Writing The Wrongs

Eva McDonald Valesh was one of the Progressive Era's foremost labor publicists. Challenging the narrow confines placed on women, Valesh became a successful investigative journalist, organizer, and public speaker for labor reform.Valesh was a compatriot of the labor leaders of her day and the "right-hand man" of Samuel Gompers, president of the American Federation of Labor. Events she covered during her colorful, unconventional reporting career included the Populist revolt, the Cuban crisis of the 1890s, and the 1910 Shirtwaistmakers' uprising. She was described as bright, even "comet-like," by her admirers, but her enemies saw her as "a pest" who took "all the benefit that her sex controls when in argument with a man."Elizabeth Faue examines the pivotal events that transformed this outspoken daughter of a working-class Scots-Irish family into a national political figure, interweaving the study of one woman's fascinating life with insightful analysis of the changing character of American labor reform during the period from 1880 to 1920. In her journey through the worlds of labor, journalism, and politics, Faue lays bare the underside of social reform and reveals how front-line workers in labor's political culture--reporters, investigators, and lecturers--provoked and informed American society by writing about social wrongs. Compelling, insightful, and at times humorous, Writing the Wrongs is a window on the Progressive Era, on social history and the new journalism, and on women's lives and the meanings of class and gender.

NEW YORK TIMES BESTSELLER • An “extraordinary, unforgettable” (Michelle Alexander, author of The New Jim Crow) memoir of redemption and second chances amidst America’s mass incarceration epidemic, from a member of Oprah’s SuperSoul 100 Shaka Senghor was raised in a middle-class neighborhood on Detroit’s east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor—but at age eleven, his parents’ marriage began to unravel, and beatings from his mother worsened, which sent him on a downward spiral. He ran away from home, turned to drug dealing to survive, and ended up in prison for murder at the age of nineteen, full of anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others—tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival. In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption; and a compelling witness to our country’s need for rethinking its approach to crime, prison, and the men and women sent there.

A book of poetry about my journey of recovery from child abuse. One section is titled Writing the Wrongs. Flip the book over to read the other section, titled Righting the Wrongs. For a free electronic version of this book, click here. If you prefer to order from amazon.com, click here.

Writing Wrongs is a concise and thoughtful guide to common errors in English. It covers frequently confused and misused words along with problems of grammar, punctuation, and style, and offers a brief and up-to-date guide to major citation styles. Though it provides guidelines and recommendations for usage, Writing Wrongs acknowledges the evolution of language over time and the fact that different contexts have different rules—it is not narrowly prescriptive. A friendly, flexible, and easy-to-read reference, Writing Wrongs will be useful to students and general readers alike.

This book examines the ‘cultural apparatus’ of Human Rights in India today. It unravels discourses of victimhood, oppression, suffering and witnessing through a study of autobiographies, memoirs, reportage and media coverage, and documentaries. Moving across multiple media and genres for their representations of Dalits, riot victims, prisoners, abused and abandoned women and children, examining the formal properties of victim texts for their documentation of trauma, and analyzing the role of the sympathetic imagination, Writing Wrongs inaugurates a whole new field in literary–cultural studies by focusing on the narratives that build the culture of Human Rights. It argues for taking this cultural apparatus as essential to the political and legal dimensions of Human Rights. The book emphasizes the need for an ethical turn to literary–cultural studies and a cultural turn to Human Rights studies, arguing that a public culture of Human Rights has a key role to play in revitalizing civil society and its institutions. It will be of interest to Human Rights scholars and activists, and those in political science, sociology, literary and cultural studies, narrative theory and psychology.

Life is sometimes seen as a series of events that happen to a person. Other times it is viewed as life events we go through. Meleza saw life as a challenge of endurance. At a standstill in life, she was encouraged to share her experiences; implying it was time for her to move on and emotionally grow into who she was destined to be. Writing the Wrongs is a memoir exposing what was thought to have been the best decisions in, sometimes, the worst situations. It is a memoir of choices and results. Perception; based on both applied and assumed reality.

This book gives both aspiring and seasoned songwriters a powerful new approach to writing songs, focusing on common obstacles in the songwriting process and techniques to help songwriters overcome them. Each chapter goes to the root of a specific songwriting problem and provides exercises to help readers over the hurdles and put their new skills to work. Topics include writing approach, purpose, structure, melodic significance and construction, basic music theory, word meaning, word design and arrangement, chords, and how they are all pieced together. Along the way, a song is created to act as a case study and a demonstration of what each exercise can result in. The lessons are fun, informal, and include fresh suggestions and exercises born out of the author's experience in teaching songwriting at the college level. The book's companion website provides audio clips to accompany the relevant exercises and examples presented in the book. This book is able to cover all of the major aspects of songwriting while keeping everything entertaining and enlightening. It really doesn't matter what level of a song writer that you are . . . I very highly recommend it. - Seattle Post-Intelligencer

When self-proclaimed geek girl Bethany becomes the newest member of the varsity cheerleading squad, she realizes that there’s one thing worse than blending in to the lockers: getting noticed. Who knew cheerleading was so hard? Well, at least there’s a manual. Too bad it doesn’t cover any of the tough questions like: What do you do when the head cheerleader spills her beer on you at your first in-crowd party? And how do you protect your best friend from the biggest player in the senior class? Bethany is going to need all her geek brainpower just to survive the season!