Zen And The Art Of Stand Up Comedy

In this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work. Much more than a how-to manual Zen and the Art of Stand-Up Comedy is the most detailed and comprehensive book on the subject to date.

Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.

There are a lot of stand-up comedy books out there. This book is like none of them. It is about the Art of Comedy, the Zen of Comedy, the Tao of Comedy. It is comedy from the soul instead of the head. It is about Ego-less comedy. Don't Act. Be. You don't do standup comedy; it does you.

From Judd Apatow comes an intimate portrait of his mentor, the legendary stand-up comic and star of The Larry Sanders Show, with never-before-seen journal entries and photos, as well as new contributions by fellow comedians and writers. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEW YORK Garry Shandling was a singular trailblazer in the comedy world. His two hit shows, It’s Garry Shandling’s Show and The Larry Sanders Show, broke new ground and influenced future sitcoms like 30 Rock and Curb Your Enthusiasm, and his stand-up laid the foundation for a whole new generation of comics. There’s no one better to tell Shandling’s story than Judd Apatow—Shandling gave Apatow one of his first jobs and remained his mentor for the rest of his life—and the book expands on Apatow’s Emmy Award-winning HBO documentary, The Zen Diaries of Garry Shandling. Here, Apatow has gathered journal entries, photographs, and essays for a close-up look at the artist who turned his gaze back onto the world of show business. Beyond his success, though, Shandling struggled with fame, the industry of art, and the childhood loss of his brother, which forever affected his personal and professional lives. His diaries show Shandling to be self-aware and insightful, revealing a deep philosophical and spiritual side. Contributions by comedians and other leading lights of the industry, as well as people who grew up with Shandling, along with never-before-seen pieces of scripts and brilliant jokes that he never performed, shed new light on every facet of his life and work. This book is the final word on the lasting impact of the great Garry Shandling.

If you think you’re funny, buy this book! Whether you dream of becoming a star . . . A better public speaker . . . A more effective communicator . . . A funnier, happier human being . . . You can learn to leave ‘em laughing! David Letterman learned to do it. Jay Leno learned to do it. Roseanne Barr learned to do it. So can you! Now successful stand-up comic Judy Carter—who went from teaching high school to performing in Las Vegas, Atlantic City, Lake Tahoe, and on over 45 major TV shows—gives you the same hands-on, step-by-step instruction she’s taught to students in her comedy workshops. She shows you how to do it: create an act, perform it, make money with it, or apply it to everyday life. Discover: • The formulas for creating comedy material • How to find your own style • The three steps to putting your act together • Rehearsal do’s and don’ts • What to do if you bomb • Ways to punch up your everyday life with humor

Today's top stand-up comedians sell out arenas, generate millions of dollars, tour the world, and help shape our social discourse. So, how did this all happen? The History of Stand-Up chronicles the evolution of this American art form - from its earliest pre-vaudeville practitioners like Artemus Ward and Mark Twain to present-day comedians of HBO and Netflix. Drawing on his acclaimed History of Stand-up podcast and popular university lectures, veteran comedian and adjunct USC professor Wayne Federman guides us on this fascinating journey. The story has a connective tissue - humans standing on stage, alone, trying to get laughs. That experience connects all stand-ups through time, whether it's at the Palace, the Copacabana, the Apollo, Mister Kelly's, the hungry i, Grossinger's, the Comedy Cellar, the Improv, the Comedy Store, Madison Square Garden, UCB, or at an open mic in a backyard.

Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.

In A Vulgar Art Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline’s central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian’s own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and socio-cultural distances between the performer and the audience.