Writing In Between

The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process and the diverse roles of the translator as social agent. The first text on Canadian anglophone translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

The author proves that by beginning with the literacy knowledge students bring from their native language and putting writing at the center of the curriculum, we can help them make a smoother transition to English while we support their academic literacy. With Writing Between Languages, you'll learn to: understand the crucial and helpful role native literacy plays in building written English fluency; assess where English learners--including beginners--are in their development as writers; use code-switching and movement between languages to scaffold transitional writing--no matter whether you know a student's home language; implement instructional strategies to support development in writing and other literacy and language skills in meaningful contexts.

“Jenny is the future of nonfiction in America. What an absurdly arrogant statement to make. I make it anyway. Watch.” —John D’Agata “Yes, Aristotle, there can be pleasure without ‘complete and unified action with a beginning, middle, and end.’ Jenny Boully has done it.” —Mary Jo Bang “Jenny Boully is a deeply weird writer—in the best way.” —Ander Monson Jenny Boully’s essays are ripe with romance and sensual pleasures, drawing connections between the digression, reflection, imagination, and experience that characterizes falling in love as well as the life of a writer. Literary theory, philosophy, and linguistics rub up against memory, dreamscapes, and fancy, making the practice of writing a metaphor for the illusory nature of experience. Betwixt and Between is, in many ways, simply a book about how to live. Jenny Boully is the author of The Body: An Essay, The Book of Beginnings and Endings: Essays, not merely because of the unknown that was stalking toward them, and other books. Born in Thailand, she grew up in Texas and holds a PhD in English from the Graduate Center of the City University of New York. She teaches creative writing and literature at Columbia College Chicago.

Ashton Nichols dreads the changes graduation will bring, most of all, losing her impulsive best friend, Mason. Her world turns upside down when she follows him into the woods and encounters a demon and a destiny beyond what she ever imagined. Mason Deed seeks freedom from his grief-stricken father. But after his encounter in the woods, he must think about Ashton's safety. Hiding the truth from her about her identity leaves them both vulnerable and caught between good and evil. Together they uncover the unimaginable. Will they find enough courage and strength to claim their own free will, save their families, and protect human souls?

In this work, over 40 combat veterans, nurses, relief workers, journalists and other men and women who have seen the face of war, reflect on their experiences. It includes poetry, fiction and critical prose on war and its legacy, from Vietnamese, American and Central American authors.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.

This book proposes that there is no better, no more complex way to access a community, a society, an era and its cultures than through literature. For millennia, literature from a wide variety of geocultural areas has gathered knowledge about life, about survival, and about living together, without either falling into discursive or disciplinary specializations or functioning as a regulatory mechanism for cultural knowledge. Literature is able to offer its readers knowledge through direct participation in the form of step-by-step intellectual and affective experiences. Through this ability, it can reach and affect audiences across great spatial and temporal distances. Literature – what different times and cultures have been able to understand as such in a broad sense – has always been characterized by its transareal and transcultural origins and effects. It is the product of many logics, and it teaches us to think polylogically rather than monologically. Literature is an experiment in living, and living in a state of experimentation. About the author Ottmar Ette has been Chair of Romance Literature at the University of Potsdam, Germany, since 1995. He is Honorary Member of the Modern Language Association of America (MLA) (elected in 2014), member of the Berlin-Brandenburg Academy of Sciences and Humanities (elected in 2013), and regular member of the Academia Europaea (since 2010).