20 Spanish Baroque Pieces By Gaspar Sanz Arranged For Uke

Gaspar Sanz (1640 –1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. the smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces.

Gaspar Sanz (1640 - 1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. The smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces. Includes access to online audio.

This book presents 34 delightful Early Music melodies arranged for solo ukulele in gCEA tuning. The styles range from early Renaissance to Baroque, including lively dance tunes and sacred compositions, known for their beauty and vitality. Originally composed for lute or vihuela and often transcribed for classical guitar, these timeless pieces are now part of the ukulele repertoire. Written in standard notation and tablature, primarily for the intermediate to advanced player, but also for the determined novice.

This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own. Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele. The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.

John Dowland (1563 – 1626), a contemporary of both William Shakespeare and Queen Elizabeth I, was recognized as one of the greatest musicians of his time, writing songs, ensemble music and solos for the lute. Early music has long been part of the classic guitar repertoire and more recently, it has been adopted with enthusiasm by ukulele players. This book presents sixteen of Dowland's most beautiful lute songs that can be performed by ukulele players, with or without a vocalist. Two versions of each song – one easier and another more advanced—are offered in both standard notation and tablature for soprano, concert, and tenor ukuleles in re-entrant (gCEA) tuning. Various vocal ensemble renditions of the songs, as well as the author’s video performances of each solo arrangement are available online. For vocalists and their audiences, and for all musicians and songwriters to fully connect with the emotion of the songs, Dowland’s sublime lyrics are also included.

That’s right, the ukulele is a great instrument all by itself! This book contains 101 solos that let you play melody and accompaniment all on one ukulele. If you’d like to sing, go right ahead; lyrics are included for many of the solos. Each section starts with easy solos, complete with tips on ukulele technique and arranging. The music is written in tablature and standard musical notation, with suggested chords above the music for an optional second ukulele or guitar. Essential right and left-hand fingerings are shown in traditional classic guitar symbols and while most of the book is written in standard (aECG) tuning, a few tunes are offered in both drop-B tuning and drop-E-flat tuning. With selections ranging from country to classical, medieval to modern, and a Christmas section with seventeen traditional favorites, this ukulele collection includes music for every taste and season. A useful chord dictionary and access to online audio of the author’s beautiful renditions of each well-crafted solo arrangement are included.

This book is devoted to playing the soprano, concert, or tenor ukulele tuned in perfect fifths as used by the string and mandolin families of instruments, as well as the cittern and tenor banjo. The book’s scores are all in tablature; you’ll have no trouble adapting to the tuning and playing in the book’s various styles. The 55 pieces in Play Ukulele in 5ths Tuning progress from simple to advanced and can be played fingerstyle or with a pick. To help you come to grips with the tuning, the book includes Classical-era studies originally written for instruments tuned in 5ths, followed by Scottish traditional tunes, bluegrass, blues, and early jazz pieces, and ultimately—Bach's gorgeous Baroque cello music. Includes access to online audio for every piece recorded by the author to facilitate your progress. Anytime you play with musicians who use instruments tuned in fifths, you can all use the same fingerings. As a result, the music can sound more "together". In addition, having played the uke tuned in perfect fifths, if you ever want to play any of those traditionally 5th-tuned instruments, you will have had a head start!

This collection by David Coe contains 21 beautiful melodies by the world’s greatest composers. Included are songs by Bach, Beethoven, Mozart and many more. Each selection is presented in both standard notation and tablature with chord diagrams included. The ukulele has a distinctive melodic voice and musicians of all levels will enjoy playing these timeless classics.