Yiddishkeit

A “fascinating and enlightening” collection of comics and writings that explore the Yiddish language and the Jewish experience (The Miami Herald). We hear words like nosh, schlep, and schmutz, but how did they come to pepper American English? In Yiddishkeit, Harvey Pekar and Paul Buhle trace the far-reaching influences of Yiddish from medieval Europe to the tenements of New York’s Lower East Side. This comics anthology contains original stories by such notable writers and artists as Barry Deutsch, Peter Kuper, Spain Rodriguez, and Sharon Rudahl. Through illustrations, comics art, and a full-length play, four major themes are explored: culture, performance, assimilation, and the revival of the language. “The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’...he writes: ‘You really can’t define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —TheNew York Times “As colorful, bawdy, and charming as the culture it seeks to represent.” —Print magazine “Brimming with the charm and flavor of its subject...a genuinely compelling, scholarly comics experience.” —Publishers Weekly “A book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune “A postvernacular tour de force.” —The Forward “With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah “Gorgeous comix-style portraits of Yiddish writers.”––Tablet “Yiddishkeit has managed to survive, if just barely...because [it] is an essential part of both the Jewish and the human experience.” —Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction “A scrumptious smorgasbord of comics, essays, and illustrations...concentrated tastes, with historical context, of Yiddish theater, literature, characters and culture.” —Heeb magazine

"Beyond Yiddishkeit deals in an intelligent and perceptive way with the issue of Jewish identity in an affluent and highly educated suburban community. Particularly significant is that it relies upon participant observation, as well as ethnographic interview techniques and data, on the part of the author. In this way, the work constitutes the first major study of this type conducted within the liberal Jewish American community. As such, it is a "pioneering" work. Equally impressive is the author's command of the sociological literature on issues of identity and her ability to apply it to the data gathered in this study. She makes sociological jargon intelligible and presents an easily-read and well-constructed book. Her ability throughout the work to focus on issues of modernity is insightful and brilliant. I found myself racing through the book and, indeed, read it in one sitting. This really is an unparalleled work in this field." — David Ellenson, Hebrew Union College Jewish Institute of Religion

An introduction to the Yiddish language and its culture in America throughout the past century considers its grammatical and vocabulary basics, offers a wealth of expressions and insults, and profiles Yiddish influences on the arts, food, and education.

Yiddishkeit means "Jewishness". It specifically refers to the "Jewish essence" in the popular culture and Yiddish humor of Eastern European Ashkenazi Jews. 13 Yiddishkeit-inspired watercolors were painted en plein air in Provincetown, Massachusetts over a period of 8 days in the summer of 2016. A hardbound 52-page book published by Foundation Machamux pairs these paintings with personal memoirs, family photographs, and anecdotes, spinning a trans-Atlantic tale that spans four generations.

Recovering the history of the revolutionary Jewish tradition Jewish radicals manned the barricades on the avenues of Petrograd and the alleys of the Warsaw ghetto; they were in the vanguard of those resisting Franco and the Nazis. They originated in Yiddishland, a vast expanse of Eastern Europe that, before the Holocaust, ran from the Baltic Sea to the western edge of Russia and incorporated hundreds of Jewish communities with a combined population of some 11 million people. Within this territory, revolutionaries arose from the Jewish misery of Eastern and Central Europe; they were raised in the fear of God and taught to respect religious tradition, but were caught up in the great current of revolutionary utopian thinking. Socialists, Communists, Bundists, Zionists, Trotskyists, manual workers and intellectuals, they embodied the multifarious activity and radicalism of a Jewish working class that glimpsed the Messiah in the folds of the red flag. Today, the world from which they came has disappeared, dismantled and destroyed by the Nazi genocide. After this irremediable break, there remain only survivors, and the work of memory for red Yiddishland. This book traces the struggles of these militants, their singular trajectories, their oscillation between great hope and doubt, their lost illusions—a red and Jewish gaze on the history of the twentieth century.