Zhou Mi S Record Of Clouds And Mist Passing Before One S Eyes

Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368). At the core of Weitz’s book is a complete translation of the Record of Clouds and Mist Passing Before One’s Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296. The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.

Bringing together over sixty pre-modern Chinese primary sources on same-sex desire in English translation, Homoeroticism in Imperial China is an important addition to the growing field of the comparative history of sexuality and provides a window onto the continuous cultural relevance of same-sex desire in Chinese history. Negotiating what can be a challenging area for both specialists and non-specialists alike, this sourcebook provides: accurate translations of key original extracts from classical Chinese concise explanations of the context and significance of each entry translations which preserve the aesthetic quality of the original sources An authoritative and well organised guide and introduction to the original Chinese sources, this sourcebook covers histories and philosophers, poetry, drama (including two complete plays), fiction (including four complete short stories and full chapters from longer novels) and miscellanies. Each of these sections are organised chronologically, and as well as the general introduction, short introductions are provided for each genre and source. Revealing what is a remarkably sophisticated and complex literary tradition, Homoeroticism in Imperial China is an essential sourcebook for students and scholars of Imperial Chinese history and culture and sexuality studies.

How do Chinese and Western ethical traditions interact today? In this collection of articles both Chinese and Western scholars carefully examine the issue, one of fundamental importance for the mutual understanding between China and the West. The volume is the result of the second symposium which focused on a dialogue between China and the West on questions of ethics, in particular concerning their commensurability and a possible common ground. The first part of the book discusses general problems of ethics in a cross-cultural context, followed by articles on ethical bases of Chinese and Western societies respectively. Further topics range from moral traditions in the context of social transformation in China today to developments in Western societies, politics, education and religion. The last part deals with controversial issues such as human rights vs. human duties and medical ethics.

Dedicated to the study of Chinese epistolary literature and culture from the early empire to the twentieth century, the twenty-five essays of A History of Chinese Letters and Epistolary Culture discuss a wealth of epistolary topics and provide numerous translations.

This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions.

The Berkshire Dictionary of Chinese Biography, the first publication of its kind since 1898, is the work of more than one hundred internationally recognized experts from nearly a dozen countries. It has been designed to satisfy the growing thirst of students, researchers, professionals, and general readers for knowledge about China. It makes the entire span of Chinese history manageable by introducing the reader to emperors, politicians, poets, writers, artists, scientists, explorers, and philosophers who have shaped and transformed China over the course of five thousand years. In 135 entries, ranging from 1,000 to 8,000 words and written by some of the world's leading China scholars, the Berkshire Dictionary of Chinese Biography takes the reader from the important (even if possibly mythological) figures of ancient China to Communist leaders Mao Zedong and Deng Xiaoping. The in-depth essays provide rich historical context, and create a compelling narrative that weaves abstract concepts and disparate events into a coherent story. Cross-references between the articles show the connections between times, places, movements, events, and individuals.

This book traces changing gender relations in China from the tenth to fourteenth centuries by examining three critical categories of women: courtesans, concubines, and faithful wives. It shows how the intersection and mutual influence of these groups—and of male discourses about them—transformed ideas about family relations and the proper roles of men and women. Courtesan culture had a profound effect on Song social and family life, as entertainment skills became a defining feature of a new model of concubinage, and as entertainer-concubines increasingly became mothers of literati sons. Neo-Confucianism, the new moral learning of the Song, was significantly shaped by this entertainment culture and by the new markets—in women—that it created. Responding to a broad social consensus, Neo-Confucians called for enhanced recognition of concubine mothers in ritual and expressed increasing concern about wifely jealousy. The book also details the surprising origins of the Late Imperial cult of fidelity, showing that from inception, the drive to celebrate female loyalty was rooted in a complex amalgam of political, social, and moral agendas. By taking women—and men’s relationships with women—seriously, this book makes a case for the centrality of gender relations in the social, political, and intellectual life of the Song and Yuan dynasties.

This collection of essays uncovers a wide array of medieval writings on cosmopolitan ethics and politics, writings generally ignored or glossed over in contemporary discourse. Medieval literary fictions and travel accounts provide us with rich contextualizations of the complexities and contradictions of cosmopolitan thought.