A Heart Lost In Wonder

Gerard Manley Hopkins, one of the most beloved English-language poets of all time, lived a life charged with religious drama and vision. The product of a High-Church Anglican family, Hopkins eventually converted to Roman Catholicism and became a priest—after which he stopped writing poetry for many years and became completely estranged from his Protestant family. A Heart Lost in Wonder provides perspective on the life and work of Gerard Manley Hopkins through both religious and literary interpretation. Catharine Randall tells the story of Hopkins’s intense, charged, and troubled life, and along the way shows readers the riches of religious insight he packed into his poetry. By exploring the poet’s inner life and the Victorian world in which he lived, Randall helps readers to understand better the context and vision of his astonishing and enduring work.

Praying under a soft rain, deliverance in blank page of unwritten story. Anyone who has known once the lonely tear for a love or a lover, can those words describe many or only the circumstances? Destiny seems like a wolf, a hand kept in its mouth. In a debut volume of poems inspired by life experiences and other influences, Giorgio Armati lyrically explores the undiscovered anima of the female world, which still remains a mystery for many men. Armati shares poetic thoughts and observations that reflect on life’s challenges and obstacles from a woman’s point of view. His diverse topics and themes include love, the heart’s hidden fears, acceptance of one’s own incompleteness, memories of a mother, the state of oblivion, the strength of the wind, the mysteries that lie within dreams, and much more. Ladies Lost in Wonder is a collection of free verse that explores life and love from the female perspective.

Combining monastic, Celtic and desert traditions, this title offers a practical guide to finding God through the everyday circumstances of life. Seemingly small, insignificant things then become windows through which the light of Christ can shine.

For much of Christian history, pastors not only served as theologians and preachers, but also as poets and hymn writers. They ministered through their preaching and their poetry, their sermons and their songs—laboring to see God’s truth planted not only in people’s minds, but helping it find its way into their hearts and even onto their lips. They viewed such labors as an artistic and devotional tool of catechesis, one that has largely gone missing over the last few generations. But in this new collection of hymns and poems, Justin Wainscott recaptures that rich legacy of pastor-poets, providing God’s people with theology that stirs and sings. Whether his poetry pertains to matters of common grace or saving grace, the mundane or the majestic, he gives readers an opportunity to lose themselves in wonder, love, and praise. And a book like this one couldn’t come at a better time. In this age of distracted reading marked mainly by skimming and scanning, our souls need the kind of slow, deep reading that poetry rewards.

This book explores the liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the liturgy carries can produce. Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.

This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.

This book explores the Liturgy as the manifestation by cultic signs of Christian revelation, the 'setting' of the Liturgy in terms of architectural space, iconography and music, and the poetic response which the revelation the Liturgy carries can produce. The conclusion offers a synthetic statement of the unity of religion, cosmology and art. Aidan Nichols makes the case for Christianity's capacity to inspire high culture - both in principle and through well-chosen historical examples which draw on the best in Catholicism, Eastern Orthodoxy and Anglicanism.

For much of Christian history, pastors not only served as theologians and preachers, but also as poets and hymn writers. They ministered through their preaching and their poetry, their sermons and their songs--laboring to see God's truth planted not only in people's minds, but helping it find its way into their hearts and even onto their lips. They viewed such labors as an artistic and devotional tool of catechesis, one that has largely gone missing over the last few generations. But in this new collection of hymns and poems, Justin Wainscott recaptures that rich legacy of pastor-poets, providing God's people with theology that stirs and sings. Whether his poetry pertains to matters of common grace or saving grace, the mundane or the majestic, he gives readers an opportunity to lose themselves in wonder, love, and praise. And a book like this one couldn't come at a better time. In this age of distracted reading marked mainly by skimming and scanning, our souls need the kind of slow, deep reading that poetry rewards.