Zombies Hate Stuff

Each of Greg Stones's paintings reveal funny and unexpected scenes of zombie disgruntlement, cataloging the stuff that really riles up the walking dead (astronauts, rain, bagpipes, re-gifting, and more) with wit, humor, and, of course, brains.

Zombies hate clowns. They also hate hippies, not to mention zip lines, penguins, moon penguins, nudists, weddings, sharing, and kittens. They really hate unicorns, strangely don't mind Canadians, and love YOU. Each of Greg Stones's ghoulishly colorful paintings reveal funny and unexpected scenes of zombie disgruntlement, cataloging the stuff that really riles up the walking dead (astronauts, rain, bagpipes, re-gifting, and more) with wit, humor, and, of course, brains. Zombies Hate Stuff offers an unexpected and irresistible perspective on the zombie apocalypse and the pop culture phenomenon that will not die.

From the adorable to the absurd, these playful paintings are a penguin lover’s delight. Penguins hate zombies. They also hate serpents, bad haircuts, sock monkeys, leprechauns, Halloween, oil rigs, vampire penguins, and mermaids. They really hate clowns, but they really like capes, balloons, and free vacations. This quirky collection reveals the discriminating tastes of these adorable flightless Antarctic birds who encounter odd foes (snow sharks, beavers, cowboys, samurai . . .), but still manage to enjoy the little things in life. With wit, humor, and the occasional alien invasion, Greg Stones’s paintings capture the playfully absurd life of penguins. Praise for Greg Stones “Stones’s panels have a cool way of collectively turning a grin into a chuckle (and perhaps, dare it be said, into a hearty guffaw).” —Publishers Weekly

As we know from Greg Stones's first breakout hit book, zombies hate stuff. It's less understood that the undead also struggle with the stuff of everyday life usually navigated by the breathing. Zombies have issues with yoga, bad hair days, chopsticks, the morning commute, touch-screen technology, and more. They kind of enjoy skunks, gardening, and acupuncture, but they have major issues with banana peels, Renaissance fairs, bear traps, and bunnies. In the face of such adversity, all zombies really want is a cure. With humor, wit, and braaaains, Greg Stones's colorful painted panels offer a sympathetically funny, new perspective into the trials and tribulations of the undead in a world made for the living.

Garden gnomes may be small, but their problems are often very big. They have issues with snowmen, magnets, bubblegum, and mimes. They really enjoy romance, skinny-dipping, and paper airplanes, but they have major issues with watermelons, mousetraps, trampolines, and teddy bears—and through it all they especially love one special thing. Artist Greg Stones turns his popular, playful illustration style to the tiny troubles of these beloved characters, presenting their inner lives with a warm and witty sense of the absurd.

Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.

Sock Monkeys have issues with moths. They also have trouble with pterodactyls, home improvement projects, kittens (who tend to unravel them), and paparazzi. They really like bananas, jet packs, sock puppies, and romance, but have MAJOR issues with clowns, embarrassing relatives (King Kong), and gym socks. Through it all, they really adore one thing. Author of the breakout hit Zombies Hate Stuff, Greg Stones turns his popular, playfully absurd illustration style and subversive humor to the lovable but issue-fraught world of sock monkeys, detailing their inner lives and misadventures with a playful wit that will appeal to cheeky monkeys of all ages.

Ninety-nine Stormtroopers join the Empire, and then their troubles begin. One takes a lunch break in the carbon freezing chamber. Two underestimate a princess. One picks the wrong time to ask for a promotion. Another fails to show Jabba the proper respect. And one interrupts Lord Vader's private time, failing him for the last time. A lifelong Star Wars fan, Greg Stones brings a playful wit and sympathy for the plight of the troops as they meet their amusing ends, filling each colorfully painted scenario with fun Star Wars details and appearances by Han, Luke, Chewie, K-2SO, and many other characters. As the trooper count ticks down, how will the last one fare as he receives a very special assignment (on the Death Star)? © and TM Lucasfilm Ltd. Used Under Authorization