Writing The Bible

A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.

"A book focusing on the nexus between language and literature in the Bible, with specific attention to how the former is used to create the latter; topics include wordplay, wordplay with proper names, alliteration, repetition with variation, dialect representation, intentionally confused language, marking closure, and more"--

For many years it has been recognized that the key to explaining the production of the Bible lies in understanding the profession, the practice and the mentality of scribes in the ancient Near East, classical Greece and the Greco-Roman world. In many ways, however, the production of the Jewish literary canon, while reflecting wider practice, constitutes an exception because of its religious function as the written "word of God", leading in turn to the veneration of scrolls as sacred and even cultic objects in themselves. "Writing the Bible" brings together the wide-ranging study of all major aspects of ancient writing and writers. The essays cover the dissemination of texts, book and canon formation, and the social and political effects of writing and of textual knowledge. Central issues discussed include the status of the scribe, the nature of 'authorship', the relationship between copying and redacting, and the relative status of oral and written knowledge. The writers examined include Ilimilku of Ugarit, the scribes of ancient Greece, Ben Sira, Galen, Origen and the author of Pseudo-Clement.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Bart Ehrman--the New York Times bestselling author of Misquoting Jesus and a recognized authority on the early Christian Church--and Zlatko Plese--a foremost authority on Christian Gnosticism--here offer a valuable compilation of over 40 ancient gospel texts and textual fragments that do not appear in the New Testament. This comprehensive collection contains Gospels describing Jesus's infancy, ministry, Passion, and resurrection, and includes the controversial manuscript discoveries of modern times, such as the Gospel of Thomas and the most recent Gospel to be discovered, the Gospel of Judas Iscariot. Each translation begins with a thoughtful examination of important historical, literary, and textual issues in order to place the Gospel in its proper context. This volume is an invaluable resource for anyone interested in early Christianity and the deeper meanings of these apocryphal Gospels.

You'll gain even more appreciation for your Bible when you see how God directed its development, from the original authors through today's translations. How Did We Get the Bible? provides an easy-to-read historical overview, covering the Holy Spirit's inspiration of the writers, the preservation of the documents, the compilation of the canon, and the efforts to bring the Bible to people in their own language. This fascinating story, populated by intriguing characters, will encourage you with God’s faithfulness - to His own Word, and to those of us who read it.

For well over two centuries the question of the composition of the Pentateuch has been among the most central and hotly debated issues in the field of biblical studies. In this book, Joel Baden presents a fresh and comprehensive argument for the Documentary Hypothesis. Critically engaging both older and more recent scholarship, he fundamentally revises and reorients the classical model of the formation of the Pentateuch. Interweaving historical and methodological chapters with detailed textual case studies, Baden provides a critical introduction to the history of Pentateuchal scholarship, discussions on the most pressing issues in the current debate, and a practical model for the study of the biblical text.