Yesterdays And Imagining Realities

This anthology resonates with Africa 2020, a pan-African cultural season taking place in France from December 2020 to June 2021, and an invitation to see the world from an African perspective. The voices included in Yesterdays and Imagining Realities: An Anthology of South African Poetry have been selected following an invitation for young poets to submit work in any of South Africa's official languages, as part of our support to plurilingualism. Almost 400 poems have been shared with us, all carefully read by our experienced judges.

In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald ( One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins ( The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' ( Independent) compendium on the roots and history of the documentary film. Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War.

Neville was born in Barbados, West Indies in 1905 into a poor English familynine boys and one girlwhere he was raised and educated in a traditional Christian manner. His father who knew about the power of imagining, along with the help of his industrious sons, made the Goddards into the largest business presence in the island, and at his death left all ten children independently wealthy. At age seventeen Neville left Barbados for New York City where he worked in retail for several years until he became a dancer in Broadway shows. This led to a stint in London where he was introduced to metaphysical thought, and upon returning to New York he began to teach the law of imagining in 1938 to ever-growing audiences in the East, Los Angeles and San Francisco. When he moved his family to Los Angeles in the early 1950s he was attracting crowds of 2,000 for his Sunday talks. Everyone wanted somethinghomes, new jobs, mates, moneyand he successfully taught them how to fulfill those desires through the use of their all-powerful human imaginations. The techniques, testimonies from his audiences, the creative formula, visions, dreams and Bible interpretations are discussed simply and in detail in these lectures. They encourage any seeker to apply his or her imagination for success, and ultimately lead to the appreciation that there is no intermediary between God (mans I AM) and man. Starting in 1959 he had a series of six visions over a three and a half year periodresurrection/birth from above; David; splitting of the temple/ascension; and the doves descent. Then he understood his mission: To first experience these visions, understand their meanings, and then teach the meaning of these signs that are given to man after multiple lifetimes and all states of consciousness have been played by each individual. These signs confirm the awakening of mans soul. Mans origin and destiny are divinefrom unity into diversity back to unity, with no loss of individuality. All is forgiven and the exile, the prodigal returns to Lordship, greatly expanded by the journey through limitation, illusion and a sleep likened unto death.

The practice and theory of science communication can take many forms. One of them, which this volume represents, explores what forms of knowledge might be constructed when creative writing encounters science. Working outwards from a theoretical framework that sees the sciences as discourses constructed by human endeavour through forms of language and practices of authority, this collection offers writing that emerged from a scientific encounter. It explores the relationship between creativity and scientific experiment, between the languages deployed by scientists in their experiments and analyses and the languages forged by creatives in their ongoing efforts to understand the human condition. Fic Sci 01 brought eleven creative writers together with a biomechanical engineer. The presented science invited creative enquiry into different aspects of flow, that physical property that is so central to research in fluid mechanics. This anthology collects the results of that encounter.

First published in 1999. This concludes work on a series Current Issues in Criminal Justice. Criminology. The book represents another milestone in a criminologist’s journey to uncover some “truths” about the discipline and to reflectcritically on how that field has evolved. This journey, some of youmay remember, began in The Sociology of Criminological Theory:Paradigm or Fad and continued in The Demise of the CriminologicalImagination. To date, this latest work has already attracted considerabledebate and in the tradition of C. Wright Mills, engendered somewhatheated discussion about the philosophy of criminology and the logic ofits paradigms. What is perhaps most exciting about this work is that it is critical, in the true sense of critical, a term that has been abused and overused.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Cameroon is no longer a peace-haven in Central Africa. This bilingual poetry anthology is a literary response to the avoidable but worsening and under-reported fratricidal war in Anglophone Cameroon. Written in English and French, the anthology brings together thirty-three poets from thirteen countries in Africa and beyond. The poets are concerned with the blood baths, burnings and other crimes committed in Anglophone Cameroon in the name of unity or division. Their poems paint raw images of the cruel killings of old people, pregnant women and children like those of #NgarbuhMassacre. They excavate the hidden mass graves and unveil the countless villages reduced to ashes and rubble. They recall the burning of animals and food and the brutal killing of nurses, patients and teachers. Their stanzas meander along with refugees in forests into Nigeria, into the jungles of Mexico en route to the US, and elsewhere. It is poetry speaking for human life and dignity, for peace and education, for inclusive dialogue, for reconciliation. It is poetry which should ruffle the consciences of those doing business in war, those pulling strings behind curtains, those who see oil before humans, those who trigger guns at their own brothers, sisters and parents, those who give orders to kill--in short, those who enjoy warfare as they profit from the spoils of war. This anthology seeks to raise global awareness on this forgotten war as a way of contributing to justice, healing, and peace in Cameroon.

Finding the worthwhile nuances within a complex life. Self expression taking the form of choice words. Ultimate destiny being up to the individual.