A Hundred Measures Of Time

‘Look, my feet measure beyond earth and sky!’ he said and touched the sky. I have surrendered to my lord who glanced at me with his large radiant eyes. The Tiruviruttam is an iconic poem by Nammāḻvār (c. ninth century CE), the greatest of the āḻvār poet-saints of the Tamil Śrīvaiṣṇava tradition. Its hundred interlinked verses celebrate the love between an anonymous heroine and hero, who come to be identified with Nammāḻvār and his beloved deity, Viṣṇu. The poet masterfully weaves the erotic and esoteric to reveal both the contours of love and the never-ending cycles of separation and union, of birth and death, from which only Viṣṇu can offer release. In A Hundred Measures of Time, Archana Venkatesan has crafted a sonorous free-verse rendering and an accompanying far-ranging essay to delight poetry lovers and scholars alike.

The Tiruviruttam is an iconic poem by Nammalvar (c. ninth century CE), the greatest of the alvar poet-saints of the Tamil Srivaisnava tradition. Its hundred interlinked verses celebrate the love between an anonymous heroine and hero, who come to be identified with Nammalvar and his beloved deity, Visnu. The poet masterfully weaves the erotic and esoteric to reveal both the contours of love and the never-ending cycles of separation and union, of birth and death, from which only Visnu can offer release. In A Hundred Measures of Time, Archana Venkatesan has crafted a sonorous free-verse rendering and an accompanying far-ranging essay to delight poetry lovers and scholars alike.

Accessible classic by a world-famous mathematician covers geometry and the shape of the earth, space and time in astronomy, abstract geometry and geographical maps, continuity and topology, the propagation of light, the special and general theories of relativity, and theoretical and experimental researches. 1926 edition. Includes 15 figures.

Since its first publication, A Study of Time in Indian Philosophy has been acclaimed as having successfully shown •the simple falsityê of such clich_s that the Indian view of time is •cyclicê or that it is exclusively •illusoryê. Given the variety of views discussed in this work, it is evident that the theme of time is intimately related to such basic concepts as being and becoming, change and causality, creation and annihilation. It has been therefore, observed that this book makes an excellent introduction to the heart of Indian thought. Based on Sanskrit source material, this book is a unique attempt to presenting a comprehensive review of the widely divergent views about time in Indian thought. Clearly written, it succeeds in setting out the issues of discussion pointedly and cogently. Since the concept of time intervenes with such major concepts as that of causality, being and non-being etc., this book also –serves as a general introduction to the classic heart of Indian Philosophy.” The author –has demonstrated a rare ability to translate technical doctrines from one tradition of thought into the language of another”, and thus has made it possible- for all those who are concerned with the question of time but do not have access in the Indian conceptual world to appreciate the contributions of Indian thought with regard to this complex question. Noteworthy is the fact that this book is the first attempt which –successfully exposes the simple falsity” of such cliches as that the Indian view of time is •cyclic as opposed to the Judaeo-Christian understanding of linear time. A Study of Time in Indian Philosophy, therefore, renders a valuable service to all those who are concerned with cross-cultural and inter religious exchange.

Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959, alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became one of the first jazz albums to be certified platinum, while its featured track, "Take Five," became the best-selling jazz single of the twentieth century, surpassing one million copies. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track "Blue Rondo à la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative uses of the more common 3/4 and 4/4 meters on other tracks, Time Out has played an important role in the development of modern jazz. In this book, author Stephen A. Crist draws on nearly fifteen years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural contexts, he offers fascinating insights into the composition and development of some of the album's best-known tunes. From Brubeck's 1958 State Department-sponsored tour, during which he first encountered the Turkish aksak rhythms that would form the basis of "Blue Rondo à la Turk," to the backstage jam session that planted the seeds for "Take Five," Crist sheds an exciting new light on one of the most significant albums in jazz history.