A Celtic Flute Christmas

Here's a book you'll be pulling off the shelf for many Christmases to come. A Celtic Flute Christmas is a treasury of 24 Irish, Scottish, Welsh and English holiday carolssuitable for Irish style flute in D. Simple duets for two flutes, a round for three, and arrangements for solo flute with guitar chords are all printed on a large, easy to read staff and lavishly adorned with Celtic calligraphy. From the hauntingly beautiful melodies of the Hebrides, to the ancient airs of Ireland, to the familiar Yuletide tunes of Wales, England and Scotland, these songs are sure to warmyour heart and rouse the spirit of this giving season in a way no other music can

Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish flute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: Access to audio downloads for all 30 songs, with tin whistle, Irish flute and guitar Three duet arrangements If you don’t read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish flute. What makes these tune arrangements easy? They are played in the lower two octaves of the whistle and flute’s range, ascending no higher than B in the second octave. They are in easy tin whistle and Irish flute keys: D major, G major, E minor and B minor. No metal keys are needed on the Irish flute. They use only eight notes: D, E, F♯, G, A, B, C and C♯. They are also easy to play on soprano and tenor recorder, modern flute and piccolo. The author recommends using a tin whistle in D or a standard Irish flute (with or without keys) with this book. You can also use soprano and tenor recorders, modern flute and piccolo. However, the tablature in this book uses only tin whistle and Irish flute fingerings.

For the beginner to the highly advanced player of Irish flute, tin whistle, or Boehm-system flute. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method, exploring ornamentation techniques never described in print before. Also includes adaptations for Boehm-system flute players, guidance on breathing and phrasing, 49 ornamentation exercises, history and theory of traditional Irish flute and whistle music, and 27 meticulous transcriptions of recordings by these important Irish flute and tin whistle players: John McKenna,Tom Morrison, William Cummins, Séamus Ennis, Willie Clancy, Paddy Taylor, Paddy Carty, Grey Larsen, Josie McDermott, Matt Molloy, Cathal McConnell, Mary Bergin, Donncha Ó Briain (Denis O'Brien), Desi Wilkinson, Breda Smyth, Seán Ryan, Conal Ó Gráda, Micho Russel, Joanie Madden, Kevin Crawford, Catherine McEvoy, and Seamus Egan. for those who don't read music, almost all the exercises, examples and tunes appear on the two companion CDs. Grey has, through his research, patience, and diligence, completed a work on Irish flute and tin whistle that I feel is essential reading for anybody interested in getting it right. - Matt Molloy, Irish Flute player with the Chieftains.

While the wooden simple-system flute is traditionally used in playing Irish music, a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time, The Complete Irish Flute Book presents the silver or Boehm flutist with a method for learning authentic Irish ornamentation!This thorough guide provides detailed fingering charts, exercises, and technicalessays for learning to execute ornaments in the in the Irish style. Through a wealth of hornpipes, reels, jigs, set dances, and slow airs and songs. This bookfocuses not only on musical accuracy, but stylistic authenticity as well. The companion audio download available online contains 26 of the 101 tunes fromthe book

Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for flute solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the flute. Where appropriate, capo chords are shown. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.

This book is for someone who can already play the silver flute to some extent. I hope to show you some of the techniques to engage with the sounds of traditional wooden flute, as well as teach you a few tunes along the way. There are lots of my own tunes included which are particularly suited to the silver flute and a few traditional tunes to help illustrate the techniques."a wealth of information for silver flute players who wish their instrument to sound more like a traditional wooden flute...deeply thought through and gives really useful practical advice. ...It really is an impressive book...both entertaining and really useful." - Living Tradition Magazine"hugely important book...Philippe is a master of those techniques...Irish Music Magazine's John Brophy's comment is quoted in the book; "I've heard nobody else who can make the Boehm flute sound like the true traditional thing, who can mould tone to the tune so nicely, the sheer musicality is exceptionally impressive."...This is an invaluable resource for Silver flute players and is a great teaching aid; it should be in every secondary school music room in the country." - Seán Laffey, IRISH MUSIC MAGAZINE"This book serves as an ideal introduction for any Boehm flute players who are interested in exploring the traditional language of Irish Music. One of the most important elements in idiomatic Irish flute playing is the execution of a wide range of ornaments, and they are clearly explaned her and backed up with examples from the repertoire. Barnes stresses the difference between classical ornamentation (which is essentially melodic) and Irish ornamentatin where the focus is on rhythm. He disusses differences in hand position and an appropriate approach to vibrato, and covers techniques such as feathering, cuts, rolls, cranns, bounces and slides. Each technique is clearly explaned in straigntforward language, and there is plenty of repertoire included to help skills develop in each area. Recommended." Carla Rees, British Flute Society Magazine

Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute

Robert W. Smith has scored a hit with this Irish treatment, based on the holiday classic "What Child Is This'." Beginning with a piccolo solo staged over the tuba, the work builds to a frenzy. This year's most exciting holiday choice. (2: 35)