A Dead Man Speaks

Clive January, a black man and successful Wall Street banker. A husband, father and lover of a woman with whom he'd shared an obsessive love since before his marriage to another. And now he's dead, shot in the back at his sumptuous Long Island summer home. When the story opens we see Clive's ghost who has realized that he must work through Bob Greene, the white detective assigned to his case in order to discover his murderer. Clive is trapped in a world between heaven and hell and his only hope for peace is to find out who killed him. Bit by bit, through dreams and by taking over Bob's consciousness, he reveals his life leading up to the murder in the hope that if Bob knows what really happened, he can find Clive's murderer before it's too late. A DEAD MAN SPEAKS is the story of two men who need each other to complete their lives -- one living the other dead --- one to move forward in this life and the other to move forward in the next. It's about two men with two very different lives who are bound together by one murder that neither can escape. Clive January, a black man and brash Wall Street entrepreneur who is hated by many and understood by few and Bob Greene the white detective living in the shadow of a failed career and determined to prove that he's still got it. Bob Greene is psychic and with his gift of clairvoyance, he re-lives the bitter pieces of Clive's life, Clive January the poor boy from the South, who hated himself, never knowing why until it was too late. Clive, the husband and successful Wall street banker whose life had spiraled out of control. Told primarily through Clive's voice and then Detective Bob's, a complex story is layered from their two perspectives, until the truth is revealed in a wrenching ending that neither ever suspected.

Pat had been best friends with Joe Murphy since they were kids. But years ago they had a fight. A big one, and they haven't spoken since --- till the day before Joe's funeral. What? On the day before his funeral Joe would be dead, wouldn't he? Yes, he would... Roddy Doyle's first book for the Quick Reads programme to support adult literacy is fast, funny and just a tiny bit spooky.

Tender, angry, moving poems that speak to anyone who has ever cared for and lost a loved one.

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.

This monumental book, first published in 1992, represents a major contribution to Sephardic and Hispanic studies as well as to comparative folklore scholarship in a worldwide perspective. After many years of fieldwork and extensive archival investigations in Spain, Israel and the United States, the author has brought together and analysed a massive body of primary sources. This is the first collection of Sephardic narratives offered to the English-speaking reader, and constitutes an important addition to the understanding of Sephardic cultural tradition.

Beyond Life! Beyond Death! is a post colonial statement on the life of the post modern man, who has suffered emotional, psychological, and spiritual erosion, as a result of which he has lost his mental balance, and his physical shape too. He is a distorted figure now, beyond recognition, and in search of his redemption as a human being, which is eluding him, because, religion has failed to come to his rescue, no prophet can salvage him now, that he has slipped down the 'wasteland' into the 'wretchedland'. In this dark atmsophere, spiritual regeneration alone can help him out of this morass, for which, man will have to look beyond religion, into the possibilities of living in spirituality, which is a bypass and connects man directly with the divine, using love is the binding force, rather than fear on which religious establishment is built.

Spring Man: A Belief Legend between Folklore and Popular Culture deconstructs the nationalistic myth of Spring Man that was created after the Second World War in visual culture and literature and presents his original form as an ambiguous, ghostly denizen of oral culture. Petr Janeček analyzes the archetypal character, social context, and cultural significance of this fascinating phenomenon with the help of dozens of accounts provided by period eyewitnesses, oral narratives, and other sources. At the same time, the author illustrates the international origin of the tales in the originally British migratory legend of Spring-heeled Jack that reaches back to the second-third of the nineteenth century, and Janeček also draws parallels between the Czech myth of Spring Man and similar urban phantom narratives popular in the 1910s Russia, 1940s United States and Slovakia, and 1950s Germany, as well as other parts of the world.