Writing Women S Worlds

Extrait de la couverture : " In 1978 Lila Abu-Lughod climbed out of a dusty van to meet members of a small Awlad 'Ali Bedouin community. Living in this Egyptian Bedouin settlement for extended periods during the following decade, Abu-Lughod took part in family life, with its moments of humor, affection, and anger. As the new teller of these tales Abu-Lughod draws on anthropological and feminist insights to construct a critical ethnography. She explores how the telling of these stories challenges the power of anthropological theory to render adequately the lives of others and the way feminist theory appropriates Third World women. Writing Women's Worlds is thus at once a vivid set of stories and a study in the politics of representation."

Women’s Worlds, a new anthology of women’s writing, makes available a broad range of women’s voices from across time, across classes, and across the globe in a slimmer, more flexible, and more affordable format. This new anthology includes selections from the 14th through the 21st centuries, from the first text by a woman published in English (Julian of Norwich’s Revelation of Divine Love) to selections by contemporary writers like Barbara Kingsolver, Alison Bechdel, and Zadie Smith. The selections are drawn from Britain and North America, but also from Africa, Asia, Oceania, the Middle East, and the Caribbean--wherever English is spoken. While classics of fiction, poetry, and drama are provided, the text also includes essays, song lyrics, letters, diary entries--even excerpts from domestic handbooks and a graphic memoir--to represent the full range of women’s voices. And Cultural Coordinates essays provide insights into customs and costumes from purdah to life before the Pill. To expand the choice of novels instructors wish to assign, McGraw-Hill also offers works from Library of Women's Literature at a discount.

Womens Worlds in England presents a unique collection of source materials on womens lives in sixteenth and seventeenth century England. The book introduces a wonderfully diverse group of women and a series of voices that have rarely been heard in history, Drawing on unpublished, archival materials, the book explores women's: * experiences of work, sex, marriage and motherhood * beliefs and spirituality * political activities * relationships * mental worlds. In a time when few women could write, this book reveals the multitude of ways in which their voices have left traces in the written record, and deepens our understanding of womens lives in the past.

Worlds of Knowledge rediscovers the works of authors from the eighteenth to the twentieth century and challenges the frequent focus in travel studies on English-language texts. Written by experts in a wide range of fields, this interdisciplinary volume sheds new light on the range, innovation, and erudition of travel narratives by women.

Encompassing several genres of literary composition, this up-beat, multi-cultural anthology provides an integrated curriculum of contemporary American women writers from diverse backgrounds whose works have recently emerged or made an impact on American literature in the last several decades. Juxtaposing the works of emerging writers with those of American classics, this book comes organized into eight thematic sections - language, family, and multicultural histories, transformation, music/spirituality, work, love, and happiness. It includes a variety of genres in each section - fiction, memoirs, essays, poetry, drama - moving from one to another with ease and a sense of discovery. Presenting an original interview at the end of each section with a distinguished author, it provides clearly and concisely written headnotes for each section. Spanning a broad historical range, from Margaret Walker (1915) to the present day, it includes brief biographies for each author, along with contextual notes for each reading. For professors of American literature and/or women's studies; librarians.

Eve was not Adam's first wife. That honor belongs to Lilith, who was created as Adam's equal. When he tried to dominate her, she uttered God's secret name and flew away. Lilith is mentioned in the Talmud, elaborated on in the midrash and in the kabbalah, whispered about in stories, and passed down from mother to daughter. In this anthology, a vivid, provocative, and enlightening sampling of Jewish women's written responses to the Lilith myth are offered. The editors have provided the space for contemporary women to link themselves to a tradition and participate in a sacred activity, thereby infusing energy into Lilith and creating a new tradition.

This book sets out to investigate how contemporary African diasporic women writers respond to the imbalances, pressures and crises of twenty-first-century globalization by querying the boundaries between two separate conceptual domains: love and space. The study breaks new ground by systematically bringing together critical love studies with research into the cultures of migration, diaspora and refuge. Examining a notable tendency among current black feminist writers, poets and performers to insist on the affective dimension of world-making, the book ponders strategies of reconfiguring postcolonial discourses. Indeed, the analyses of literary works and intermedia performances by Chimamanda Adichie, Zadie Smith, Helen Oyeyemi, Shailja Patel and Warsan Shire reveal an urge of moving beyond a familiar insistence on processes of alienation or rupture and towards a new, reparative emphasis on connection and intimacy – to imagine possible inhabitable worlds.

Recounts the lives and summarizes and evaluates the works of 135 of the world's most important female writers