A Bibliography Of Alexander Pushkin In English

Alexander Pushkin (1799-1837) is best known for his great achievments in poetry, but the fixtion he wrote in the last decade of his life was to have a tremendous impact on the subsequent development of Russian prose, influencing such later writers as Gogol, Dostoevsky, and Tolstoy. This is a new translation of all his prose fiction, from his famous story "The Queen of Spades" down to unfinished stories and fragments that appear in English for the first time. Pushkin's non-fictional A History of Pugachev, also translated into English for the first time, is included because it furnished the historical background of his novel The Captain's Daughter. The translator has taken care to achieve a balance between faithfulness to the original and readability in English, and several Russian editions have been collated to establish an accurate text. The translations are annotated to place each work in its historical context, and to eluvidate passages not easily understandable to today's reader. Appendixes present a chapter that Pushkin deleted from The Captain's Daughter; fictional fragments; Pushkin's outlines of projected works; and the apocryphal novella The Lonely Cottage on Vasilev Island.

A Bibliography of Anton Chekhov in English: Studies, Translations, Reviews and Notes is offered in three appropriate parts. Part One, Studies, comprises sections for book-length bio-literary studies and bio-literary articles; introductions; comparative studies; Russian and foreign memoirs; popular studies; general and individual studies of Chekhov's plays and short stories; studies of his non-fiction, letters, notes, and diaries; and special categories: film, language and stylistics, documents and documentation, translation studies, dissertations, bibliography, and collections. Part Two, Translations, is divided into general collections, drama collections, individual dramas, story collections, individual stories; non-fiction, letters, notes, and diaries; and film. Part Three, Critical Reviews, provides a comprehensive selection of the most significant reviews in major English-language newspapers and journals through the year 1993. It is not possible to provide a comprehensive selection of an estimated 350,000 reviews of Chekhov plays, 1994-2003, but an attempt has been made to provide a representative sampling of reviews in major newspapers and current periodicals. Citations throughout this Bibliography are full and unabbreviated, the intent being to provide access to each work in every appropriate category without complicating the search process with confusing cross-listings. Entries for collections are accompanied by listings of contents in the order given in tables of contents or alphabetically. Entries for collections provide a base for subsequent listings of individual major works for addition of subsequent editions, reprints, and re-publications. Translations of plays are categorized by their most commonly known English titles and cited within categories by the English title given for a particular translation. English titles of stories have not been rationalized in this way because the large number of Chekhov's stories would require division of the section on individual stories into virtually hundreds of sub-sections. Instead, stories are listed in alphabetical order by the various English titles given for a particular translation.

In the course of his short, dramatic life, Aleksandr Pushkin gave Russia not only its greatest poetry–including the novel-in-verse Eugene Onegin–but a new literary language. He also gave it a figure of enduring romantic allure–fiery, restless, extravagant, a prodigal gambler and inveterate seducer of women. Having forged a dazzling, controversial career that cost him the enmity of one tsar and won him the patronage of another, he died at the age of thirty-eight, following a duel with a French officer who was paying unscrupulous attention to his wife. In his magnificent, prizewinning Pushkin, T. J. Binyon lifts the veil of the iconic poet’s myth to reveal the complexity and pathos of his life while brilliantly evoking Russia in all its nineteenth-century splendor. Combining exemplary scholarship with the pace and detail of a great novel, Pushkin elevates biography to a work of art.

The aristocratic Yevgeny Onegin has come into his inheritance, leaving the glamour of St Petersburg's social life behind to take up residence at his uncle's country estate. Master of the nonchalant bow, and proof of the fact that we shine despite our lack of education, the aristocratic Onegin is the very model of a social butterfly - a fickle dandy, liked by all for his wit and easy ways. When the shy and passionate Tatyana falls in love with him, Onegin condescendingly rejects her, and instead carelessly diverts himself by flirting with her sister, Olga - with terrible consequences. Yevgeny Onegin is one of the - if not THE - greatest works of all Russian literature, and certainly the foundational text and Pushkin the foundational writer who influence all those who came after (Tolstoy, Dostoevsky, Chekhov, etc). So it's no surprise that this verse novella has drawn so many translators. It's a challenge, too, since verse is always harder to translate than prose. (Vikram Seth, rather than translating Onegin again, updated it to the 1980s in San Franciso in his The Golden Gate). A.D.P. Briggs is arguably the greatest living scholar of Pushkin, certainly in the UK, and as such he's spent a lifetime thinking about how to translate Pushkin. Briggs is an experienced and accomplished translator, not only for Pushkin (Pushkin's The Queen of Spades) but for Penguin Classics (War and Peace, The Resurrection) and others. Briggs has not only been thinking about Pushkin for decades, he's been working on this translation for nearly as long. It's a landmark event in the history of Onegin translations and this edition is accompanied by a thoughtful introduction and translator's note. From the Trade Paperback edition.