A Cheyenne Voice

Rarely does a primary source become available that provides new and significant information about the history and culture of a famous American Indian tribe. With A Cheyenne Voice, readers now have access to a vast ethnographic and historical trove about the Cheyenne people—much of it previously unavailable. A Cheyenne Voice contains the complete transcribed interviews conducted by anthropologist Margot Liberty with Northern Cheyenne elder John Stands In Timber (1882–1967). Recorded by Liberty in 1956–1959 when she was a schoolteacher on the Northern Cheyenne Indian Reservation in southeastern Montana, the interviews were the basis of the well-known 1967 book Cheyenne Memories. While that volume is a noteworthy edited version of the interviews, this volume presents them word for word, in their entirety, for the first time. Along with memorable candid photographs, it also features a unique set of maps depicting movements by soldiers and warriors at the Battle of the Little Bighorn. Drawn by Stands In Timber himself, they are reproduced here in full color. The diverse topics that Stands In Timber addresses range from traditional stories to historical events, including the battles of Sand Creek, Rosebud, and Wounded Knee. Replete with absorbing, and sometimes even humorous, details about Cheyenne tradition, warfare, ceremony, interpersonal relations, and everyday life, the interviews enliven and enrich our understanding of the Cheyenne people and their distinct history.

Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors presents the images of Native warriors—Wild Hog, Porcupine, and Left Hand, as well as possibly Noisy Walker (or Old Man), Old Crow, Blacksmith, and Tangled Hair—as they awaited probable execution in the Dodge City jail in 1879. When Sheriff Bat Masterson provided drawing materials, the men created war books that were coded to avoid confrontation with white authorities and to narrate survival from a Northern Cheyenne point of view. The prisoners used the ledger-art notebooks to maintain their cultural practices during incarceration and as gifts and for barter with whites in the prison where they struggled to survive. The ledger-art notebooks present evidence of spiritual practice and include images of contemporaneous animals of the region, hunting, courtship, dance, social groupings, and a few war-related scenes. Denise Low and Ramon Powers include biographical materials from the imprisonment and subsequent release, which extend the historical arc of Northern Cheyenne heroes of the Plains Indian Wars into reservation times. Sources include selected ledger drawings, army reports, letters, newspapers, and interviews with some of the Northern Cheyenne men and their descendants. Accounts from a firsthand witness of the drawings and composition of the ledgers themselves give further information about Native perspectives on the conflicted history of the North American West in the nineteenth century and beyond. This group of artists jailed after the tragedy of the Fort Robinson Breakout have left a legacy of courage and powerful art.

The Battle of the Rosebud may well be the largest Indian battle ever fought in the American West. The monumental clash on June 17, 1876, along Rosebud Creek in southeastern Montana pitted George Crook and his Shoshone and Crow allies against Sioux and Northern Cheyennes under Sitting Bull and Crazy Horse. It set the stage for the battle that occurred eight days later when, just twenty-five miles away, George Armstrong Custer blundered into the very same village that had outmatched Crook. Historian Paul L. Hedren presents the definitive account of this critical battle, from its antecedents in the Sioux campaign to its historic consequences. Rosebud, June 17, 1876 explores in unprecedented detail the events of the spring and early summer of 1876. Drawing on an extensive array of sources, including government reports, diaries, reminiscences, and a previously untapped trove of newspaper stories, the book traces the movements of both Indian forces and U.S. troops and their Indian allies as Brigadier General Crook commenced his second great campaign against the northern Indians for the year. Both Indian and army paths led to Rosebud Creek, where warriors surprised Crook and then parried with his soldiers for the better part of a day on an enormous field. Describing the battle from multiple viewpoints, Hedren narrates the action moment by moment, capturing the ebb and flow of the fighting. Throughout he weighs the decisions and events that contributed to Crook’s tactical victory, and to his fateful decision thereafter not to pursue his adversary. The result is a uniquely comprehensive view of an engagement that made history and then changed its course. Rosebud was at once a battle won and a battle lost. With informed attention to the subtleties and significance of both outcomes, as well as to the fears and motivations on all sides, Hedren has given new meaning to this consequential fight, and new insight into its place in the larger story of the Great Sioux War.

Visionary singer Susan Hale believes that early peoples deliberately built their structures to enhance natural vibrations. She takes us around the globe-from Stonehenge and New Grange to Gothic cathedrals and Tibetan stupas in New Mexico-to explore the acoustics of sacred places. But, she says, you don't have to go to the Taj Mahal: The sacred is all around us, and we are all sound chambers resonating with the One Song.

In 1934, Commissioner of Indian Affairs John Collier began a series of "congresses" with American Indians to discuss his proposed federal bill for granting self-government to tribal reservations. In "The Indian Reorganization Act," Vine Deloria, Jr., compiled the actual historical records of those congresses and made available important documents of the premier years of reform in federal Indian policy as well as the bill itself.

“[Eagle Voice Remembers] is John Neihardt’s mature and reflective interpretation of the old Sioux way of life. He served as a translator of the Sioux past, whose audience has proved not to be limited by space or time. Through Neihardt’s writings Black Elk, Eagle Elk, and other old men who were of that last generation of Sioux to have participated in the old buffalo-hunting life and the disorienting period of strife with the U.S. Army found a literary voice. What they say chronicles a dramatic transition in the life of the Plains Indians; the record of their thoughts, interpreted by Neihardt, is a legacy preserved for the future. It transcends the specifics of this one tragic case of cultural misunderstanding and conflict and speaks to universal human concerns. It is a story worth contemplating both for itself and for the lessons it teaches all humanity.”—from the introduction by Raymond J. DeMallie In her foreword Coralie Hughes discusses John G. Neihardt’s intention that this book, formerly titled When the Tree Flowered, be understood as a prequel to his classic Black Elk Speaks. In this new edition David C. Posthumus adds clarity through his annotations, introducing Eagle Voice Remembers to a new generation of readers and presenting a fresh understanding for fans of the original.

Empire’s Tracks boldly reframes the history of the transcontinental railroad from the perspectives of the Cheyenne, Lakota, and Pawnee Native American tribes, and the Chinese migrants who toiled on its path. In this meticulously researched book, Manu Karuka situates the railroad within the violent global histories of colonialism and capitalism. Through an examination of legislative, military, and business records, Karuka deftly explains the imperial foundations of U.S. political economy. Tracing the shared paths of Indigenous and Asian American histories, this multisited interdisciplinary study connects military occupation to exclusionary border policies, a linked chain spanning the heart of U.S. imperialism. This highly original and beautifully wrought book unveils how the transcontinental railroad laid the tracks of the U.S. Empire.

Introductory essays by Katakis (photographer and writer), Vizenor (Native American literature, U. of California) and Preucel (curator and professor of anthropology, U. of Pennsylvania) discuss how the attitude of the photographer affects the image produced, whether a photograph is worth a thousand words, and the multitude of voices represented by the 48 full-page bandw photographs. The loudest "voices" speak of Manifest Destiny, progress, and industrial capitalism, which have both defined and controlled the ongoing conversation between native peoples and whites. Annotation copyrighted by Book News, Inc., Portland, OR