You Killed Me

"There's a dead man at the end of Toby's bed. He says that Toby killed him. Did he? Thrilling ghost story. Len Grimsby is dead and he blames Toby. When Len's ghost appears at the end of his bed, Toby is taken back in time to see the repercussions of his actions and unravel the series of events that led to Len's death. Can he save Len from being killed? And can he manage not to screw everything else up in the process? Gripping ghost story from a critically acclaimed writer."--Publisher description.

Paul Vanderman could be at any normal high school where bullies, girls, and annoying teachers are just part of life. But “normal” doesn’t apply when it comes to the school’s biggest bully, Roth—a twisted and threatening thug with an evil agenda. When Paul ends up delivering a message from Roth to the leader of a gang at a nearby school, it fuels a rivalry with immediate consequences. Paul attempts to distance himself from the feud, but somehow Roth keeps finding reasons for him to stick around. Then one day Roth hands him a knife. And even though Paul is scared, he has never felt so powerful.

The classic graphic novel collaboration from the minds behind LADY KILLER returns in a new softcover format! Antonio Mercer is a private eye by trade, a man bad luck seems to follow, as evidenced by his newest client—the sister of his former lover, Julie Roman, who's now disappeared. And Julie's sister, Jessica, is a real piece of work. Still, Mercer takes the case, getting entangled in the same family drama that drove him away. Well, maybe not exactly the same, because the Romans have made some... unsavory connections. As the bodies start piling up, Mercer has no choice but to see the case through to its end—or become one of its casualties.

The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

In You Know Who Killed Me, by multiple award-winning author Loren D. Estleman, Amos Walker is at low ebb. Just released from a rehab clinic, the Detroit private detective has to marshal his energies to help solve a murder in Iroquois Heights, his least favorite town. The area is flooded with billboards rented by the widow of Donald Gates, an ordinary suburbanite found shot to death in his basement on New Year's Eve: "YOU KNOW WHO KILLED ME!" they read, above the number of the sheriff's tip line. Complicating matters is a $10,000 reward for information leading to the arrest and conviction of the murderer, offered by an anonymous donor through the dead man's place of worship. Initially hired by the sheriff's department to run down anonymous tips, Walker investigates further. The trail leads to former fellow employee Yuri Yako, a Ukrainian mobster, relocated to the area through the U.S. Marshals' Witness Protection Program. Shadowed by government operatives, at odds with the sheriff, and struggling with his addiction, Walker soldiers on, in spite of bodies piling up and the fact that almost everyone involved with the case is lying to him. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Ally was at a breaking point when she woke up in a psych ward at the age of eighteen. She couldn't put a sentence together, let alone take a shower, eat a meal, or pick up a phone. What had gone wrong? In recent years, she had produced a feature film, a popular reality show for a major network, and had acted in an off-Broadway play. But now, Ally was pushed to a psychotic break after struggling since she was seven years old with physical symptoms that no doctor could explain; everything from joint pain, to night sweats, memory loss, nausea, and brain fog. A doctor in the psych ward was finally able to give her the answers her and her family had desperately been searching for, and the diagnosis that all the previous doctors had missed. She learned that she had Lyme disease-and finally had a breakthrough. What she didn't know was that this diagnosis would lead her down some of the most excruciating years of her life before beginning her journey to recovery from eleven years of misdiagnosis and physical pain. She would need to find her courage to heal physically, mentally, and emotionally, and become the survivor she is today. Set against the backdrop of the fast-paced fashion and entertainment industries, BITE ME shares the heartbreaking and hilarious stories that moved Ally forward on her journey from sickness to health. Its themes will be familiar to more than 300,000 Americans diagnosed with Lyme disease each year, many of whom, like Ally, wondered for years what was wrong with them. BITE ME offers readers hope and ideas for how one can transition from victim to survivor, and shares the spiritual principles and actions that have contributed to her wholeness as a human, mother, and international spokesperson against Lyme disease.

"Disgraced ex-cop Sloane Donovan has relied on her job as a fitness instructor to keep her mental illness and PTSD in checkuntil she finds a close friend dead, apparently by her own hand. Obsessive demons triggered and doubtful of the official narrative, she teams up with Wayne Capson, a PI willing to bend the law, to find out who really killed her friend. The search leads Sloane from Vancouver's wealthiest enclaves to the street's darkest corners, questioning millionaires, tennis instructors, sex workers, former police colleaguesanyone who might provide answers. Recalling the works of Jo Nesbø and Gillian Flynn, J.T. Siemenss To Those Who Killed Me is a debut that provides a heavy dose of hardboiled suspense and introduces a fiery new heroine in crime fiction."

“[A] graceful and brilliant novel . . . leads the reader on a journey through childhood autism that proves enlightening as well as fascinating.” —ForeWord Magazine Burton Rembrandt has the sort of perspective on life that is almost impossible for adults to understand: the perspective of an eight-year-old. And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt’s story as written in pencil on the walls of the Quiet Room in the Children’s Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself . . . In this rediscovered modern classic from “one of France’s best-loved contemporary writers,” Howard Buten renders with astounding insight and wry language the tale of a troubled—or perhaps just perfectly normal—young boy testing the boundaries of love and life (Time). “Buten uses his wit like a whip to get at the heart of this boy’s own story . . . bringing some shock and some power to that delicate line between youth and the rest of the world.” —The Austin Chronicle “This psychologically intense tale moves quickly, and the difficult task of creating a child’s voice with authenticity and depth proves Buten a gifted stylist and storyteller . . . [an] imaginative and provocative book.” —Publishers Weekly, starred review “Certainly Buten offers some insight into a troubled child’s mind.” —The New York Times Book Review