A Hall Of Mirrors

Rheinhardt, a disk jockey and failed musician, rolls into New Orleans looking for work and another chance in life. What he finds is a woman physically and psychically damaged by the men in her past and a job that entangles him in a right-wing political movement. Peopled with civil rights activists, fanatical Christians, corrupt politicians, and demented Hollywood stars, A Hall of Mirrors vividly depicts the dark side of America that erupted in the sixties. To quote Wallace Stegner, "Stone writes like a bird, like an angel, like a circus barker, like a con man, like someone so high on pot that he is scraping his shoes on the stars."

Whether it’s the first-past-the-post electoral system or partisan government appointees to the Senate, Canadians want better representation and accountability from the federal government. Before reforms can be enacted, however, it is important to explore and clarify the relationships among Canada’s three parliamentary institutions: Crown, Senate, and Commons. In The Constitution in a Hall of Mirrors, David E. Smith presents a learned but accessible analysis of the interconnectedness of Canada’s parliamentary institutions. Smith argues that Parliament is a unity comprised of three parts and any reforms made to one branch will, whether intended or not, affect the other branches. Through a timely, nuanced, and comprehensive examination of parliamentary debates, committee reports, legal scholarship, and comparative analysis of developments in the United Kingdom, Smith uncovers the substantial degree of ambiguity that exists among Canadians and their calls for structural and operational reforms. By illuminating the symbiotic relationship between the Crown, Senate, and Commons, The Constitution in a Hall of Mirrors brings government reform closer to reality.

This impressive tome offers more than 700 illustrations to document the comprehensive restoration campaign, (the first of its kind) of this magnificant interior.

In The Hall of Mirrors Peter Stoicheff examines the complicated composition and publication history of Drafts & Fragments to demonstrate how the volume has become a site where conflicting responses to Pound's public and poetic lives are interpreted and reconstructed. Finally he delivers not only a well-rounded study of one of Pound's most important texts but an exploration of the modern long poem, whose very length works against the possibility of its satisfactory closure.

The military scholar and author of The Human Face of War analyses the nature of 20th-century war and warfare in this wide-ranging study. The 20th Century was possibly the most violent and turbulent century in history. The wars waged in those ten decades reshaped the globe and wreaked an incalculable toll on human life. In The Hall of Mirrors, military analyst and historian Jim Storr explores what can we learn from war, and warfare, in the 20th century. Rather than presenting a narrative history, The Hall of Mirrors takes a deep look at the nature of 20th Century war and warfare. Storr looks at the strategy, operational art, and tactics employed. He analyzes how technology developed, and how those technologies affected military events. He also considers the effect of individual human beings and organizations. By 1919 the First World War was already over. Millions had died, empires had crumbled, new nations had been born. And yet the so-called Great War was merely setting the stage for another eighty years of crisis, conflict, and change; of alliances forged and broken; of apparent chaos that can appear futile, and yet has enormous consequence.

With its laser-focus on the verbal and visual infrastructure of narrative, The Metanarrative Hall of Mirrors is the first sustained comparative study of how image patterns are tracked in prose and cinema. In film examples ranging from Citizen Kane through Apocalypse Now to Blade Runner 2049, then on to Christopher Nolan's 2020 Tenet, Garrett Stewart follows the shift from celluloid to digital cinema through various narrative manifestations of the image, from freeze-frames to computer-generated special effects. By bringing cinema alongside literature, Stewart discovers a common tendency in contemporary storytelling, in both prose and visual narrative, from the ongoing trend of “mind-game” films to the often puzzling narrative eccentricities of such different writers as Nicholson Baker and Richard Powers-including the latter's eerie mirroring of reader empathy in his 2021 Bewilderment.

This full color edition of the Hall of Mirrors is the most thoroughly researched work on the Ruby McCollum story published since the work of William B. Huie. Written by the author who first published the annotated transcript of the murder trial, this work explores recent attempts to revise Ruby McCollum's story to suit the motives of various authors, academics and film producers. Hall of Mirrors avoids the confirmation and presentist biases found in other works and presents this captivating story in its proper historical context. It is a "must read" for anyone seriously interested in the facts of the case, but is guaranteed to offend those who steadfastly deny Ruby McCollum’s innocence in the face of overwhelming facts.