Young Jewish Poets Who Fell As Soviet Soldiers In The Second World War

This book deals with the work of fifteen young Jewish poets who were killed, died of wounds, or were executed in captivity while serving in the Red Army in the Second World War. All were young, all were poets, most were thoroughly assimilated into Soviet society whilst at the same time being rooted in Jewish culture and traditions. Their poetry, written mostly in Russian, Yiddish, and Ukrainian, was coloured by their backgrounds, by the literary and cultural climate that prevailed in the Soviet Union, and was deeply concerned with their expectation of impending death at the hands of the Nazis. The book examines the poets’ backgrounds, their lives, their poetry and their deaths. Like the experiences and poetry of the British First World War poets, the lives and poems of these young Jewish poets are extremely interesting and deeply moving.

This book deals with the work of fifteen young Jewish poets who were killed, died of wounds, or were executed in captivity while serving in the Red Army in the Second World War. All were young, all were poets, most were thoroughly assimilated into Soviet society whilst at the same time being rooted in Jewish culture and traditions. Their poetry, written mostly in Russian, Yiddish, and Ukrainian, was coloured by their backgrounds, by the literary and cultural climate that prevailed in the Soviet Union, and was deeply concerned with their expectation of impending death at the hands of the Nazis. The book examines the poets’ backgrounds, their lives, their poetry and their deaths. Like the experiences and poetry of the British First World War poets, the lives and poems of these young Jewish poets are extremely interesting and deeply moving.

Kazakh Muslims in the Red Army is the first study of the wartime experience of Soviet Kazakhs. Based on indigenous-language sources, it focuses on the wartime experiences of Kazakh conscripts and the home front as expressed in correspondence.

Winner, University of Southern California Book Prize in Literary and Cultural Studies The Soviet Writers’ Union offered writers elite status and material luxuries in exchange for literature that championed the state. This book argues that Soviet ruler Joseph Stalin chose leaders for this crucial organization, such as Maxim Gorky and Alexander Fadeyev, who had psychological traits he could exploit. Stalin ensured their loyalty with various rewards but also with a philosophical argument calculated to assuage moral qualms, allowing them to feel they were not trading ethics for self‐interest. Employing close textual analysis of public and private documents including speeches, debate transcripts, personal letters, and diaries, Carol Any exposes the misgivings of Writers’ Union leaders as well as the arguments they constructed when faced with a cognitive dissonance. She tells a dramatic story that reveals the interdependence of literary policy, communist morality, state‐sponsored terror, party infighting, and personal psychology. This book will be an important reference for scholars of the Soviet Union as well as anyone interested in identity, the construction of culture, and the interface between art and ideology.

This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are frequently beyond the sphere of medical, legal, or state intervention. To address these different, often intertwined modes of language, the contributors provide a variety of disciplinary approaches to foster innovative debates and provoke new insights. Prevailing definitions of trauma can best be understood according to the cultural and historical conditions within which they exist. Languages of Trauma explores what this means in practice by scrutinizing varied historical moments from the First World War onwards and particular cultural contexts from across Europe, the United States, Asia, and Africa – striving to help decolonize the traditional Western-centred history of trauma, dissolving it into multifaceted transnational histories of trauma cultures.

2024 Winner, Kjetil Hatlebrekke Memorial Book Prize, King's College Centre for the Study of Intelligence This book focuses on the generation of the sixties and seventies in Kharkiv, Soviet Ukraine, a milieu of writers who lived through the Thaw and the processes of de-Stalinization and re-Stalinization. Special attention is paid to KGB operations against what came to be known as the dissident milieu, and the interaction of Ukrainians, Jews, and Russians in the movement, their persona friendships, formal and informal interactions, and the ways they dealt with repression and arrests. This study demonstrates that the KGB unintentionally facilitated the transnational and intercultural links among the Kharkiv multi-ethnic community of writers and their mutual enrichment. Post-Khrushchev Kharkiv is analyzed as a political space and a place of state violence aimed at combating Ukrainian nationalism and Zionism, two major targets in the 1960s–1970s. Despite their various cultural and social backgrounds, the Kharkiv literati might be identified as a distinct bohemian group possessing shared aesthetic and political values that emerged as the result of de-Stalinization under Khrushchev. Archival documents, diaries, and memoirs suggest that the 1960s–1970s was a period of intense KGB operations, “active measures” designed to disrupt a community of intellectuals and to fragment friendships, bonds, and support among Ukrainians, Russians, and Jews along ethnic lines domestically and abroad.

The early Soviet Union’s nationalities policy involved the formation of many national republics, within which "nation building" and "modernization" were undertaken for the benefit of "backward" peoples. This book, in considering how such policies were implemented in Azerbaijan, argues that the Soviet policies were in fact a form of imperialism, with "nation building" and "modernization" imposed firmly along Soviet lines. The book demonstrates that in Azerbaijan, and more widely among western Turkic peoples, the Volga and Crimean Tatars, there were before the onset of Soviet rule, well developed, forward looking, secular, national movements, which were not at all "backward" and were different from the Soviets. The book shows how in the period 1920 to 1940 the two different visions competed with each other, with eventually the pre-Soviet vision of Azerbaijani culture losing out, and the Soviet version dominating in a new Soviet Azerbaijani culture. The book examines the details of this Sovietization of culture: in language policy and the change of the alphabet, in education, higher education and in literature. The book concludes by exploring how pre-Soviet Azerbaijani culture survived to a degree underground, and how it was partially rehabilitated after the death of Stalin and more fully in the late Soviet period.

There is a widespread notion that Russia is forever fated to be an authoritarian country where liberalism and democracy can never make real progress. However, at the beginning of the twentieth century there was an extremely influential “liberationist” movement which culminated in the formation of a modern, Western-style liberal party, the Constitutional Democrats or “Kadets”. The book provides a comprehensive history of the rise of the Kadets, focusing, in particular, on the revolutionary years 1905-06. It outlines how they dominated the first Duma elected by the people and analyses their policies, social composition and political tactics. The book challenges the view (shared by many historians) that the Kadets were inherently extreme, doctrinaire or unwilling to compromise, and argues that their eventual failure was primarily due to the intransigence of the old régime. The Russian Liberals and the Revolution of 1905 illustrates, in detail, that the Kadets offered a moderate alternative to reaction on the one hand and revolution on the other.