You Bet Your Life

From one of America's top physicians, a "riveting," "fascinating," and "timely" (Nature) history of risk in medicine Every medical decision--whether to have chemotherapy, an X-ray, or surgery--is a risk, no matter which way you choose. In You Bet Your Life, physician Paul A. Offit argues that, from the first blood transfusions four hundred years ago to the hunt for a COVID-19 vaccine, risk has been essential to the discovery of new treatments. More importantly, understanding the risks is crucial to whether, as a society or as individuals, we accept them. Told in Offit's vigorous and rigorous style, You Bet Your Life is an entertaining history of medicine. But it also lays bare the tortured relationships between intellectual breakthroughs, political realities, and human foibles. As we have learned from the COVID pandemic--the debates over lockdowns, masks, and vaccines--it's all too easy to get everything wrong. Updated with a new introduction, You Bet Your Life is an essential read for getting the future a bit more right.

Toby Peters goes to Chicago to clear up a famous comic’s gambling debts There’s nothing funny about the package that comes for Chico Marx. It’s a severed ear, a simple message from a Chicago bookie who wants $120,000 from the world-renown Marx brother. The strange thing is that, though Chico likes to gamble, he hasn’t been making bets in Chicago. Terrified, he goes to the studio for help. Louis B. Mayer, king of Hollywood, places a call to Toby Peters. Peters’s first lead is promising. Traveling on the studio’s dime, he makes his way to Florida where he gets an interview with Al Capone, deposed lord of the Chicago underworld. The retired bootlegger’s mind has gone soft, and he doesn’t know anything about Chico’s bookie, but he suggests Peters speak to his brother. With Scarface’s good word as an introduction, Peters goes to Chicago, where it will take more than a good sense of humor to keep the Marxes from getting axed.

Hilarious situations, clever dialogue, intriguing romance and surprise twists make this breezy comedy a delight. Soap opera author Matthew Stoddard has written a screenplay about a terminally ill man who hires a hitman to kill him and then finds out he was misdiagnosed. Matt's agent and best friend, Greg, thinks the plot is not feasible so Matt contacts a gangster and arranges for an incognito hitman to join them at a dinner party in the country to prove his point. Circumstances place a real hitman among the guests and the action accelerates as they try to find out who it is before the deadline. Stacy, secretary and love interest to both men, does her best to help them solve the identity question as surprise after surprise thwarts them. Is the whole scheme really a con game? And who cons the con man? And who is conning them all? Excellent parts make this play fun to produce and view.

NATIONAL BESTSELLER • The triumphant true story of a woman who rode her horse across America in the 1950s, fulfilling her dying wish to see the Pacific Ocean, from the #1 New York Times bestselling author of The Perfect Horse and The Eighty-Dollar Champion “The gift Elizabeth Letts has is that she makes you feel you are the one taking this trip. This is a book we can enjoy always but especially need now.”—Elizabeth Berg, author of The Story of Arthur Truluv In 1954, sixty-three-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow. Annie had little idea what to expect beyond her rural crossroads; she didn’t even have a map. But she did have her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness. Annie, Tarzan, and her dog, Depeche Toi, rode straight into a world transformed by the rapid construction of modern highways. Between 1954 and 1956, the three travelers pushed through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by them at terrifying speeds. Annie rode more than four thousand miles, through America’s big cities and small towns. Along the way, she met ordinary people and celebrities—from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers—a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher. In a decade when car ownership nearly tripled, when television’s influence was expanding fast, when homeowners began locking their doors, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.

This work is for the benefit of the modern skeptic that is open to possibly re-thinking their position and for Christians who have friends and family looking for a rational way out of their unbelief. The book starts with the indisputable: someday you are going to die. The question is, what's next? Since one's eternal state is forever, the thoughtful person should seek to obtain the best possible outcome. At one time religious traditions informed us about our fate, but the secular person has been cut off from traditional answers. One is left with the nihilism of scientific materialism or an irrational leap into mysticism. But perhaps today's most common alternative is to distract oneself with things of the world-entertainment, achievement, etc. At the beginning of the Enlightenment, the French mathematician Blaise Pascal noticed similar tendencies in affluent Paris. He was outraged that his friends would be so reckless with their souls. Framing his plea against the backdrop of Pascal's famous Wager, author Paul Ernst takes the reader through the cumulative case that a group of men and woman 2000 years ago were not merely pre-scientific and gullible, but were shaped by an event that would cause them to reject their own beliefs and give up everything for what they knew to be true. The early chapters are about establishing a method for evaluating truth claims and evidence. As most people do not have a clearly thought out worldview, Ernst lays out a simple but unexpectedly robust map for thinking about philosophical systems. The worldviews of Naturalism, Theism and Eastern Pantheism are set out so that the reader might be able to better identify their own faith commitments. At the same time Ernst exposes the myth of "neutrality" concerning ultimate ideas. The next part of the book lays out the case for a Being like the Judeo-Christian God from the evidence of the natural world. The Kalam Cosmological Argument as set forth by Dr. William Lane Craig and the design inference of Dr. William Dembsky are made accessible to the general reader. Ernst then sets up the plausibility of the claims of the earliest Christians with a defense of miracles based on C. S. Lewis's refutation of skeptic David Hume and the pretensions and limitations of modern science. The specific claims of the New Testament are examined using sound historical methodology based on what most 1st century historians, and not theologians, actually believe. Jesus' claims of deity are examined against a 1st century Jewish backdrop-the only one with the proper context. The resurrection of Jesus far exceeds any naturalistic explanation for basic facts believed by the majority of scholars. After the positive evidence, Ernst deals with classic objections to Theistic belief-such as the problem of evil, the hiddenness of God and alleged falsehoods in the Bible. There is solid defense of the Bible as God's revelation that makes its case based on the Bible's own internal evidence without resorting to circular reasoning. The author details his own hard-fought intellectual journey against doubt and his own anti-supernatural presuppositions. This is contrasted with the path taken by the famous atheist Antony Flew who likewise found the evidence compelling but never came to faith. The author believes Flew lacked the desire for eternal life. Ernst candidly admits that a fear of judgment and the dread of nonexistence were central for him, as they should be for all. In the final chapters, the love of God is demonstrated through his gracious offer to all his creatures and examples are given as to what it means to trust God. The book finishes with what Jesus' followers say is the way to secure eternal life.

An intimate and candid portrait of the great comedian by the man who know him best. This book abounds with vignettes of the celebrities drawn into the Marx orbit with close-ups of Groucho's famous siblings and of his three wives.