Your Voice Speaks Volumes

Why do we speak the way we do, and what do our voices tell others about us? What is the truth behind the myths that surround how we speak? Jane Setter explores these and other fascinating questions in an accessible and engaging account that will appeal to anyone interested in how we use our voices in daily life.

Why do we speak the way we do, and what do our voices tell others about us? What is the truth behind the myths that surround how we speak? Jane Setter explores these and other fascinating questions in this engaging introduction to the power and the science of the voice. The book first takes us on a tour of the sounds in our language and how we produce them, as well as how and why those sounds vary in different varieties of English. The origins of our vast range of accents are explained, along with the prejudices associated with them: why do we feel such loyalty to our own accent, and what's behind our attitudes to others? We learn that much of what we believe about how we speak may not be true: is it really the case, for instance, that only young people use 'uptalk', or that only women use vocal fry? Our voices can also be used as criminal evidence, and to help us wear different social and professional hats. Throughout the book, Professor Setter draws on examples from the media and from her own professional and personal experience, from her work on the provenance of the terrorist 'Jihadi John' to why the Rolling Stones sounded American.

A lush, disorienting novel, The Caretaker takes no prisoners as it explores the perils of devotion and the potentially lethal charisma of things Following the death of a renowned and eccentric collector—the author of Stuff, a seminal philosophical work on the art of accumulation—the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. In his new role as caretaker of The Society for the Preservation of the Legacy of Dr. Charles Morgan, this restive man, in service to an absent master, at last finds his calling. The peculiar institution over which he presides is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter-of-fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum’s treasures, is rare, glistening, and of a compacted inwardness. Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres—parables, ghost stories, locked-room mysteries—but Doon Arbus draws her phosphorescent water from no other writer’s well.

Would you like to have the ability to "peer" inside people's minds and "read" their thoughts based on the sound of their voice?Do you want audiences to “hang on” to your every word with interest and attention?You can!The voice is a powerful communication tool – if you know how to analyze it and use it effectively yourself.Secrets of the Voice is a compelling guide to five essential elements that, once mastered, will help you analyze the mindset of people around you, and use your own vocal skills to influence others.Written by a world-renowned mentalist Ehud Segev, the book provides “insider” tips to discover people's true personalities through their speech patterns, as well as develop a strong and persuasive voice that will grab, engage, and inspire your listeners every time you speak.

"I don't think I've ever read a book that paints such a complex and accurate landscape of what it is like to live with the legacy of trauma as this book does, while offering a comprehensive approach to healing." --from the foreword by Bessel van der Kolk A pioneering researcher gives us a new understanding of stress and trauma, as well as the tools to heal and thrive Stress is our internal response to an experience that our brain perceives as threatening or challenging. Trauma is our response to an experience in which we feel powerless or lacking agency. Until now, researchers have treated these conditions as different, but they actually lie along a continuum. Dr. Elizabeth Stanley explains the significance of this continuum, how it affects our resilience in the face of challenge, and why an event that's stressful for one person can be traumatizing for another. This groundbreaking book examines the cultural norms that impede resilience in America, especially our collective tendency to disconnect stress from its potentially extreme consequences and override our need to recover. It explains the science of how to direct our attention to perform under stress and recover from trauma. With training, we can access agency, even in extreme-stress environments. In fact, any maladaptive behavior or response conditioned through stress or trauma can, with intentionality and understanding, be reconditioned and healed. The key is to use strategies that access not just the thinking brain but also the survival brain. By directing our attention in particular ways, we can widen the window within which our thinking brain and survival brain work together cooperatively. When we use awareness to regulate our biology this way, we can access our best, uniquely human qualities: our compassion, courage, curiosity, creativity, and connection with others. By building our resilience, we can train ourselves to make wise decisions and access choice--even during times of incredible stress, uncertainty, and change. With stories from men and women Dr. Stanley has trained in settings as varied as military bases, healthcare facilities, and Capitol Hill, as well as her own striking experiences with stress and trauma, she gives readers hands-on strategies they can use themselves, whether they want to perform under pressure or heal from traumatic experience, while at the same time pointing our understanding in a new direction.

In this book, eleven teacher-scholars of communication provide a robust study of the challenges and opportunities facing those who teach first-year communication courses. The first half of the volume offers paradigmatic analyses, including a survey of the ecology of the first-year course, a plea to integrate our first-year courses into our research agendas, a study of the gap between scholarship and pedagogy within rhetoric, a proposal for seven core competencies to unify the various first-year communication courses, and an argument for a critical communication paradigm. The second half details innovations in classroom practice, such as the teaching techniques of social justice pedagogues, team-based learning as a model for the public speaking course, response and feedback techniques in teaching public speaking at the University of Copenhagen, teaching online speech as a new course focused on the unique challenges of digital communication, and the role of oral interpretation and performance classes in the first-year curriculum. Finally, this volume concludes with the editor's manifesto for teaching public speaking. This book was originally published as a special issue of the Review of Communication.

When I first saw Louis Glanzman’s paintings of twelve women in the gospels whose names are so familiar, something happened inside me. After a lifetime of knowing all about these women I felt, at last, that I had actually met them. Indeed I had. They were people I already knew: homemakers, sex workers, child runaways, crones, teachers, mothers, senior citizens...all of them knew Jesus. All of them were achetypes who reflected the journeys, struggles, joys and dreams of women today.--Edwina Gateley
Includes 12 full-color paintings by Louis Glanzman, one of Americas most honored portraitists. He is famed for eightly marvelous Time magazine covers as well as his beloved drawings for the Pippi Longstocking series.