Yung Ho Kung An Iconography Of The Lamaist Cathedral In Peking
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Yung ho kung
Author | : Ferdinand Lessing,Gösta Montell |
Publsiher | : Unknown |
Total Pages | : 14 |
Release | : 1942 |
Genre | : Buddhism |
ISBN | : UOM:39015016593868 |
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Yung ho kung an Iconography of the Lamaist Cathedral in Peking
Author | : Ferdinand Lessing,Gösta Montell |
Publsiher | : Unknown |
Total Pages | : 250 |
Release | : 1942 |
Genre | : Buddhism |
ISBN | : UOM:39015016593702 |
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Yung Ho Kung
Author | : Ferdinand D. Lessing |
Publsiher | : Routledge |
Total Pages | : 179 |
Release | : 1996-09 |
Genre | : History |
ISBN | : 0700706844 |
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This is a in depth report of the most important Tibetan temple in Peking. The Yung Ho Kung is a far reaching pioneer work often referred to by others. It provides a detailed study of the temple's iconography as well as a study of some Vajrayana rites performed there. This volume will be appreciated by experts in the field. Book jacket.
Yung Ho Kung
![Yung Ho Kung](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Ferdinand Diederich Lessing,Gösta Montell |
Publsiher | : Unknown |
Total Pages | : 183 |
Release | : 1942 |
Genre | : Electronic Book |
ISBN | : OCLC:459633235 |
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Yung Ho Kung
![Yung Ho Kung](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Ferdinand Diederich Lessing,Gosta Montell |
Publsiher | : Unknown |
Total Pages | : 179 |
Release | : 1993 |
Genre | : Electronic Book |
ISBN | : OCLC:638737733 |
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China and Tibet in the Early Xviiith Century
Author | : Luciano Petech |
Publsiher | : BRILL |
Total Pages | : 322 |
Release | : 1972 |
Genre | : Social Science |
ISBN | : 9004034420 |
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China and Tibet in the Early 18th Century
Author | : Luciano Petech |
Publsiher | : Brill Archive |
Total Pages | : 316 |
Release | : 1950 |
Genre | : China |
ISBN | : 9182736450XXX |
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Empire of Emptiness
Author | : Patricia Berger |
Publsiher | : University of Hawaii Press |
Total Pages | : 299 |
Release | : 2003-01-31 |
Genre | : Art |
ISBN | : 9780824862367 |
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Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows just how central images were in the carefully reasoned rhetoric the court directed toward its Buddhist allies in inner Asia. The multilingual, culturally fluid Qing emperors put an extraordinary range of visual styles into practice--Chinese, Tibetan, Nepalese, and even the European Baroque brought to the court by Jesuit artists. Their pictorial, sculptural, and architectural projects escape easy analysis and raise questions about the difference between verbal and pictorial description, the ways in which overt and covert meaning could be embedded in images through juxtaposition and collage, and the collection and criticism of paintings and calligraphy that were intended as supports for practice and not initially as works of art.