1520 The Field Of The Cloth Of Gold

The 1520 meeting is a last flourish in the history of Christendom undivided. The present study is based on first-hand evidence of an event which seemed at the time one of the great moments in history. Dr Russell presents the whole story as a commentary on the diplomacy, society and amusements of the time.

The five hundredth anniversary of a momentous and spectacular meeting between two rival Renaissance monarchs; a failed bid for peace in Europe.

“Pomp, pageantry and epic showing-off: a vivid re-creation of the 1520 peace-promoting rally between the kings of England and France.”—The Sunday Times Glenn Richardson provides the first history in more than four decades of a major Tudor event: an extraordinary international gathering of Renaissance rulers unparalleled in its opulence, pageantry, controversy, and mystery. Throughout most of the late medieval period, from 1300 to 1500, England and France were bitter enemies, often at war or on the brink of it. In 1520, in an effort to bring conflict to an end, England’s monarch, Henry VIII, and Francis I of France agreed to meet, surrounded by virtually their entire political nations, at “the Field of Cloth of Gold.” In the midst of a spectacular festival of competition and entertainment, the rival leaders hoped to secure a permanent settlement between them, as part of a European-wide “Universal Peace.” Richardson offers a bold new appraisal of this remarkable historical event, describing the preparations and execution of the magnificent gathering, exploring its ramifications, and arguing that it was far more than the extravagant elitist theater and cynical charade it historically has been considered to be. “A sparkling new account of the Field of Cloth of Gold as an extraordinary demonstration of ostentatious rivalry.”—Suzannah Lipscomb, author of A Journey Through Tudor England “Richardson’s book seeks to throw new light on what we know of the Field itself: from how it was organized, provisioned and enacted, to the reasons such a sensational junket should have mattered—and in this it undoubtedly succeeds.”—London Review of Books

The Great Field lies in the bend of a broad, meandering river. Bounded on three sides by water, on the fourth side it dwindles gradually into wilderness. A handful of tents are scattered far and wide across its immensity. Their flags flutter in the warm breeze, rich with the promise of halcyon days. But more and more people are setting up camp in the lush pastures, and with each new arrival, life becomes a little more complicated. And when a large and disciplined group arrives from across the river, emotions run so high that even a surplus of milk pudding can't soothe ruffled feathers. Change is coming; change that threatens the delicate balance of power in the Great Field. Magnus Mills's new novel takes its name from the site of a 1520 meeting between Henry VIII and Francis I of France, to improve relations between the countries as the Treaty of London deteriorated. It allegorically suggests a number of historical encounters on British soil: the coming of the Vikings, the coming of the Romans. But The Field of the Cloth of Gold sits firmly outside of time, a skillful and surreal fable dealing with ideas of ownership, empire, immigration, charisma, diplomacy, and bureaucracy. It cements Magnus Mills's status as one of the most original and beloved novelists writing today.

This collection of essays by leading scholars and researchers in early Tudor studies provides an up-to-date discussion of the politics, policy and piety of Henry VIII's reign. It explores such areas as the reform of central and local government, foreign policy, relations between leading politicians, life at Court, Henry's first divorce and the break with Rome, literature and the government's exploitation of it, and the growth of evangelical religion in Henry's England. Particular consideration is given to the controversies which have arisen about the reign among modern historians, and there is an effort to assess the personality of Henry himself.

A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.