A Few Good Women

In this riveting narrative history, women veterans from the world wars, Vietnam, the Gulf War, Afghanistan, and Iraq tell their extraordinary stories. Evelyn M. Monahan and Rosemary Neidel-Greenlee spent fifteen years combing through archives, journals, histories, and news reports, and gathering thousands of eyewitness accounts, letters, and interviews for this unprecedented chronicle of America’s “few good women.” Women today make up more than fifteen percent of the U.S. armed forces and serve alongside men in almost every capacity. Here are the stories of the battles these women fought to march beside their brothers, their tales of courage and fortitude, of indignities endured, of injustices overcome, of the blood they’ve shed and the comrades they’ve lost, and the challenges they still face in the twenty-first century.

A Few Good Women is the true story of a group of women who served in the Marine Corps during World War II. They came from different backgrounds, with nothing in common but youth, naivety, health, and a desire to serve their country. Boot camp training molded them into Marines, united as one and proud of the Corps. Marine Commandant Alexander Vandergrift credited these women with freeing enough men to put the 6th Marine Division into the field. Laced with humor and wartime nostalgia, this book gives insight to the beginning of women ́s military liberation. "A candid, often graphic, personal account that provides a long-overdue salute to the valiant, innovative women who served their country well." Ted Fuller, columnist and author of "Seniors Need 12 Hugs a Day" "For me, this book was a step back in time, an honest, vivid account of what life was like for Women Marines who served in World War II. The fast-paced dialogue with clear verbal expressions make for a quick and enjoyable read." Virginia Allred, USMCWR WWII Past National President, Women Marines Association "As a former High School Teacher of Compository English, I give it an A+. ́A Few Good Women ́ is most interesting, and extremely well written." John Egan, USMC, Pearl Harbor survivor

In August 1972, Newsweek proclaimed that “the person in Washington who has done the most for the women’s movement may be Richard Nixon.” Today, opinions of the Nixon administration are strongly colored by foreign policy successes and the Watergate debacle. Its accomplishments in advancing the role of women in government have been largely forgotten. Based on the “A Few Good Women” oral history project at the Penn State University Libraries, A Matter of Simple Justice illuminates the administration’s groundbreaking efforts to expand the role of women—and the long-term consequences for women in the American workplace. At the forefront of these efforts was Barbara Hackman Franklin, a staff assistant to the president who was hired to recruit more women into the upper levels of the federal government. Franklin, at the direction of President Nixon, White House counselor Robert Finch, and personnel director Fred Malek, became the administration’s de facto spokesperson on women’s issues. She helped bring more than one hundred women into executive positions in the government and created a talent bank of more than a thousand names of qualified women. The Nixon administration expanded the numbers of women on presidential commissions and boards, changed civil service rules to open thousands more federal jobs to women, and expanded enforcement of antidiscrimination laws to include gender discrimination. Also during this time, Congress approved the Equal Rights Amendment and Nixon signed Title IX of the Education Amendments into law. Featuring a new forward by Sara Eisen, this updated edition of A Matter of Simple Justice celebrates the 100th anniversary of women’s suffrage in the United States through the story of Barbara Hackman Franklin and those “few good women” and shows how the advances that were made in this time by a Republican presidency both reflected the national debate over the role of women in society and took major steps toward equality in the workplace for women.

"Tell-it-like-it-is" mosaic of how today's most powerful women cope in no-woman's-land, A FEW GOOD WOMEN gives you a first-hand look at what it takes to overcome our most enduring gender-based obstacles. For instance, you'll discover interviews exploring: how Shirley Prutch of Martin Marietta had to resign and be invited back to win the respect and the position she deserved; how Nancy Faunce of Eastman Kodak took a chance by going over her boss' head, instantly.

When Deng Xiaoping’s efforts to “open up” China took root in the late 1980s, Xinran recognized an invaluable opportunity. As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night. Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history.

In eight stories, a master of the form extends and magnifies her great themes—the vagaries of love, the passion that leads down unexpected paths, the chaos hovering just under the surface of things, and the strange, often comical desires of the human heart. Time stretches out in some of the stories: a man and a woman look back forty years to the summer they met—the summer, as it turns out, that the true nature of their lives was revealed. In others time is telescoped: a young girl finds in the course of an evening that the mother she adores, and whose fluttery sexuality she hopes to emulate, will not sustain her—she must count on herself. Some choices are made—in a will, in a decision to leave home—with irrevocable and surprising consequences. At other times disaster is courted or barely skirted: when a mother has a startling dream about her baby; when a woman, driving her grandchildren to visit the lakeside haunts of her youth, starts a game that could have dangerous consequences. The rich layering that gives Alice Munro's work so strong a sense of life is particularly apparent in the title story, in which the death of a local optometrist brings an entire town into focus—from the preadolescent boys who find his body, to the man who probably killed him, to the woman who must decide what to do about what she might know. Large, moving, profound, these are stories that extend the limits of fiction.