Yonkers In The Twentieth Century

Traces the economic, political, and social evolution of New York State’s fourth largest city during the twentieth century. Yonkers in the Twentieth Century chronicles the decline and rebirth of the fourth largest city in New York State, once known as “the Queen City of the Hudson” and “the City of Gracious Living.” Previously an industrial powerhouse, the city’s factories turned out essential items that helped the United States win two world wars. Following World War II, the industrial base of Yonkers eroded as companies moved away, contributing to an increase in poverty. To address the housing needs of its low-income residents, Yonkers built public housing, resulting in a nearly thirty-year court case that, for the first time in United States history, linked school and housing segregation. The case was finally settled in the early years of the twenty-first century, a time that also witnessed the continuation of the city’s economic redevelopment efforts along the Hudson River and contiguous downtown area. Striving to once again become “the Queen City of the Hudson,” Yonkers is being rebuilt beginning at its historic waterfront. Marilyn E. Weigold is Professor of History at Pace University and the author of several books, including The Long Island Sound: A History of Its People, Places, and Environment. The Yonkers Historical Society is dedicated to saving the rich, diverse history of Yonkers. The Society maintains Sherwood House museum, advocates for the preservation of historic landmarks and neighborhoods, and promotes an appreciation of the city’s unique heritage through its many programs, publications, and social media.

Over the centuries, Yonkers, New York, has evolved from a small village to a dynamic industrial powerhouse. The city firmly established itself as one of the largest cities in the state in the post-Civil War era, with downtown Getty Square as its bustling center.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

A Pictorial Study of African-Americans living in Yonkers, New York from the nineteen century

The momentous changes which are transforming American life call for a new exploration of the economic and cultural landscape. In this book Sharon Zukin links our ever-expanding need to consume with two fundamental shifts: places of production have given way to spaces for services and paperwork, and the competitive edge has moved from industrial to cultural capital. From the steel mills of the Rust Belt, to the sterile malls of suburbia, to the gentrified urban centers of our largest cities, the "creative destruction" of our economy--a process by which a way of life is both lost and gained--results in a dramatically different landscape of economic power. Sharon Zukin probes the depth and diversity of this restructuring in a series of portraits of changed or changing American places. Beginning at River Rouge, Henry Ford's industrial complex in Dearborn, Michigan, and ending at Disney World, Zukin demonstrates how powerful interests shape the spaces we inhabit. Among the landscapes she examines are steeltowns in West Virginia and Michigan, affluent corporate suburbs in Westchester County, gentrified areas of lower Manhattan, and theme parks in Florida and California. In each of these case studies, new strategies of investment and employment are filtered through existing institutions, experience in both production and consumption, and represented in material products, aesthetic forms, and new perceptions of space and time. The current transformation differs from those of the past in that individuals and institutions now have far greater power to alter the course of change, making the creative destruction of landscape the most important cultural product of our time. Zukin's eclectic inquiry into the parameters of social action and the emergence of new cultural forms defines the interdisciplinary frontier where sociology, geography, economics, and urban and cultural studies meet.

An NPR 2023 "Books We Love" Pick • A Kirkus Best Nonfiction Book of 2023 A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator. Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre. From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form. Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records. A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.

The meaning of the declining membership in mainline Protestant denominations has been hotly contested since the 1960s. Drawing on statistical analysis of membership trends, congregational surveys, individual interviews, research on disaffiliation, and case studies of congregations and presbyteries, this volume examines patterns and causes of congregational growth and decline in the Presbyterian church. Through its examination of American Presbyterianism, the Presbyterian Presence series illuminates patterns of change in mainstream Protestantism and American religious and cultural life in the twentieth century.