8 Colours Of Prosperity

With her new book, Moira Bush lifts the veil on the secret magnetic nature of the colour spectrum and its relationship to the laws of attraction. An engaging, practical "how-to" manual on growing prosperity consciousness, it is also lively, rich work about the healing powers of colour. Moira is nothing short of a Rainbow Shaman - her readers will benefit in both their outer and inner lives from her unique perspective and deep experience coming from a lifetime of success working with the esoteric, therapeutic qualities of light. 8 colours of Properity is destined to be a classic shining Light on the Path for years to come.

Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.

The King James Study Bible, Full-Color Edition is the most complete and comprehensive KJV study Bible available. Comprehensive book introductions, doctrinal articles, study notes, commentaries, personality profiles, word studies, and archaeological insights will help you experience the riches of God’s Word. The full-color design, Holy Land images, classic works of art, charts, and maps further enhance your Bible reading experience. With all these features, plus special subject indexes, Christ’s words in red, and an extensive concordance, no other KJV Bible offers more to students of the Holy Bible. Features include: Time-honored KJV Bible text Center-column references with translation notes Beautiful full-color pages and features Hundreds of full-color maps, images, and charts 5,700 authoritative and time-tested study notes Over 100 archaeological notes Over 100 Personality Profiles highlighting important figures in Scripture More than 200 notes on important Christian doctrines Book introductions and outlines Indexes and word-study concordance

In an era when many of us depend on debt to survive but struggle with its consequences, Financing Prosperity by Dealing with Debt draws together current thinking on how to solve debt crises and promote prosperity. By profiling existing action by credit unions and community organisations, alongside bold proposals for the future, with contributions from artists, activists and academics, the book shows how we can rethink the validity and inevitability of many contemporary forms of debt through organising debt audits, promoting debt cancellation and expanding member-owned co-operatives. The authors set out legal and political methods for changing the rules of the system to provide debt relief and reshape economies for more inclusive and sustainable flourishing. The book also profiles community-based actions that are changing the role of debt in economic, social and political life – among them, participatory art projects, radical advice networks and ways of financing feminist green transition. While much of the research and activism documented here has taken place in London, the contributors show how different initiatives draw from and generate inspiration elsewhere, from debt audits across the global south, creative interventions around the UK and grassroots movements in North America. Financing Prosperity by Dealing with Debt moves beyond critique to present a wealth of concrete ways to tackle debt and forge the prosperous communities we want for the future.