You Are Fucking Awesome Job

If you've been looking for a kick up the backside to finally launch that business, start a new project you've been putting off or just become awesome, this book is for you. So, if you are sick of the usual guru bullsh*t advice, and want to make your life truly awesome, then read this book from cover to cover, and do every single thing Dan says.

#1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.

Actors of colour need the best speeches to demonstrate their skills and hone their craft. Roberta Uno has carefully selected monologues that represent African-American, Native American, Latino, and Asian-American identities. Each monologue comes with an introduction and notes on the characters and stage directions to set the scene for the actor. This new edition now includes more of the most exciting and accomplished playwrights to have emerged over the 15 years since the Monologues for Actors of Color books were first published, from new, cutting edge talent to Pulitzer winners.

The creators of the popular website Black Nerd Problems bring their witty and unflinching insight to this engaging collection of pop culture essays—on everything from Mario Kart to issues of representation—that “will fill you with joy and give you hope for the future of geek culture” (Ernest Cline, #1 New York Times bestselling author). When William Evans and Omar Holmon founded Black Nerd Problems, they had no idea whether anyone beyond their small circle of friends would be interested in their little corner of the internet. But soon after launching, they were surprised to find out that there was a wide community of people who hungered for fresh perspectives on all things nerdy. In the years since, Evans and Holmon have built a large, dedicated fanbase eager for their brand of cultural critiques, whether in the form of a laugh-out-loud, raucous Game of Thrones episode recap or an eloquent essay on dealing with grief through stand-up comedy. Now, they are ready to take the next step with this vibrant and hilarious essay collection, which covers everything from X-Men to Breonna Taylor with “alternately hilarious, thought-provoking, and passionate” (School Library Journal) insight and intelligence. A much needed and fresh pop culture critique from the perspective of people of color, “this hugely entertaining, eminently thoughtful collection is a master class in how powerful—and fun—cultural criticism can be” (Publishers Weekly, starred review).

“America had a secret weapon,” writes Steve Call of the period immediately following September 11, 2001, as planners contemplated the invasion of Afghanistan. This weapon consisted of small teams of Special Forces operatives trained in close air support (CAS) who, in cooperation with the loose federation of Afghan rebels opposed to the Taliban regime, soon began achieving impressive—and unexpected—military victories over Taliban forces and the al-Qaeda terrorists they had sponsored. The astounding success of CAS tactics coupled with ground operations in Afghanistan soon drew the attention of military decision makers and would eventually factor into the planning for another campaign: Operation Iraqi Freedom. But who, exactly, are these air power experts and what is the function of the TACPs (Tactical Air Control Parties) in which they operate? Danger Close provides a fascinating look at a dedicated, courageous, innovative, and often misunderstood and misused group of military professionals. Drawing on the gripping first-hand accounts of their battlefield experiences, Steve Call allows the TACPs to speak for themselves. He accompanies their narratives with informed analysis of the development of CAS strategy, including potentially controversial aspects of the interservice rivalries between the air force and the army which have at times complicated and even obstructed the optimal employment of TACP assets. Danger Close makes clear, however, that the systematic coordination of air power and ground forces played an invaluable supporting role in the initial military victories in both Afghanistan and Iraq. This first-ever examination of the intense, life-and-death world of the close air support specialist will introduce readers to a crucial but little-known aspect of contemporary warfare and add a needed chapter in American military history studies.

At fifty years of age, Mark Johnson finds that his life is collapsing around him. Every aspect of his life--physical, sexual, emotional, professional, financial--is going downhill. After an other-worldly encounter--or was it?--he is strangely rejuvenated. With some mysteriously endowed gifts of health and intelligence, he is able to realize all of the success that had previously eluded him. Life is a dream come true in a world of heightened sensuality. However, his extraordinary gifts are housed in a flawed personality. He falls prey to the basic impulses of his personality and helplessly alienates the people closest to him. A few bad choices precipitate his decline and he ends up suicidal and alone. He's morally aware enough to realize what he has done and, despite his age, immature enough to have done it. A Dirty Window is an entertaining exploration of the male psyche through a darkly-coloured wish fulfillment fantasy. Movie rights are available.

Every three years, over the last decade, the Mumbai-based theatre group RAGE - in collaboration with the Royal Court Theatre in London - organizes the Writers' Bloc Workshop. Offering a much-needed artistic retreat to playwrights, this workshop allows aspiring and professional playwrights a chance to perfect their scripts with established actors and professionals from within the industry. Apart from encouraging them to break free from the rigid boundaries of English theatre in India to fashion their own idiom, the workshop also ensures its playwrights access to the final pilgrimage of any script - the stage. As it stands today, the infamous debate on whether an Indian play written in English mirrors a bona fide Indian reality is no longer relevant. Using a vocabulary that is entirely their own - 'unaffected, homegrown and lyrical' - the three plays in this collection convincingly capture the peculiar accents and the particular chaos of our times. Rahul Da Cunha's 'Pune Highway' is set in a seedy hotel room where three friends, having just witnessed the gruesome murder of a fourth, are holed up, desperate to escape its consequences; Ram Ganesh Kamatham's 'Crab' takes a hard-talking look at the existential angst of a new generation, looking at once for purpose and an emotional safe place from an increasingly concrete world; Farhad Sorabjee's 'Hard Places' explores the unspoken borders that divide us from our loved ones and the violently disputed borders between countries. Bridging the invisible lines between the personal and the political and taking us to places and situations a little less familiar and safer than our own, these brilliantly written plays can be performed, and empathized with, across territories.