Yankee Doodle Southern Belle

Yankee Doodle--Southern Belle contains Felice's personal story of her journey from New York to North Carolina. She and her husband make the move with their three young daughters determined to start a new life for their family in the South. They begin their move with no current means of income yet confidently set out for North Carolina. This story is about realizing the many differences of living in a southern town and adapting to the cultural changes. She takes you on their journey of raising their three daughters and building a business. With the rough times of the economy, they strive hard to survive and support themselves. Yet when Felice receives a diagnosis of breast cancer, her family feels devastated, scared, and worried about their future. Felice's faith in God gives her strength and keeps her family positive during the uncertain times ahead. This is Felice's story and how she encounters the struggle that many women face with cancer.

Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.

Not Just Any Old Riches to Rags Story. Nicknamed the Southern Belles by the tabloid press, heiresses Evelyn, Georgia and Olivia Belle have everything they've ever wanted. But after their father dies in a tragic accident on Evelyn's 30th birthday, the Belles are left with a massive hole in their finances. With the world's media and National Crime Agency looking on, their family home, cars and other assets are sold at auction, leaving the sisters penniless, homeless and jobless. Shunned by their celebrity friends, the sisters must learn to fend for themselves for the first time in their lives. Evelyn, the eldest, knows how dire their situation is, and asks their father’s solicitor to look into their father’s case. Meanwhile, the three hunt for jobs, meet new people and fall in love, learning along the way that the world doesn’t owe them any favors, and that money doesn’t buy you happiness.

The unique art that graced military aircraft in World War II and the Korean War. Applied by amateurs or professional artists like Vargas, the art typically featured alluring women whose charms belied the deadly cargo the crew hoped to deliver to its targets. Hundreds of examples are shown in a combination of archival photos from the wars and current photos of artwork in museum collections.

The courage and sacrifices of the Southern women who stood in the way of Sherman’s March to the Sea from Atlanta to Savannah during the Civil War. When General Sherman led 60,000 soldiers on a sixty-mile-wide path of destruction through Georgia, the purpose was to frighten civilians into abandoning the Confederate cause. Most Georgia women were left to face the enemy alone—their men were off fighting or hiding for fear of being killed or taken as prisoners of war. But these steel magnolias were well-prepared to protect all that was rightfully theirs . . . Cathy Kaemmerlen, a renowned storyteller and historical interpreter, provides a colorful collection of tales of exceptional Georgia women who made great sacrifices in an effort to save their families and homes. From the innocent diary of a 10-year-old girl to the words of a woman who risks everything to see her husband one last time, Kaemmerlen exposes the grit and gumption of these remarkable Southern women in inspiring and entertaining fashion.

"In "The Ghost of Yankee Doodle" Sidney Howard grapples with the problem of war and peace, demonstrates the impotence of sober liberalism as pitted against drunken jingoism, but ends with a faint note of hope for the forces of temperance and sanity, a note which is scarcely justified by what has gone before. A great newspaper owner, a frank caterer to mob passions, is the chief antagonist; while two brothers, a manufacturer and a one-paper journalist, do battle for liberalism and pacifism, but draw their strength from a woman, their sister-in-law. There is something in the play of the old conflict of destruction versus creation with their usual symbols, a man and a woman." -- Crimson Playgoer.

The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available. Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.

Flowering Plants: Dicotyledons Part 1 is the second in the series. Covering South Australia, Victoria, Tasmania, New South Wales and southern Queensland, the series is a useful guide to temperate plants in other parts of Australia and in New Zealand.