Zombies From Space And Vampires

Alien invasion? Zombies? Vampires? Aria is an average 19-year-old with average problems - until zombies landed their UFO in her backyard. If Aria wants to survive, she’ll need some help, and who better than a pirate captain, a steampunk inventor, a bazooka-wielding killer, and a deranged Englishman who insists he is Doctor Who? Stuck in a war between vampires and zombie-walking Weeches, Aria and her eccentric crew take a stand for mankind as they fight for their right to survive. Hey, if you have to slaughter zombies and vampires, why not enjoy it?

Alien invasion? Zombies? Vampires!? I don't think so! Aria was an average 19-year-old with average problems. Average was quite realistic, until zombies landed their UFO in her backyard. If Aria wants to survive, she'll need some help, and who better than a pirate captain, a steampunk inventor, a bazooka-wielding slayer, and a deranged Englishman who insists he is Doctor Who? Stuck in a war between vampires and zombie-walking Weeches, Aria and her eccentric crew take a stand for mankind as they fight for their right to survive. Hey, if you have to slaughter zombies and vampires, why not enjoy it?

Alien invasion? Zombies? Vampires? Aria is an average 19-year-old with average problems - until zombies landed their UFO in her backyard. If Aria wants to survive, she'll need some help, and who better than a pirate captain, a steampunk inventor, a bazooka-wielding killer, and a deranged Englishman who insists he is Doctor Who? Stuck in a war between vampires and zombie-walking Weeches, Aria and her eccentric crew take a stand for mankind as they fight for their right to survive. Hey, if you have to slaughter zombies and vampires, why not enjoy it? This is the large print edition of Zombies From Space. . . And Vampires, with a larger font / typeface for easier reading.

Alien invasion? Zombies? Vampires? Aria is an average 19-year-old with average problems - until zombies landed their UFO in her backyard. If Aria wants to survive, she'll need some help, and who better than a pirate captain, a steampunk inventor, a bazooka-wielding killer, and a deranged Englishman who insists he is Doctor Who? Stuck in a war between vampires and zombie-walking Weeches, Aria and her eccentric crew take a stand for mankind as they fight for their right to survive. Hey, if you have to slaughter zombies and vampires, why not enjoy it? This is the large print edition of Zombies From Space. . . And Vampires, with a larger font / typeface for easier reading.

Alien invasion? Zombies? Vampires? Aria is an average 19-year-old with average problems - until zombies landed their UFO in her backyard. If Aria wants to survive, she'll need some help, and who better than a pirate captain, a steampunk inventor, a bazooka-wielding killer, and a deranged Englishman who insists he is Doctor Who? Stuck in a war between vampires and zombie-walking Weeches, Aria and her eccentric crew take a stand for mankind as they fight for their right to survive. Hey, if you have to slaughter zombies and vampires, why not enjoy it?

Essays that hunt down what happens when the undead go global

Don't turn around - there's probably one behind you right now. Vampires and zombies are just everywhere. Bram Stoker had no idea what he was starting when he published his vampire novel Dracula in 1897, incidentally digging up and re-animating the word ''undead. Whether it's Twilight, Let the Right One In, True Blood, or the comic book series Thirty Days of Night, vampire stories seem to experience an eternal cycle of death and resurrection, growing more potent, if not more rosy-cheeked, with each successive manifestation. While vampires are suave, sexy, sophisticated, stay up all night, generally have good hair, and often deliver witty one-liners, zombies are just the opposite. Zombies have poor complexions, missing body parts, few social graces, and are conversationally challenged. Yet public fascination with zombies keeps proliferating, along with the popularity of vampires. There are more zombie books, zombie movies, and zombie games than ever before. About the only things vampires and zombies share is that they want to bite us and we are at risk of becoming like them. However, they both confront us with moral and metaphysical issues of life and death. In Zombies, Vampires, and Philosophy, an expanded edition of The Undead and Philosophy, twenty-two of our leading thinkers teach us the lessons we can absorb from the various forms of Undeath. ''this is a book worth buying just for the final chapter, which gives us the sensational and hitherto suppressed correspondence of tienne Lavec and Paulie Dori Williams. At long last we have a vital perspective that has been sadly lacking; authentic vampire reactions to the way vampires are depicted in popular culture.

The undead are very much alive in contemporary entertainment and lore. Indeed, vampires and zombies have garnered attention in print media, cinema, and on television. The vampire, with roots in medieval European folklore, and the zombie, with origins in Afro-Caribbean mythology, have both undergone significant transformations in global culture, proliferating as deviant representatives of the zeitgeist. As this volume demonstrates, distribution of vampires and zombies across time and space has revealed these undead figures to carry multiple meanings. Of all monsters, vampires and zombies seem to be the trendiest--the most regularly incarnate of the undead and the monsters most frequently represented in the media and pop culture. Moreover, both figures have experienced radical reinterpretations. If in the past vampires were evil, blood-sucking exploiters and zombies were brainless victims, they now have metamorphosed into kinder and gentler blood-sucking vampires and crueler, more relentless, flesh-eating zombies. Although the portrayals of both vampires and zombies can be traced back to specific regions and predate mass media, the introduction of mass distribution through film and game technologies has significantly modified their depiction over time and in new environments. Among other topics, contributors discuss zombies in Thai films, vampire novels of Mexico, and undead avatars in horror videogames. This volume--with scholars from different national and cultural backgrounds--explores the transformations that the vampire and zombie figures undergo when they travel globally and through various media and cultures.