A Black Girl In The Middle

A moving and vivid memoir of a young girl—long before her starring role in the Degrassi series—who was always switching between worlds, wanting only to be loved When Anais Granofsky’s parents meet in the early 1970s, they are foreign and fascinating to each other. Stanley is the son of a very wealthy Toronto Jewish family; Jean is one of fifteen children from a poor Black Methodist family, direct descendants of the freed Randolph slaves. When Jean becomes pregnant at nineteen, Stanley doesn’t anticipate being cut off by his parents. Nor does the couple anticipate that Stanley, soon to rename himself Fakeer, will find his calling in the spiritual teachings of Bhagwan Shree Rajneesh on an ashram in India. The Girl in the Middle is the story of a child who spends her life navigating between two very different worlds. Alone, Anais and her mother teetered on the poverty line, sharing a mattress in a single room in social housing in Toronto, while her grandparents lived a twenty-minute car ride away on the mansion-lined Bridle Path. As Anais grows up, she spends weekends having lunch with her grandmother by the pool, while during the week, she and her mother often don’t know where their next meal will come from, even after Fakeer’s return. Anais realizes that if she wants to be loved, she has to switch identities to please each of the adult women in her family. It isn’t until she gets a role in the TV series Degrassi Junior High that Anais finds a third world—her own—and begins to define an identity for herself. The Girl in the Middle offers a powerful lens to explore how two families, one white and one Black, faced systemic oppression spanning multiple generations and came out at opposite economic classes—and how they clashed when they shared a granddaughter. With compassion and vivid storytelling, Granofsky shares her experience of living in opposite worlds, and demonstrates how generational shame, grief and prejudice ultimately lead to love and forgiveness.

A blazingly honest essay collection from a refreshing new voice exploring the in-between moments for Black women and girls, and what it means to simply exist “At thirty-seven years old I can say Shenequa is a big name and I’m a big, bold woman.” Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women. Golding packs humor, curiosity, honesty, anger, and ultimately acceptance in 12 essays spanning her life in Queens, NY, as a first generation Jamaican American. She breaks down the 10 levels of Black Girl Math, from the hard glare to responses reserved for unfaithful boyfriends. She comes to terms with and heals from fraught relationships with her father, friends, and romantic partners. She takes the devastating news that she’s a Black girl with a “flat ass” in stride, and adds squats to her routine, eventually. From a harrowing encounter in a hotel room leading her to explore celibacy (for now) to embracing rather than fearing the “Milli Vanilli” of emotions in hurt and anger, Golding embraces everything she’s learned with wit, heart, and humility. A Black Girl in the Middle is both an acknowledgment of the complexity and pride of not always fitting in and validation of what Black girlhood and womanhood can be.

GOLD MEDALIST OF FOREWORD REVIEWS' 2015 INDIEFAB AWARDS IN WOMEN'S STUDIES What's wrong with black women? Not a damned thing! The Sisters Are Alright exposes anti–black-woman propaganda and shows how real black women are pushing back against distorted cartoon versions of themselves. When African women arrived on American shores, the three-headed hydra—servile Mammy, angry Sapphire, and lascivious Jezebel—followed close behind. In the '60s, the Matriarch, the willfully unmarried baby machine leeching off the state, joined them. These stereotypes persist to this day through newspaper headlines, Sunday sermons, social media memes, cable punditry, government policies, and hit song lyrics. Emancipation may have happened more than 150 years ago, but America still won't let a sister be free from this coven of caricatures. Tamara Winfrey Harris delves into marriage, motherhood, health, sexuality, beauty, and more, taking sharp aim at pervasive stereotypes about black women. She counters warped prejudices with the straight-up truth about being a black woman in America. “We have facets like diamonds,” she writes. “The trouble is the people who refuse to see us sparkling.”

From award-winning YA author Brandy Colbert comes a debut middle-grade novel about the only two Black girls in town who discover a collection of hidden journals revealing shocking secrets of the past. Beach-loving surfer Alberta has been the only Black girl in town for years. Alberta's best friend, Laramie, is the closest thing she has to a sister, but there are some things even Laramie can't understand. When the bed and breakfast across the street finds new owners, Alberta is ecstatic to learn the family is black—and they have a 12-year-old daughter just like her. Alberta is positive she and the new girl, Edie, will be fast friends. But while Alberta loves being a California girl, Edie misses her native Brooklyn and finds it hard to adapt to small-town living. When the girls discover a box of old journals in Edie's attic, they team up to figure out exactly who's behind them and why they got left behind. Soon they discover shocking and painful secrets of the past and learn that nothing is quite what it seems.

A blazingly honest essay collection from a refreshing new voice exploring the in-between moments for Black women and girls, and what it means to simply exist “At thirty-seven years old I can say Shenequa is a big name and I’m a big, bold woman.” Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women. Golding packs humor, curiosity, honesty, anger, and ultimately acceptance in 12 essays spanning her life in Queens, NY, as a first generation Jamaican American. She breaks down the 10 levels of Black Girl Math, from the hard glare to responses reserved for unfaithful boyfriends. She comes to terms with and heals from fraught relationships with her father, friends, and romantic partners. She takes the devastating news that she’s a Black girl with a “flat ass” in stride, and adds squats to her routine, eventually. From a harrowing encounter in a hotel room leading her to explore celibacy (for now) to embracing rather than fearing the “Milli Vanilli” of emotions in hurt and anger, Golding embraces everything she’s learned with wit, heart, and humility. A Black Girl in the Middle is both an acknowledgment of the complexity and pride of not always fitting in and validation of what Black girlhood and womanhood can be.

A Hulu Original Series Coming Soon “Riveting, fearless, and vividly original” (Emily St. John Mandel, New York Times bestselling author), this instant New York Times bestseller explores the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing. Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust. Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW. It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career. Having joined Wagner Books to honor the legacy of Burning Heart, a novel written and edited by two Black women, she had thought that this animosity was a relic of the past. Is Nella ready to take on the fight of a new generation? “Poignant, daring, and darkly funny, The Other Black Girl will have you stressed and exhilarated in equal measure through the very last twist” (Vulture). The perfect read for anyone who has ever felt manipulated, threatened, or overlooked in the workplace.

In this lyrical coming-of-age story about family, sisterhood, music, race, and identity, Mariama J. Lockington draws on some of the emotional truths from her own experiences growing up with an adoptive white family. I am a girl but most days I feel like a question mark. Makeda June Kirkland is eleven years old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena— the only other adopted black girl she knows— for a new life. In New Mexico, everything is different. At home, Makeda’s sister is too cool to hang out with her anymore and at school, she can’t seem to find one real friend. Through it all, Makeda can’t help but wonder: What would it feel like to grow up with a family that looks like me? Through singing, dreaming, and writing secret messages back and forth with Lena, Makeda might just carve a small place for herself in the world. For Black Girls Like Me is for anyone who has ever asked themselves: How do you figure out where you are going if you don’t know where you came from?

Stories are powerful. They have the ability to provide comfort and solace. Growing up in a predominantly white institution (PWI) as a young black girl provides amazing opportunities as well as challenging experiences. The poems, anecdotes, and entries found between the pages of this book seek to provide support and guidance for black girls in PWI's by black girls and women who either attend a PWI now or have in the past. They also offer insight into a student's experience for institutions, administrators and faculty to learn from. No matter if you are looking for friendship, information, or a vent space take a look inside and find so much more. Check out the matching journal for a writing space of your own!