A Collection Of Upper South Carolina Genealogical And Family Records

By: James E. Wooley, Editor, Pub. 1981, reprinted 2018, 404 pages, soft cover, Index, ISBN #0-89308-210-4. These records comprise the loose files of the late Pauline Young, one of South Carolina's most widely known genealogist on Upper South Carolina. Each family record is filed with names of persons mentioned, these records consists of estate settlements, bastardy bonds, deeds, wills, coroner's inquests, abstracts of letters pertaining to estates, guardianship, tavern licenses, etc... It is estimated each book contains more than 40,000 names of early settlers in Upper South Carolina from the mid 1700's down to the 1850's. These records are primarily from Upper South Carolina counties such as: Pendleton District, Abbeville, Edgefield, Greenville, and Pickens Counties.

These records comprise the loose files of the late Pauline Young, one of South Carolina's most widely known genealogist on Upper South Carolina. Each family record is filed with names of persons mentioned, these records consists of estate settlements, bastardy bonds, deeds, wills, coroner's inquests, abstracts of letters pertaining to estates, guardianships, tavern licenses, etc... It is estimated each book contains more than 40,000 names of early settlers in Upper South Carolina from the mid 1700's down to the 1850's. These records are primarily from Upper South Carolina counties such as: Pendleton District, Abbeville, Edgefield, Greenville, and Pickens Counties.

A rich portrait of Black life in South Carolina's Upstate Encyclopedic in scope, yet intimate in detail, African American Life in South Carolina's Upper Piedmont, 1780–1900, delves into the richness of community life in a setting where Black residents were relatively few, notably disadvantaged, but remarkably cohesive. W. J. Megginson shifts the conventional study of African Americans in South Carolina from the much-examined Lowcountry to a part of the state that offered a quite different existence for people of color. In Anderson, Oconee, and Pickens counties—occupying the state's northwest corner—he finds an independent, brave, and stable subculture that persevered for more than a century in the face of political and economic inequities. Drawing on little-used state and county denominational records, privately held research materials, and sources available only in local repositories, Megginson brings to life African American society before, during, and after the Civil War. Orville Vernon Burton, Judge Matthew J. Perry Jr. Distinguished Professor of History at Clemson University and University Distinguished Teacher/Scholar Emeritus at the University of Illinois, provides a new foreword.

This study shows how Clemson weaves together the three federal charges of land-grant institutions—teaching (specified in the Land Grant Act of 1862), research (the Hatch Act of 1887), and public service (the Smith-Lever Act of 1914)—into a “high seminary of learning.” Clemson students and their lives here are the other major theme of this work. The narrative of this institution traces the people who created it, those who guided it, and the people who lived under its influence and the paths they followed as they left “dear old Clemson.”

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where, legend has it, they declared the Free State of Jones. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where they declared their loyalty to the U.S. government. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory. In a new afterword, Bynum updates readers on recent scholarship, current issues of race and Southern heritage, and the coming movie that make this Civil War story essential reading. The Free State of Jones film, starring Matthew McConaughey, Gugu Mbatha-Raw, and Keri Russell, will be released in May 2016.

Touted as an American Eden, Kentucky provides one of the most dramatic social histories of early America. In this collection, ten contributors trace the evolution of Kentucky from First West to Early Republic. The authors tell the stories of the state's remarkable settlers and inhabitants: Indians, African Americans, working-class men and women, wealthy planters and struggling farmers. Eager settlers built defensive forts across the countryside, while women and slaves used revivalism to create new opportunities for themselves in a white, patriarchal society. The world that this diverse group of people made was both a society uniquely Kentuckian and a microcosm of the unfolding American pageant. In the mid-1700s, the trans-Appalachian region gained a reputation for its openness, innocence, and rusticity- fertile ground for an agrarian republic founded on the virtue of the yeoman ideal. By the nineteenth century, writers of history would characterize the state as a breeding ground for an American culture of distinctly Anglo-Saxon origin. Modern historians, however, now emphasize exploring the entire human experience, rather than simply the political history, of the region. An unusual blend of social, economic, political, cultural, and religious history, this volume goes a long way toward answering the question posed by a Virginia clergyman in 1775: "What a buzzel is this amongst people about Kentuck?"