Wuxia Novels Gamblers Crazy Heroes

Luck be a lady tonight!Seeking financial support in the fight against the Demon King's army, Princess Iris visits the neighboring nation of Elroad to meet the prince: her husband-to-be. But Kazuma won't hand over his little sister to just anyone! Scratch that. He won't hand her over, period! Posing as her escort, he tags along in an attempt to derail yet another wedding (and rake in the dough). But no sooner than they arrive in Elroad are they informed that the engagement is off, and there won't be any financial support at all! And so it falls to Kazuma to use his wit and insanely good Luck to milk the Casino Kingdom for all it's worth!

WHERE DID THINGS GO WRONG? Thanks to their similiar experiences of betrayal, Nick, Tiana, Zem, and Karan have formed their own adventurer’s party called Survivors to turn their lives around and—most importantly—finance their hobbies. Things are going well, as they have obtained a holy sword with multiple powers that can take on a human form! But then Nick bumps into his ex-girlfriend and is dragged into a duel with her adventurer’s party, the Iron Tiger Troop, whose members are all fraudsters. Will the Survivors be able to defeat them and expose their crimes?

Losing big to a member of the student council, Yumeko finds herself deeply in debt and cast down to the rank of "house pet" in the Hyakkaou Academy hierarchy. With her future hanging in the balance, the student council tournament may be Yumeko's only shot at redemption. Teaming up with former rival Mary, currently suffering the same sub-human indignity, Yumeko and her new partner are prepared to go all in for another shot at the high life. But will luck favor these ladies...?

Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.