Writing Faith

"Writing Faith demonstrates that clusters of miracles form sign systems, and that it is those systems of meaning or representation that can be historically located. Thus, rather than treating individual miracle stories as transparent sources of specific historical data, we can recognize representations common to groups of miracle stories as coherent historical formations. For instance, the negative characterizations of Muslims in the late miracles situate the stories' composition in the eleventh century, a period of rising hostility on the eve of the Crusades."--Jacket.

In this deeply felt book, nine American writers and thinkers from different points of the religious compass discuss how their work is nourished by spiritual concerns. Diana Ackerman explains why she calls herself a messenger of wonder and how, in her observations of the natural world, there is a form of beholding that is a kind of prayer. David Bradley recalls how his inheritance as the son, grandson and great-grandson of black preachers has enabled him, at considerable pain, to be touched by the word. Frederick Buechner makes an intensely personal journey to his roots as a novelist: In fiction, as in faith, something outside ourselves is breathed into us if we're open enough to inhale it. Allen Ginsberg describes how his poetry is grounded in the Buddhist idea of renunciation of hand-me-down conceptions and the meditative practice of letting go of thoughts. Mary Gordon retraces an odyssey in which the religious beliefs and forms of a Catholic girlhood turned out to be as useful as a wiretap to the grown-up novelist. Patricia Hampl describes how the writing of Virgin Time took her on a series of pilgrimages to explore the contemplative life. Hillel Levine tells of his search for the mystery of goodness, exemplified by a Japanese diplomat in Lithuania who saved thousands of Jews on the eve of World War II. Hugh Nissenson explains how his work as a Jewish writer has been animated by a sense of the holy and shaped by the poetry, drama and narrative of the King James Bible. Jaroslav Pelikan revisits three religious writers--Augustine, Newman, and Boethius--whose influence on other religious writers over the centuries has never gone out of fashion. Together, as William Zinsser notes in his introduction, these writers are on a pilgrimage to find the source of their faith as individuals and their strength as artists.

"Read it for twists on twists, meditations on faith, and a deeply thoughtful treatment of an evangelical community." — Glamour, Beach Reads That Are Like Summer in a Book “A thoughtful and candid meditation on faith, family, and forgiveness . . . fabulous.” —Claire Lombardo, New York Times bestselling author of The Most Fun We Ever Had Recommended by Good Housekeeping, Elle, Parade, Real Simple, Glamour,Refinery29,Bustle, Oprah Daily, The Millions, Shondaland, Yahoo!, Literary Hub, and more! A mesmerizing debut novel set in northern Texas about two sisters who discover an unsettling secret about their father, the head pastor of an evangelical megachurch, that upends their lives and community—a story of family, identity, and the delicate line between faith and deception. Luke Nolan has led the Hope congregation for more than a decade, while his wife and daughters have patiently upheld what it means to live righteously. Made famous by a viral sermon on purity co-written with his eldest daughter, Abigail, Luke is the prototype of a modern preacher: tall, handsome, a spellbinding speaker. But his younger daughter Caroline has begun to notice the cracks in their comfortable life. She is certain that her perfect, pristine sister is about to marry the wrong man—and Caroline has slid into sin with a boy she’s known her entire life, wondering why God would care so much about her virginity anyway. When it comes to light, five weeks before Abigail’s wedding, that Luke has been lying to his family, the entire Nolan clan falls into a tailspin. Caroline seizes the opportunity to be alone with her sister. The two girls flee to the ranch they inherited from their maternal grandmother, far removed from the embarrassing drama of their parents and the prying eyes of the community. But with the date of Abigail’s wedding fast approaching, the sisters will have to make a hard decision about which familial bonds are worth protecting. An intimate coming-of-age story and a modern woman’s read, God Spare the Girls lays bare the rabid love of sisterhood and asks what we owe our communities, our families, and ourselves. “A deeply felt book about love — love for family and community, for people who sustain you and people who disappoint you. And love for God, too, which Kelsey McKinney writes about with humane and incisive frankness.”—Linda Holmes, New York Times bestselling author of Evvie Drake Starts Over “The accomplishment of this canny novel is in positing coming of age itself as a loss of faith—not only in the church, but in our parents, our family, and the world as we thought we understood it.” — Rumaan Alam, New York Times bestselling author of Leave the World Behind and Rich and Pretty

Hats of Faith is a simple and striking introduction to the shared custom of religious head coverings. With bright images and a carefully researched interfaith text, this thoughtful book inspires understanding and celebrates our culturally diverse modern world.

"Join former NBC newsman and Meet the Press moderator David Gregory as he probes various religious traditions to better understand his own faith and answer life's most important questions: who do we want to be and what do we believe? While David was covering the White House, he had the unusual experience of being asked by President George W. Bush "How's your faith?" David's answer was just emerging. Raised by a Catholic mother and a Jewish dad, he had a strong sense of Jewish cultural and ethnic identity, but no real belief--until his marriage to a Protestant woman of strong faith inspired him to explore his spirituality for himself and his growing family. David's journey has taken him inside Christian mega-churches and into the heart of Orthodox Judaism. He's gone deep into Bible study and asked tough questions of America's most thoughtful religious leaders, including evangelical preacher Joel Osteen and Cardinal Timothy Dolan, the Catholic Archbishop of New York. It has brought him back to his childhood, where belief in God might have helped him through his mother's struggle with alcoholism, and through a difficult period of public scrutiny and his departure from NBC News, which saw his faith tested like never before. David approaches his faith with the curiosity and dedication you would expect from a journalist accustomed to holding politicians and Presidents accountable. But he also comes as a seeker, one just discovering why spiritual journeys are always worthwhile"--

Through the difficult days of Indonesia's authoritarianism, in the face of violence, through the euphoria of democratic transition, and ensuing disillusionment, one Indonesian writer has never lost faith in the act of writing. Goenawan Mohamad is an activist, journalist, editor, essayist, poet, commentator, theatre director and playwright. These essays, translated by his long-time collaborator Jennifer Lindsay, reveal a vision both uniquely Indonesian and completely universal.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.