A Brush With Passion A Trilogy Book Two Diamonds And Sand

Diamonds and Sand Adele Bloch-Bauer (1882-1925) did not seek fame—but acclaimed and passionate artist Gustav Klimt (1862-1918) thrust her into the public’s eye by painting two portraits that assured her lasting admiration and speculation. Both portraits were commissioned by her wealthy industrialist husband—and each illustrated different, almost contradictory views of the intellectually curious, mysterious woman. As a child, Adele escaped the rules of a repressive Vienna in the last decades of the 19th century, by conjuring a secret tunnel that gave life to her fantasies. Only when she began sitting for Klimt’s portrait of her did her fantasies slide into reality, bringing both blinding ecstasy and paralyzing guilt. Her journey is intriguing... Join her...

Diamonds and Sand Adele Bloch-Bauer (1882-1925) did not seek fame-but acclaimed and passionate artist Gustav Klimt (1862-1918) thrust her into the public's eye by painting two portraits that assured her lasting admiration and speculation. Both portraits were commissioned by her wealthy industrialist husband-and each illustrated different, almost contradictory views of the intellectually curious, mysterious woman. As a child, Adele escaped the rules of a repressive Vienna in the last decades of the 19th century, by conjuring a secret tunnel that gave life to her fantasies. Only when she began sitting for Klimt's portrait of her did her fantasies slide into reality, bringing both blinding ecstasy and paralyzing guilt. Her journey is intriguing... Join her...

Whether the canvases of Gustav Klimt (1862 – 1918) celebrated the exquisite landscapes of Austria’s Attersee region or caressed the cheek of a lovely young laundress, his appreciation of his subjects was sensitive, sensual and strong. No other painter in Vienna at the close of the 19th century was as revered—and often reviled—as this outrageous artist wearing only a knowing expression and a long blue smock. One of the women who found her way onto his canvas and into his bed was Mizzi Zimmermann (the subject of this book, Dirty Linen), whom he would cherish, in his way, until his death. Mizzi, and the subjects of Book One—Vienna Patterns (Emilie Flöge) and Book Two—Diamonds and Sand (Adele Bloch-Bauer) enjoy everlasting admiration, thanks to Klimt’s brush—A Brush with Passion.

Whether the canvases of Gustav Klimt (1862 - 1918) celebrated the exquisite landscapes of Austria's Attersee region or caressed the cheek of a lovely young laundress, his appreciation of his subjects was sensitive, sensual and strong. No other painter in Vienna at the close of the 19th century was as revered--and often reviled--as this outrageous artist wearing only a knowing expression and a long blue smock. One of the women who found her way onto his canvas and into his bed was Mizzi Zimmermann (the subject of this book, Dirty Linen), whom he would cherish, in his way, until his death. Mizzi, and the subjects of Book One--Vienna Patterns (Emilie Floge) and Book Two--Diamonds and Sand (Adele Bloch-Bauer) enjoy everlasting admiration, thanks to Klimt's brush--A Brush with Passion.

Onto the stage of Vienna in the late 19th Century strides virile, charismatic painter Gustav Klimt (1862-1918). Standing center stage is a talented and independent fashion designer and businesswoman, Emilie Flöge (1874 -1952). For the next 27 years, the famous and infamous Klimt bears criticism, censure and fame with Flöge by his side. The tempestuous love and fierce friendship of this talented couple – opposites in so many ways –deepens until Klimt’s death . . . and beyond. Vienna Patterns happens during a Time and in a City never equaled for fashion, fabulous art and fascinating personalities. The story of Klimt and Flöge is very theatrical . . . very Vienna.

Monthly magazine devoted to topics of general scientific interest.