A Jewish Woman S Prayer Book

A beautiful and moving one-of-a-kind collection that draws from a variety of Jewish traditions, through the ages, to commemorate every occasion and every passage in the cycle of life, including: Special prayers for the Sabbath, holidays, and important dates of the Jewish year Prayers to mark celebratory milestones, such as bat mitzva, marriage, pregnancy, and childbirth Prayers for companionship, love, and fertility Prayers for healing, strength, and personal growth Prayers for daily reflection and thanksgiving Prayers for comfort and understanding in times of tragedy and loss On the eve of Yom Kippur in 2002, Aliza Lavie, a university professor, read an interview with an Israeli woman who had lost both her mother and her baby daughter in a terrorist attack. As Lavie stood in the synagogue later that evening, she searched for comfort for the bereaved woman, for a reminder that she was not alone but part of a great tradition of Jewish women who have responded to unbearable loss with strength and fortitude. Unable to find sufficient solace within the traditional prayer book and inspired by the memory of her own grandmother’s steadfast knowledge and faith, Lavie began researching and compiling prayers written for and by Jewish women. A Jewish Woman’s Prayer Book is the result—a beautiful and moving one-of-a-kind collection that draws from a variety of Jewish traditions, through the ages, to commemorate every occasion and every passage in the cycle of life, from the mundane to the extraordinary. This elegant, inspiring volume includes special prayers for the Sabbath and holidays and important dates of the Jewish year; prayers to mark celebratory milestones, such as bat mitzva, marriage, pregnancy, and childbirth; and prayers for comfort and understanding in times of tragedy and loss. Each prayer is presented in Hebrew and in an English translation, along with fascinating commentary on its origins and allusions. Culled from a wide range of sources, both geographically and historically, this collection testifies that women's prayers were—and continue to be—an inspired expression of personal supplication and desire.

Written in the nineteenth century, rediscovered in the twenty-first, timeless in its wisdom and beauty, Hours of Devotion by Fanny Neuda, (the daughter of a Moravian rabbi), was the first full-length book of Jewish prayers written by a woman for women. In her moving introduction to this volume--the first edition of Neuda’s prayer book to appear in English for more than a century--editor Dinah Berland describes her serendipitous discovery of Hours of Devotion in a Los Angeles used bookstore. She had been estranged from her son for eleven years, and the prayers she found in the book provided immediate comfort, giving her the feeling that someone understood both her pain and her hope. Eventually, these prayers would also lead her back to Jewish study and toward a deeper practice of her Judaism. Originally published in German, Fanny Neuda’s popular prayer book was reprinted more than two dozen times in German and appeared in Yiddish and English editions between 1855 and 1918. Working with a translator, Berland has carefully brought the prayers into modern English and set them into verse to fully realize their poetry. Many of these eighty-eight prayers, as well as Neuda’s own preface and afterword, appear here in English for the first time, opening a window to a Jewish woman’s life in Central Europe during the Enlightenment. Reading “A Daughter’s Prayer for Her Parents,” “On the Approach of Childbirth,” “For a Mother Whose Child Is Abroad,” and the other prayers for both daily and momentous occasions, one cannot help but feel connected to the women who’ve come before. For Berland, Hours of Devotion served as a guide and a testament to the mystery and power of prayer. Fanny Neuda’s remarkable spirit and faith in God, displayed throughout these heartfelt prayers, now offer the same hope of guidance to others.

For many centuries Jewish prayer was so dominated by its male creators and male readers that the Jewish woman's role in prayer seems to have been all but obliterated. Yet Jewish women have always prayed and, before prayer became standardized into a formal liturgy, Israelite women offered up spontaneous petitions and hymns to God as freely as did men. While they may not have been able to help constitute a minyan, and while many did not know Hebrew or Aramaic, women produced and used material for prayer at home. The Yiddish tkhines had its origin in a form of supplicatory prayer in the Talmud, whose original intent was to allow for individual private devotion during the standard prayer service. The private Yiddish prayers and devotions for Jewish women continued to use this term. They emerged in the world of premodern Ashkenazic Jewry and represent one of the richest and least-known forms of Jewish religious literature. Because modern sensibility seemed to reject them, and because Yiddish was quickly forgotten by second and third generation Jews in the West, they have been sadly neglected. Although a few have been individually translated into English, this is the first bilingual anthology ever to appear. The prayers in this volume are characterized by a highly personal and intimate style and mark occasions in the religious calendar, such as the Tkhine for the Blessing of the New Moon, as well as occasions in the life of a woman, such as the Tkhine for a Mother who Leads Her Child to Kheyder for the First Time. The tkhines are of great appeal and value to those who wish to hear the voices of Jewish women in history, study Yiddish literature and culture, or create new expressions of spirituality.

A translation with commentary of the Yiddish techinot (prayers), once extremely popular among Eastern European Jews.

The Seyder Tkhines, translated from its original Yiddish by noted tkhines scholar, Devra Kay, and centerpiece of this groundbreaking work, was a standard Yiddish prayer book for women. It first appeared in Amsterdam in 1648, and continued to be published for the next three generations, usually inside the Hebrew synagogue prayer book. A product of an age when mysticism pervaded mainstream Judaism, the Seyder Tkhines provided women with newly composed, alternative daily prayers that were more specific to their needs. Included in this volume is a unique Yiddish manuscript dating from the 17th century ? a collection of prayers written specifically for a rich, pregnant woman, which Kay discovered among the rare books of the Bodleian Library in Oxford, England. Now, for the first time, these prayers have been skillfully translated and brought to public view. In addition to her translations, Kay presents her own extensive commentary, providing a deeper understanding of the historic, religious, and cultural background of this period in Jewish history. This unparalleled book will have special appeal to those interested in the social, literary, and religious history of women, as well as the history of the Yiddish language and literature. The interest in these forgotten prayers and their significance to the lives of women has now been revived, and these tkhines are ready to be rediscovered by a modern readership.

A presentation of prayers in their original Italian form, accompanied by an English translation and insightful commentary. Copyright © Libri GmbH. All rights reserved.

This special book presents magnificent, illuminated manuscripts of women¿s prayers by contemporary Israeli artist Enya Tamar Keshet. 28 prayers collected from around the world and recited exclusively by women are presented in reproductions of her detailed and colorful original work accompanied by text from Hebrew, Ladino, and Yiddish sources. The 28 prayers correspond to a woman¿s complete cycle of life, from the birth of daughter, to a Bat Mitzvah, for a bride, during pregnancy, after childbirth, on parenting, and more. Traditional prayers like Eshet Chayil and Hannah¿s Prayer of Thanksgiving are included, as is the first women¿s tehinna stated before Torah study, and a plate that includes the 115 names of the women in the Torah in the order in which they appear. Enya Tamar Keshet¿s manuscripts combine the traditional look of the Lisbon Judaica manuscript workshop of the 15th century with her own inspiration in order to ¿tend the old roots while growing a new tree,¿ as she describes it. Compiled with the assistance of Joel B. Wolowelsky, PhD, Dean of Faculty, Yeshiva of Flatbush.