has provided resources to more than 600 science fiction, fantasy, and horror writers, many of whom work today as professional and award-winning authors and editors.

2022 Governor General's Literary Award for Fiction Shortlist A humorous coming-of-age novel-in-stories and a sharp-edged look at how silence can shape a life, from the winner of the Journey Prize. A Chatelaine Summer Reads pick. “But wait, what happened to the girl?” “I don’t know,” I say. I don’t tell him that what will happen to her is what happens to every girl. Bright, hilarious, and sensitive fourteen-year-old Nina doesn’t say anything when her best friend begins to pull away, or when her crush on her English teacher intensifies. She doesn’t say anything when her mother tries to match her up with local Halifax Indian boys unfamiliar with her Saved by the Bell references, or when her worried father starts reciting Hindu prayers outside her bedroom door. (“How can your dad be happy when his only daughter is unsettled?”) And she won’t speak of the incident in high school that changes the course of her life. The Most Precious Substance on Earth tells stories of Nina’s life from the nineties to present day, when she returns to the classroom as a high school teacher with a haunting secret. And whether she’s pushing herself to deliver speeches at Toastmasters meetings, struggling through her MFA program, enduring the indignities of online dating, or wrestling with how to best guide her students, she will discover that the past is never far behind her. Darkly funny, deeply moving, unsettling, and at times even shocking, Shashi Bhat’s irresistible novel-in-stories examines the fraught relationships between those who take and those who have something taken. The Most Precious Substance on Earth is a sharp-edged and devastating look at how women are conditioned to hide their trauma and suppress their fear, loneliness, and anger, and an unforgettable portrait of how silence can shape a life.

The masters of horror have united to teach you the secrets of success in the scariest genre of all! In On Writing Horror, Second Edition, Stephen King, Joyce Carol Oates, Harlan Ellison, David Morrell, Jack Ketchum, and many others tell you everything you need to know to successfully write and publish horror novels and short stories. Edited by the Horror Writers Association (HWA), a worldwide organization of writers and publishing professionals dedicated to promoting dark literature, On Writing Horror includes exclusive information and guidance from 58 of the biggest names in horror writing to give you the inspiration you need to start scaring and exciting readers and editors. You'll discover comprehensive instruction such as: • The art of crafting visceral violence, from Jack Ketchum • Why horror classics like Dracula, The Exorcist, and Hell House are as scary as ever, from Robert Weinberg • Tips for avoiding one of the biggest death knells in horror writing—predicable clichés—from Ramsey Campbell • How to use character and setting to stretch the limits of credibility, from Mort Castle With On Writing Horror, you can unlock the mystery surrounding classic horror traditions, revel in the art and craft of writing horror, and find out exactly where the genre is going next. Learn from the best, and you could be the next best-selling author keeping readers up all night long.