Yes Lord I Know The Road

The first comprehensive history of African Americans in the Palmetto State, spanning five centuries. From the first North American slave rebellion near the mouth of the Pee Dee River in the early sixteenth century to the 2008 state Democratic primary victory of Barack Obama, award-winning historian J. Brent Morris examines the unique struggles and triumphs of African Americans in South Carolina. Following an engaging introduction, Morris brings together a wide variety of annotated primary-source documents—personal narratives, government reports, statutes, newspaper articles, and speeches—to highlight the significant people, events, social and political movements, and ideas that have shaped black life in South Carolina and beyond. In their own words, anonymous and notable African Americans, such as Charlotte Forten, David Walker, and Jesse Jackson, describe the social and economic subjugation caused by more than three hundred years of slavery, the revolution wrought by the American Civil War and Reconstruction, and the post-Reconstruction civil rights struggle that runs to the present. Many of these source documents are previously unpublished; others have been long out of print. Morris proposes that reading the narrative-sources black Carolinians left behind brings life and relevancy to the past that will spark new public conversations, inspire fresh questions, and encourage historians to pursue innovative scholarly work. “For everyone interested in South Carolina history Yes, Lord, I Know the Road is a book that has long been needed. Thanks to the judicious selection of documents and thoughtful introductory material, Brent Morris has produced a very readable book on a complex and often contentious topic. It is an invaluable addition to South Carolina historiography—and to my bookshelf.” —Walter Edgar, author of South Carolina: A History “At last, we have a concise document book tracing one of the most troubled and inspiring paths in American history. Exploring this long, rutted road, we meet brave souls who stood tall—Boston King, Robert Smalls, Septima Clark. Morris’s varied collection will spark readers to dig deeper and learn more.” —Peter H. Wood, Duke University, author of Black Majority and Strange New Land “This thoughtfully curated documentary history of Afro-Carolinians spans five centuries with important, vivid, and compelling accounts of South Carolina’s twisted, stony road of anguish and achievement, oppression and hope. An informative introduction and concise headnotes provide historical context and make the book accessible to all students of South Carolina history.” —Michael Johnson, Academy Professor of History Emeritus, Johns Hopkins University

LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician. He is a classical trumpet artist, accomplished band director, effective music administrator, skilled lecturer and publi shed author. As an author, Bowie's expertise in several fields of endeavor has been documented through the following subjects, as published in the professional music journals indicated: "Solving Problems of Young Trumpet Players, " published in the Music Educators National Journal (December, J979) , a critical review of "Black University Marching Bands in the 80's." published by The Marching Band (January, 198 1), and the Proceedings of an Informal Research Conference whose mission was to document the extent to which African American music courses were offered in Florida's Public Schools was published by the Florida Music Educator (June, 2002). As an undergraduate, Bowie was plagued bymany questions concerning the absence of formal instruction in the music of his people, especially when considering the fact that there were only two authentic types of American music -- that of the American Indians and that of African Americans, with African American Music being the most important of the two. Bowie's search for answers to his probing questions began when he enrolled in Professor Willie Ruffs course in Black Music as a graduate student at Yale University in 1974. This course opened Bowie's eyes, ears and mind to many of his here-to-fore unanswered questions; including the extent to which African music traditions are practiced in African American Music today, and the impact that African American Music has made on the social, political, economic, and religious climates of modern American Society. After graduating from Yale with a Master of Musical Arts Degree in 1976, Bowie struck out on a mission to enlarge on what he had learned about African American Music.This mission brought him in contact with a wealth of information through independent study of numerous publications and documentaries; lectures, festivals, concerts; and personal contacts with scholars who were, or have become, major players in the research, dissemination, performance and composition of African American Music. Some of these scholars include former colleagues Dr.Oily W. Wilson, composer and Chair of Composition at UCLA , Berkeley, Samuel Floyd, Founder and Director of the Center for Black Music Research, found at Fisk University, now housed at ColumbiaCollege,Chicago,Dr. AaronHorne,AfricanAmericanMusic Biographer and Dean of Fine Arts, Winston Salem Unive rsity, North Caro lina, Aramentha Adams - Hummings, Founder and Director ofthe Gateways Music Festival , initiated at the North Carolina School of the Arts, now housed at the East man School of Music in Rochester,New York, Operatic Tenor and Music Educator, the late Dr. William A, Brown. Others include Dr. Portia Maultsby, Professor of Music at Indiana University, Dr. Dena Epstein, Retired Music Librarian, Archival Researcher and Author, Chicago, Dr. Rene Boyer-White, Professor of Music Education, College-Conservatory of Music, The University of Cincinnati, and Dr. John Smith, Dean of Fine Arts, The Univers ity of South Florida at Tampa. During the first of Dr. Bowie's two terms as Music Department Chair at The University of North Florida, he was afforded an opportunity to apply and distribute his long sought know ledge. The opportunity came in the form ofa Mill ion Dollar Endowment from the Koger Company to develop programs of study in American Music. The response of the faculty to the endowmentwas to institute two programs: a Jazz Studies Program and a program in African American Music. The Jazz Studies Program has become nationally recognized for outstanding achievements in jazz theory, history and performance. The latter program , designed and developed by Bowie, was chall

I am a survivor even though I have had to suffer hell most of my life. I lost all my family in childhood and of all things, I have even lost three children by death. One son committed suicide, and another son died of alcoholism. My thirteen month old baby girl died of a heart defect. Even so, I have managed to live through the tragedies and traumas I listed below IF you don't drink and are still haunted by alcohol and think you have been through hell or feel like you have been locked into hell, and abandoned by God, this book is for YOU IF you too feel like you have been a failure and a victim soul that climbed that EIGHTH STORY MOUNTAIN OF BLOOD AND TEARS don't give up IF, a mesa-mess like myself can survive, and be positive and happy, believe me, YOU CAN TOO IF as a child you were continually shipped out to only God knows where, and Santa Claus didn't ever come, and you continually lost your identity this book is for YOU IF you have felt unloved, didn't have a mother, father or any other family and have been named PIG in your childhood, and told that you are UGLY, this book is for YOU IF you have been molested and physically abused by your father or mother this book is for YOU IF you are Catholic, Protestant, Jewish, or whatever this book is for YOU I have survived all those things mentioned above. And I have finally found joy, peace and love with the help of Fr. Louis (Thomas) Merton) OCSO, Fr. Chrysogonus Waddell OCSO, Fr. Michael Casagram OCSO, Br. Chrysostom Castel OCSO, Fr. Joachim Johnson OCSO, and other monks of Our Lady of Gethsemani Monastery, in Trappist, Kentucky. www.eighthstorymountain.com

Includes musical examples keyed to references & representing the contemporary & traditional music of Africa, Afro-America, American Indians, Jewish Traditions, Mexican - Puerto Rican & Hawaiian music, both new & previously recorded selections by musicians from within the cultures. (Must be purchased as set with book.)