A Brush With Death

ONE CHEEKY WINK AND LORD GREENGRASS WAS FLAT OUT ON THE GROUND, DELIRIOUSLY GASPING FOR LIFE, HIS EYES FLICKERING WITH A SPARKLE OF HOPE THAT THE SHADOW ON THE WALL HAD COME TO HELP... In the village of Spire, murder is afoot. Rich landowner Alexander, 9th Earl of Greengrass, is caught with his trousers down in the village graveyard before meeting a gruesome end. Luckily, Susie Mahl happens to be on hand. With her artist's eye for detail and her curious nature, she is soon on the scent of the murderer...

Since she went straight, Annie Kincaid’s been applying her genius for fine art forgery to her own faux finishing business in San Francisco. She hasn’t seen the inside of a jail cell since she was seventeen, although sometimes it takes all of her arts—fine or otherwise—to keep it that way… Annie knows that art security can be inadequate, but it’s crazy to think that an Old Master painting could be hanging unguarded in the local columbarium where she’s doing restoration work. Still, when she gets a tip that the chapel’s copy of Raphael’s exquisite La Fornarina might be the real thing, Annie has to take a look. And when she runs into a certain sexy art thief on the premises, alarm bells go off in her head as well as her heart. Tired of being an art world pariah, Annie hopes that if she can help return the masterpiece to Italy, she’ll finally be redeemed. But when murder enters the picture, Annie realizes that it won’t be so easy to put things at the cemetery to rest… INCLUDES ART TIPS!

When Penny Brannigan inherits a charming, old-fashioned cottage in the North Wales town of Llanelen, she soon realizes she has come into more than what real estate agents like to describe as a desirable period property: She's also acquired memories, mystery, and an unsolved, decades-old crime. As Penny sorts through the belongings of her benefactor, a deceased teacher, she comes upon a packet of letters from a promising young Liverpool artist, A. Jones, who was killed in an accident in 1970. An artist herself, Penny sets out to discover who killed this painter, and is helped by a small group of townsfolk, including her business partner, Victoria Hopkirk. While at a retrospective art exhibition in Liverpool, Penny recognizes what she believes to be a watercolor painted by Jones. But it is attributed to another artist, leading her to suspect that art theft was at the heart of the case, and that Jones's death was no accident. In her eagerly awaited sequel Duncan wonderfully revisits the bustling Welsh town and vibrant characters introduced in The Cold Light of Mourning. With its lyrical prose and tantalizing puzzle, A Brush with Death is a treat on many levels.

In this memoir Morris Wyszogrod recounts his experiences from the time of the Nazi invasion of Poland to the liberation of the Theresienstadt concentration camp in 1945. He describes in detail the time he spent in the Warsaw Ghetto; his work as an artist for various Luftwaffe personnel at the Warsaw military airport; his experiences at the BudzynΠconcentration camp, where he was assigned to decorate the living quarters of the SS and to produce drawings at an orgiastic Oktoberfest; his removal to Plaszow, where he was put to work digging up mass graves and burning the bodies to eliminate the evidence of Nazi war crimes; his witnessing of the firebombing of Dresden in February 1945; and his subsequent liberation at Theresienstadt by the Red Army in May 1945. Just as an artist may register what she or he sees against a sensitive visual and moral template, so Wyszogrod doubly registered what he saw and felt, both in his drawings and in his memories.

Winner of the Arthur Viseltear Award for Outstanding Book in the History of Public Health from the American Public Health AssociationSelected by Choice Magazine as an Outstanding Academic Title During the twentieth century, lead poisoning killed thousands of workers and children in the United States. Thousands who survived lead poisoning were left physically crippled or were robbed of mental faculties and years of life. In Brush with Death, social historian Christian Warren offers the first comprehensive history of lead poisoning in the United States. Focusing on lead paint and leaded gasoline, Warren distinguishes three primary modes of exposure—occupational, pediatric, and environmental. This threefold perspective permits a nuanced exploration of the regulatory mechanisms, medical technologies, and epidemiological tools that arose in response to lead poisoning. Today, many children undergo aggressive "deleading" treatments when their blood-lead levels are well below the average blood-lead levels found in urban children in the 1950s. Warren links the repeated redefinition of lead poisoning to changing attitudes toward health, safety, and risk. The same changes that transformed the social construction of lead poisoning also transformed medicine and health care, giving rise to modern environmentalism and fundamentally altered jurisprudence.

Pet portraitist Susie Mahl turns amateur sleuth when a ditzy American blonde is murdered in this second installment of the cozy crime fiction series for fans of The Crown and Downton Abbey.

Born against all odds, near death, premature at two pounds thirteen ounces, and breached feet first, I was determined to stand on my ten toes through the struggle. I was early and missed the call to go that was God. Sometimes, you have to dance with the devil to get out of hell, and these are my brushes with death.

An extraordinary memoir--told entirely in near-death experiences--from one of Britain's bestselling novelists, as she reminds us that we are never closer to life than when we brush up against the possibility of death. I Am, I Am, I Am is Maggie O'Farrell's astonishing memoir of the near-death experiences that have punctuated and defined her life. The childhood illness that left her in the hospital for nearly a year, which she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. An encounter with a serial killer on a remote path. And, most terrifying of all, an ongoing, daily struggle to protect her daughter from a condition that leaves her unimaginably vulnerable to life's myriad dangers. Seventeen discrete encounters with Maggie at different ages, in different locations, reveal a whole life in a series of tense, visceral snapshots. In taut prose that vibrates with electricity and a restrained emotion, O'Farrell captures the perils running just beneath the surface, and illuminates the preciousness, beauty and mysteries of life itself.