A Jest Of God

Rachel ongs to free herself from the pettiness and deceit of he everyday life.

In this celebrated novel, Margaret Laurence writes with grace, power, and deep compassion about Rachel Cameron, a woman struggling to come to terms with love, with death, with herself and her world. Trapped in a milieu of deceit and pettiness – her own and that of others – Rachel longs for love, and contact with another human being who shares her rebellious spirit. Through her summer affair with Nick Kazlik, a schoolmate from earlier years, she learns at last to reach out to another person and to make herself vulnerable. A Jest of God won the Governor General’s Award for 1966 and was released as the successful film, Rachel, Rachel. The novel stands as a poignant and singularly enduring work by one of the world’s most distinguished authors.

'An almost perfect book' MARGARET ATWOOD. Whenever I find myself thinking in a brooding way, I must simply turn it off and think of something else. God forbid that I should turn into an eccentric. Rachel Cameron is a shy, retiring schoolmistress, tethered to her overbearing invalid mother. Thirty-four and unmarried, she feels herself edging towards a lonely spinsterhood. But then she falls in love for the first time, and embarks upon an affair that will change her life in unforeseen ways.

A duty-ridden woman dreams of breaking free from her small-town chains.

NOW A PENGUIN MODERN CLASSIC: In this celebrated novel, Margaret Laurence writes with grace, power, and deep compassion about Rachel Cameron, a woman struggling to come to terms with love, with death, with herself and her world. Living alone with only her aging mother for company, thirty-something retiring schoolteacher Rachel Cameron feels trapped in a milieu of deceit and pettiness--her own and that of others. She longs for love and contact with another human being who shares her rebellious spirit, and when she has a summer affair with former schoolmate Nick Kazlik, she learns at last to reach out to another person and to make herself vulnerable. Poignant and singular, A Jest of God is an enduring work by one of the world's most distinguished authors.

The film adaptation of Margaret Laurence's The Stone Angel, starring acclaimed actresses Ellen Burstyn and Ellen Page, and introducing Christine Horne, opens in theatres May 9, 2008. This special fortieth-anniversary edition of Margaret Laurence’s most celebrated novel will introduce readers again to one of the most memorable characters in Canadian fiction. Hagar Shipley is stubborn, querulous, self-reliant, and, at ninety, with her life nearly behind her, she makes a bold last step towards freedom and independence. As her story unfolds, we are drawn into her past. We meet Hagar as a young girl growing up in a black prairie town; as the wife of a virile but unsuccessful farmer with whom her marriage was stormy; as a mother who dominates her younger son; and, finally, as an old woman isolated by an uncompromising pride and by the stern virtues she has inherited from her pioneer ancestors. Vivid, evocative, moving, The Stone Angel celebrates the triumph of the spirit, and reveals Margaret Laurence at the height of her powers as a writer of extraordinary craft and profound insight into the workings of the human heart.

Morag Gunn is a writer in her mid-forties who lives in a riverside farm in East Ontario. Her eighteen-year-old daughter is suffering from a profound loneliness that she is struggling to understand, causing Morag to contemplate her own past. Through a series of flashbacks she reviews the painful and exhilarating moments from her earlier life: her childhood on the social margins of the small prairie town of Manawaka; her escape from a demeaning marriage into writing fiction; and her travels to England, Scotland and finally back to Canada, where she faces her most difficult challenge – the necessity to understand, and let go of, the daughter she loves. First published in 1974, The Diviners is an evocative, moving exploration of one woman's search for identity.

Margaret Laurence's much admired Manawaka fiction—The Stone Angel, A Jest of God, The Fire-Dwellers, A Bird in the House, and The Diviners—has achieved remarkable recognition for its compassionate portrayal of the attempt to find meaning and peace in ordinary life. In Writing Grief, Christian Riegel argues that the protagonists in these books achieve resolution through acts of mourning, placing this fiction within the larger tradition of writing that explores the nuances and strategies of mourning. Riegel's analysis alludes to sociological and literary antecedants of the study of mourning, including the tradition of elegy, from Derrida and Lacan to Freud, van Gennep, and Milton. The "work" of mourning is necessary to move from a state of emotional paralysis to one of acceptance and active engagement. Laurence's characters "perform the work of mourning ... returning over and over again to the key issues relating to loss," and, as Riegel's close examination of the texts suggests, are changed thereafter fundamentally and significantly. As an important study of one aspect of Laurence's oeuvre, Writing Grief not only illustrates how Laurence's own preoccupations with mourning are figured, but also how different ways of working through grief result in renewed potential for consolation and connection, and "a renewed definition of self."