Writing The Land

A collection of conserved lands from across the Northeast. 11 chapters with poems, photos, and information about actual conserved properties from a land conservation organization.

The Maya Literary Renaissance is a growing yet little-known literary phenomenon that can redefine our understanding of "literature" universally. By analyzing eight representative texts of this new and vibrant literary movement, the book argues that the texts present literature as a trans-species phenomenon that is not reducible only to human creativity. Based on detailed textual analysis of the literature in both Maya and Spanish as well as first-hand conversations with the writers themselves, the book develops the first conceptual map of how literature constantly emerges from wider creative patterns in nature. This process, defined as literary inhabitation, is explained by synthesizing core Maya cultural concepts with diverse philosophical, literary, anthropological and biological theories. In the context of the Yucatan Peninsula, where the texts come from, literary inhabitation is presented as an integral part of bioregional becoming, the evolution of the Peninsula as a constantly unfolding dialogue.

Traces the story of the MacIvey family of Florida from 1858 to 1968.

New discusses the ways in which Canadian writing, through images of land and space, expresses various assumptions about social values. In addition to wide range of literary texts, he also draws upon geography, the social sciences, and the visual arts.

#1 NATIONAL BESTSELLER The boundary- and genre-bending non-fiction collection from the Giller-longlisted, GG-shortlisted and Canada Reads– winning author of Jonny Appleseed. “The land and its elements are my aunties calling me home, into that centre point which is a nowhere, by which I mean a place that English has no words for, is an everywhere, is a bingo hall, is a fourth plane, is an ocean.” Making Love with the Land is a startling, challenging, uncompromising look at what it means to live as an Indigenous person “in the rupture” between identities. In these ten unique, heart-piercing non-fiction pieces, award-winning writer Joshua Whitehead illuminates the com­plex moment we’re living through now, in which Indigenous and non-Indigenous peoples are navigating new and old ideas about “the land.” He asks: What is our relationship and responsi­bility towards it? And how has the land shaped ideas, histories, words, our very bodies? Intellectually thrilling and emotionally captivat­ing, this book is a love song for the world—and for the library of stories to be found where body meets land, waiting to be unearthed and summoned into word.

"Words From the Land spans the full range of the contemporary nature writing genre. In this expanded edition, Stephen Trimble adds five writers to the fifteen included in the original edition, including selections both from well-known masters and from vital new writers who focus on our relationship with the earth. A new preface brings his critical commentary up to date. In his fascinating introduction, and in biographical sketches of each contributor, Trimble illuminates the practice and spirit of this work, the fruit of 'the naturalist's trance'. Trimble explores how the writers learn their profession, how they meet day-by-day challenges, and how they feel about their craft. The interaction between the essays and the introduction provides an unusual perspective on these writers who connect the worlds of story and landscape."--Publisher's description.

Named a BEST BOOK by People Magazine, Boston Globe, BookBub, PopSugar, CrimeReads and more. “Brilliant…. A well-crafted psychological thriller.” —The New York Times Book Review When former journalist Rain Winter was twelve years old, she narrowly escaped an abduction while walking to a friend’s house. The abductor was eventually found and sent to prison, but years later was released. Then someone delivered real justice--and killed him in cold blood. Now Rain is living the perfect suburban life, spending her days as a stay-at-home mom. But when another criminal who escaped justice is found dead, Rain is unexpectedly drawn into the case, forced to revisit memories she’s worked hard to leave behind. Is there a vigilante at work? Who is the next target? Why can’t Rain just let it go? Introducing one of the most compelling and original killers in crime fiction today, Lisa Unger takes readers deep inside the minds of both perpetrator and victim, blurring the lines between right and wrong, crime and justice, and showing that sometimes even good people are drawn to do evil things. Don't miss The New Couple in 5B, Lisa Unger's newest psychological thriller about a couple that inherits an apartment with a truly chilling past. Looking for more spine-tingling thrillers? Check out these other titles by New York Times bestselling author Lisa Unger: Under My Skin Confessions on the 7:45 Last Girl Ghosted Secluded Cabin Sleeps Six The New Couple in 5B (coming March 2024!)

At the time of his death in 1921, John Burroughs (1837-1921) was America’s most beloved nature writer, a best-selling author whose friends and admirers included Walt Whitman, Theodore Roosevelt, John Muir, Henry Ford, and Thomas Edison. Burroughs was second only to Emerson in fostering the nature study movement of the nineteenth- century, and the popularity of his work inspired Houghton Mifflin to publish or reissue the work of numerous other nature writers, including that of Thoreau and Muir. His first collection of essays, Wake-Robin, was published in 1871, and over the next fifty years Burroughs wrote almost two dozen books, and hundreds of essays—not only on nature, but on literature, travel, philosophy, religion, and science. By the turn of the century, Burroughs was America’s most beloved nature writer, whose friends and admirers included Walt Whitman, Theodore Roosevelt, John Muir, Henry Ford, and Thomas Edison. Burroughs died in 1921 while on a train ride back to his New York from California. His final words—"Are we home yet?"—were a remarkably fitting coda to the career of a writer so closely identified with his native Catskill region of New York State. In many of his essays, Burroughs explores the woods and fields of home, and in doing so, like Henry Thoreau and his explorations of Concord, Massachusetts, he transcends the local and examines the universal theme of our relation with nature and our native landscape. Burroughs’s emphasis on "place" and the local now seems modern once again; as the current interest in bioregionalism and climate change demonstrates, it has become increasingly evident that "thinking locally" is "thinking globally." Since 1992, the SUNY College at Oneonta has hosted the biannual John Burroughs Nature Conference and Seminar ('Sharp Eyes'), which honors the influence of Burroughs on American nature writing. Distinguished keynote speakers who have addressed the conference include John Elder, John Tallmadge, Joy Harjo, Robin Wall Kimmerer, Edward Kanze, James Perrin Warren, and Edward J. Renehan, Jr. The scope of the conference is not limited solely to Burroughs, however, as each year the writers and scholars in attendance direct their attention toward a particular issue of significance to contemporary nature writers and scholars of environmental literature. The theme of this collection, "Writing the Land: John Burroughs and his Legacy" was featured in the 2006 conference, and includes essays on John Burroughs as well as essays on the work of other writers who, like Burroughs, are linked closely through their work to a particular landscape or region. The third and final section of this book features invited essays by three distinguished scholars, John Tallmadge, Robert Beuka, and Charlotte Zoë Walker, who consider the topic of what writing about the land and nature means from three different perspectives—urban, suburban, and rural.