Young Hollywood

The youth performing market is hotter than ever, enjoying an unprecedented number of successful television shows and movies, such as Hannah Montana and High School Musical. Kids and teens - and adults who can play young - are in demand and experiencing astonishing levels of celebrity and attention. Top talent manager Frederick Levy specialises in developing young talent and here offers a potent mix of authority and encouragement to steer today's performing youth to the careers of their dreams. The advice in this book can be applied to both stage and screen careers and covers the whole industry, as well as, Hollywood. From necessary tools (headshots) to the team of players (agents, managers) to auditions and booking a job, Levy details what to expect and teaches actors what they can do to manage and maintain a long-term career. For kids, special focus is given to labour laws, education options and how parents fit in as managers and vital members of the support team. Filled with anecdotes about working in the business, the book will both entertain readers and offer firm, practical advice not just from the author but from other actors, acting coaches, agents, casting directors and more.

This splendid new body of work by portrait photographer and stylist Claiborne Swanson Frank comes on the heels of her first Assouline book, American Beauty. Swanson Frank has photographed sixty of the hottest up-and- coming women in the entertainment industry today--actresses, directors, stylists, and more, from Isabel Lucas and Elisabeth Moss to Mickey Sumner and Amber Heard--drawing inspiration from old Hollywood. Brimming with gorgeous portraits, alongside short texts in the women's voices, and a foreword by Michael Kors, this volume captures the essence of what it means to be a starlet in modern-day Hollywood.

The first comprehensive biography of the talented devout Catholic who deceived the world by falsely adopting her love child

Classic Hollywood Style explores iconic looks from the golden era of Hollywood, covering 35 films from the 1920s to the end of the 1960s. Caroline Young looks at the history and social context of the costumes through stories from the production, photos, interviews and original costume design sketches, and tips on how to 'get the look' today. While we celebrate the glacial elegance of Grace Kelly and the skin-tight sexiness of Marilyn Monroe, behind every look on screen was the costume designer who shaped the image. In the golden age of Hollywood, designers like Edith Head, Adrian and Travis Banton became stars in their own right. Women queued up to see the latest Joan Crawford and Greta Garbo release to lust after the glamorous costumes the stars would wear on screen. Department stores shamelessly mass-produced copies of gowns, film magazines would preview the new looks and women ran up their own versions on their sewing machines. In the 1960s women lowered their hems and sported berets to look just like Faye Dunaway in Bonnie and Clyde. Even today, an article on the little black dress will inevitably make mention of Audrey Hepburn. Every one of these films has perfectly captured a moment of fashion zeitgeist or has become an indelible image of cinema, whether it is Garbo in a trenchcoat in A Woman of Affairs, Joan Crawford's shoulder pads in Mildred Pierce, Rita Hayworth's strapless dress in Gilda, James Dean's red windbreaker in Rebel Without a Cause or Steve McQueen's ivy league style in The Thomas Crown Affair. Through archived records, studio press releases, behind the scenes memos, costume designer sketches and notes, censorship records and articles from magazines of the time, this is a behind-the-scenes look at the classic costumes of the silver screen.

Joseph W. Young, Jr., was acknowledged as one of the five or six major city builders in boomtime Florida. From practically nothing in 1920 he created Hollywood By-the-Sea with an elegant Beaux Arts plan of circles and lakes, calling it a "City Beautiful," an ideal first propounded by Daniel Burnham of Chicago. Young had a rare talent for publicity and a knack for making and spending millions--supported by an immense personal charm that is still remembered decades after his death. This first full biography of Young covers his start as city builder in turn-of-the-century California where new cities blossomed and were ballyhooed, his move to Indianapolis, home of Carl Fisher who developed Miami Beach, his creation of Hollywood and Port Everglades, and his move to his Adirondack resort, ending with his dreams to expand Hollywood, fulfilled after his early death.

This is a comprehensive and profusely illustrated A-Z of the Brat Pack and beyond, covering 100 of Hollywood's hottest young actors and actresses born after 1954.

American motion pictures still dominate the world market with an impact that is difficult to measure. Their role in American culture has been a powerful one since the 1930s and is a hallmark of our culture today. Though much has been written about the film industry, there has been very little systematic attention paid to the ideology of its creative elite. How does the outlook of that elite impact on the portrayals of America that appear on the screen? How do their views interact with the demands of the market and the structure of the industry to determine the product that is seen by mass audiences? Hollywood's America is a marvellously rich and careful discussion of these questions. It combines a meticulous systematic content analysis of fifty years of top-grossing films with a history of the changing structure of the industry. To that mixture it adds an in-depth survey of Hollywood's creative elite, comparing them to other leadership groups. The result is a balanced discussion of unique breadth and depth on a subject of national importance.Placing the film industry in the context of American society as a whole, the authors point out that Hollywood's creative leadership impacts the larger society even as it is influenced by that society. The creators of films cannot remove themselves too far from the values of the audiences that they serve. However, the fact that films are made by a relatively small number of people, who, as the authors demonstrate, tend to share a common outlook, means that, over time, motion pictures have had an undeniable impact on the beliefs, lifestyles, and action of Americans.This study contributes to the debate over the role and influence of those who create and distribute the products of mass culture in the United States.The book also contains a devastating critique of the poststructuralist theories that currently dominate academic film criticism, demonstrating how they fail in their attempt to explain the political significance of motion pictures.

Surfers loathed them, teenagers flocked to them, critics dismissed them, producers banked on them—surf and beach movies. For a short time in the 1960s they were extremely popular with younger audiences—mainly because of the shirtless surfer boys and bikini-clad beach girls, the musical performers, and the wild surfing footage. This lavishly illustrated filmography details 32 sizzling fun-in-the-sun teenage epics from Gidget to the Beach Party movies with Frankie and Annette to The Sweet Ride plus a few offshoots in the snow!) Entries include credits, plot synopses, memorable lines, reviews and awards, and commentary from such as Aron Kincaid of The Girls on the Beach, Susan Hart of The Ghost in the Invisible Bikini, Peter Brown of Ride the Wild Surf, Chris Noel of Beach Ball, and Ed Garner of Beach Blanket Bingo. Biographies of actors and leading actresses who made their marks in the genre are included.