Zanzibar

Off the coast of East Africa in the Indian Ocean sits an archipelago known as Zanzibar. It all started ten million years ago when the island of Pemba separated from mainland Africa and then ten thousand years ago, the island of Unguja followed suit. Thus, begins the legend of Zanzibar. For centuries, Zanzibar has been the haven and gateway for explorers including Richard Burton and David Livingstone to penetrate the unknown African Continent. Forward to present day, and it is still possible to experience the unique wildlife whether that is by scuba diving off the coast of a private island, infinite lagoons, visiting mangroves or endemic wild forests; getting lost and immersing yourself into the historical labyrinthine streets of Stonetown. This cluster of islands is at a crossroads of cultures, featuring Omani architecture, Portuguese and British heritages as well as Swahili rituals.

The brilliant 1969 Hugo Award-winning novel from John Brunner, Stand on Zanzibar, now included with a foreword by Bruce Sterling Norman Niblock House is a rising executive at General Technics, one of a few all-powerful corporations. His work is leading General Technics to the forefront of global domination, both in the marketplace and politically---it's about to take over a country in Africa. Donald Hogan is his roommate, a seemingly sheepish bookworm. But Hogan is a spy, and he's about to discover a breakthrough in genetic engineering that will change the world...and kill him. These two men's lives weave through one of science fiction's most praised novels. Written in a way that echoes John Dos Passos' U.S.A. Trilogy, Stand on Zanzibar is a cross-section of a world overpopulated by the billions. Where society is squeezed into hive-living madness by god-like mega computers, mass-marketed psychedelic drugs, and mundane uses of genetic engineering. Though written in 1968, it speaks of now, and is frighteningly prescient and intensely powerful. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A travel guide to Zanzibar. It includes a chapter on Mafia Island in addition to Zanzibar and Pemba Islands.

A sweeping story of danger, adventure and the high seas. From the nation's favourite storyteller, Michael Morpurgo. "We all knew what was going to happen. We'd seen it before. A ship about to founder staggers before she falls. A huge wave broke over her stern and she did not come upright again." Life on the Scilly Isles in 1907 is bleak and full of hardship. Laura's twin brother, Billy, disappears, and then a storm devastates everything. It seems there's little hope. But then the Zanzibar is wrecked on the island's rocks, and everything changes ... The Wreck of the Zanzibar is a sea-swept story of storms, shipwrecks and survival ... and a family tossed in the centre of it all. From the author of War Horse. Michael Morpurgo has written more than one hundred books for children and won the Whitbread Award, the Smarties Award, the Circle of Gold Award, the Children's Book Award and has been short-listed for the Carnegie Medal four times.

As one of the most monumental and recognisable landmarks from Zanzibar’s years as a British Protectorate, the distinctive domed building of the Zanzibar Museum (also known as the Beit al-Amani or Peace Memorial Museum) is widely known and familiar to Zanzibaris and visitors alike. Yet the complicated and compelling history behind its construction and collection has been overlooked by historians until now. Drawing on a rich and wide range of hitherto unexplored archival, photographic, architectural and material evidence, this book is the first serious investigation of this remarkable institution. Although the museum was not opened until 1925, this book traces the longer history of colonial display which culminated in the establishment of the Zanzibar Museum. It reveals the complexity of colonial knowledge production in the changing political context of the twentieth century British Empire and explores the broad spectrum of people from diverse communities who shaped its existence as staff, informants, collectors and teachers. Through vivid narratives involving people, objects and exhibits, this book exposes the fractures, contradictions and tensions in creating and maintaining a colonial museum, and casts light on the conflicted character of the ’colonial mission’ in eastern Africa.

Zanzibar Was a Country traces the history of a Swahili-speaking Arab diaspora from East Africa to Oman. In Oman today, whole communities in Muscat speak Swahili, have recent East African roots, and practice forms of sociality associated with the urban culture of the Swahili coast. These "Omani Zanzibaris" offer the most significant contemporary example in the Gulf, as well as in the wider Indian Ocean region, of an Afro-Arab community that maintains a living connection to Africa in a diasporic setting. While they come from all over East Africa, a large number are postrevolution exiles and emigrés from Zanzibar. Their stories provide a framework for the broader transregional entanglements of decolonization in Africa and the Arabian Gulf. Using both vernacular historiography and life histories of men and women from the community, Nathaniel Mathews argues that the traumatic memories of the Zanzibar Revolution of 1964 are important to nation-building on both sides of the Indian Ocean.