Zorro Gets An Outfit

Mister Bud and Zorro get along just great. They wake up together, have walk time together, and take naps together. But something is about to interrupt their schedule: Zorro has to wear a fancy outfit. Zorro is embarrassed, mortified, aghast. Mister Bud tries to cheer him up, but nothing works. Everyone makes fun of Zorro, and he refuses to participate in chew-on-a-stick time. Mister Bud doesn't know what to do. But when another dog-a very cool dog-shows up in an outfit and does amazing tricks and beats all the other dogs in a race, Zorro discovers that wearing clothes might not be so bad after all.

Fashion goes to the dogs in this lovable follow-up to Say Hello to Zorro! Mister Bud and Zorro get along just great. They wake up together, have walk time together, and take naps together. But something is about to interrupt their schedule: Zorro has to wear a fancy outfit. Zorro is embarassed, mortified, aghast. Mr. Bud tries to cheer him up, but nothing works. Everyone makes fun of Zorro, and he refuses to participate in chew-on-a-stick time. Mister Bud doesn’t know what to do. But when another dog—a very cool dog—shows up in an outfit and does amazing tricks and beats all the other dogs in a race, Zorro discovers that wearing clothes might not be so bad after all. Everything is back on schedule.

Mister Bud, the family dog, has a satisfying routine to his life, but when another dog joins the family and disrupts his schedule, Mister Bud must learn to adapt.

In this next addition to an adventure Booklist called “a treat for dog lovers young and old,” canine pals Mister Bud and Zorro encounter…the cone. Mister Bud and Zorro learned how to get along in Say Hello to Zorro! They made it through Zorro’s new wardrobe in Zorro Gets an Outfit. But how will they handle Mister Bud’s latest predicament? Because he has to wear...the cone. Carter Goodrich, who is “brilliant at depicting doggy emotions” (School Library Journal), cleverly portrays this relatable tale of misplaced shame and the love that surpasses it.

Celebrated artist and lead character designer of Brave, Ratatouille, and Despicable Me, Carter Goodrich, shows that sometimes, even the prickliest people—or the crankiest cacti—need a little love. Hank is the prickliest cactus in the entire world. He sits in a pot in a window that faces the empty desert, which is just how he likes it. So, when all manner of creatures—from tumbleweed to lizard to owl—come to disturb his peace, Hank is annoyed. He doesn’t like noise, he doesn’t like rowdiness, and definitely does not like hugs. But the thing is, no one is offering one. Who would want to hug a plant so mean? Hank is beginning to discover that being alone can be, well, lonely. So he comes up with a plan to get the one thing he thought he would never need: a hug from a friend.

The importance of imaginary friends is very real in this picture book adventure from the author of Say Hello to Zorro! and lead character designer for Despicable Me, Finding Nemo, and Monsters, Inc. Phillip and Brock are best friends. Everyone can see Phillip, but only Phillip can see Brock. A night at the Big Fair is all fun and games until Phillip gets sleepy, heads home, and forgets Brock! Brock misses Phillip. And Phillip misses Brock. Will they reunite? With the help of another pair of pals, they just might. Because even imaginary friends get lost sometimes. Finding them is part of the adventure.

This collection offers a thorough treatment of the ways in which the verbal and visual semiotic modes interrelate toward promoting gender equality and social inclusion in children’s picture books. Drawing on cutting-edge theoretical work in multimodality, including multimodal cognitive linguistics, multimodal discourse analysis, and visual social semiotics, the book expands on descriptive-oriented studies to offer a more linguistically driven perspective on children’s picture books. The volume explores the choice afforded to and the lexico-semantic and discursive strategies employed by writers and illustrators in conveying representational, interpersonal, and textual meanings in the verbal and non-verbal components in these narratives in order to challenge gender stereotypes and promote the social inclusion of same-sex parent families. This book will be of particular interest to students and scholars in multimodality, discourse analysis, social semiotics, and children’s literature. Chapters 1 & 8 of this book are freely available as downloadable Open Access PDFs under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com.

“Gripping and timely.” —People “The YA debut we’re most excited for this year.” —Entertainment Weekly “A book that knocks you off your feet while dropping the kind of knowledge that’ll keep you down for the count. Prepare to BE slain.” —Nic Stone, New York Times bestselling author of Dear Martin and Odd One Out Ready Player One meets The Hate U Give in this dynamite debut novel that follows a fierce teen game developer as she battles a real-life troll intent on ruining the Black Panther–inspired video game she created and the safe community it represents for Black gamers. By day, seventeen-year-old Kiera Johnson is an honors student, a math tutor, and one of the only Black kids at Jefferson Academy. But at home, she joins hundreds of thousands of Black gamers who duel worldwide as Nubian personas in the secret multiplayer online role-playing card game, SLAY. No one knows Kiera is the game developer, not her friends, her family, not even her boyfriend, Malcolm, who believes video games are partially responsible for the “downfall of the Black man.” But when a teen in Kansas City is murdered over a dispute in the SLAY world, news of the game reaches mainstream media, and SLAY is labeled a racist, exclusionist, violent hub for thugs and criminals. Even worse, an anonymous troll infiltrates the game, threatening to sue Kiera for “anti-white discrimination.” Driven to save the only world in which she can be herself, Kiera must preserve her secret identity and harness what it means to be unapologetically Black in a world intimidated by Blackness. But can she protect her game without losing herself in the process?