A Landscape With Dragons

The Harry Potter series of books and movies are wildly popular. Many Christians see the books as largely if not entirely harmless. Others regard them as dangerous and misleading. In his book A Landscape with Dragons, Harry Potter critic Michael O'Brien examines contemporary children's literature and finds it spiritually and morally wanting. His analysis, written before the rise of the popular Potter books and films, anticipates many of the problems Harry Potter critics point to. A Landscape with Dragons is a controversial, yet thoughtful study of what millions of young people are reading and the possible impact such reading may have on them. In this study of the pagan invasion of children's culture, O'Brien, the father of six, describes his own coming to terms with the effect it has had on his family and on most families in Western society. His analysis of the degeneration of books, films, and videos for the young is incisive and detailed. Yet his approach is not simply critical, for he suggests a number of remedies, including several tools of discernment for parents and teachers in assessing the moral content and spiritual impact of this insidious revolution. In doing so, he points the way to rediscovery of time-tested sources, and to new developments in Christian culture. If you have ever wondered why a certain children's book or film made you feel uneasy, but you couldn't figure out why, this book is just what you need. This completely revised, much expanded second edition also includes a very substantial recommended reading list of over 1,000 books for kindergarten through highschool.

This book tells the story of Michael O'Brien, one of the most popular Catholic novelists and painters of our times. It covers his life from his childhood in the Canadian Arctic to the crucial decision in 1976 to devote himself wholly to Christian sacred arts, followed by his inspiration to write fiction and his best-selling apocalyptic novel, Father Elijah. The story then continues to the present with explorations of O'Brien's other works. O'Brien's life is one of struggle against all odds to reestablish Christian culture in the materialist void created by the modern Western world. It is a timely reminder of hope in trials and sufferings, of endurance during marginalization and poverty. This is the first biography of O'Brien, and it also provides an introduction to his novels, paintings, and essays. The author, Clemens Cavallin, was granted unrestricted access to Michael O'Brien's personal archive, including his diary from the late 1970s until the present day. By revealing sides of O'Brien's interior creative life--including mystical experiences, spiritual battles, and illuminations—he has painted a portrait of a contemporary visual and literary artist whose inspiration arises from an intense fusion of imagination and active faith.

10. Plato from The Republic -- 11. St. Basil the Great from Address to Young Men on the Reading of Greek Literature -- 12. Hugh of St. Victor from Didascalicon -- 13. St. Bonaventure from Reduction of the Arts to Theology -- 14. St. Thomas Aquinas from Summa Theologiae -- 15. Bl. John Henry Newman from The Idea of a University -- 16. Jacques Maritain from the Education at the Crossroads -- Part III: The Methods of Teaching -- 17. Plato from Meno -- 18. St. Augustine from On Christian Teaching -- 19. St. Thomas Aquinas from Summa Theologiae

We now live in the time of the Gaian hierophant. This is the one who reveals and shows us how to relate to the sacred aspects of Gaia, our planet. Who is this hierophant? Each of us, when we join the campaign with Gaia against the desecration of our natural environment. But first we have to discover what the Earth really is. The Earth's thousands of sacred sites hold a secret: they are functional parts of the planet's geomantic body, consciousness nodes in the Earth's subtle body. Each veils a Light temple, each once known widely and remembered in myth, and Welcome to Your Designer Planet! documents 165 different kinds. The Earth is not an accident of the cosmos, but was designed specifically for humans as an extended Mystery temple primed to support and enhance our greater awareness. And the designers intended that humans help maintain it. Want to help the ecosystem and modulate global warming and climate change? Plug yourself into the Earth's Light grid through your nearest sacred site and start helping. Earth Mysteries researcher Richard Leviton presents a working model of the Earth's geomantic reality based on 24 years of research. The world's myths are the doorway into this fantastic domain of the Earth's visionary geography, showing us where to go and what to do and even what kinds of spiritual beings to expect to see. The future of the Earth is in our hands. Here are some pages from its design manual showing us how to fine-tune our wonderful host planet.

Eva Baer, The Illustrations for an Early Manuscript of Ibn Butlan's "Da'wat al-A?ibb?' in the L.A. Mayer Memorial in Jerusalem Anthony Welch, Hussein Keshani, and Alexandra Bain, Epigraphs, Scripture, and Architecture in the Early Sultanate of Delhi David J. Roxburgh, Persian Drawing, ca. 1400-1450: Materials and Creative Procedures R.D. McChesney, Architecture and Narrative: The Khwaja Abu Nasr Parsa Shrine. Part 2: Representing the Complex in Word and Image, 1696-1998 Machiel Kiel, The Quatrefoil Plan in Ottoman Architecture Reconsidered in the Light of the "Fethiye Mosque" of Athens Shirine Hamadeh, Splash and Spectacle: The Obsession with Fountains in Eighteenth-Century Istanbul Willem Floor, The Talar-i Tavila or Hall of Stables, a Forgotten Safavid Palace Brian L. McLaren, The Italian Colonial Appropriation of Indigenous North African Vernacular Architecture in the 1930's Jeffrey B. Spurr, Person and Place: The Construction of Ronald Graham's Persian Photo Album

Saffron’s resolve will be tested as the fate of a kingdom hangs in the balance. Young Dragon Rider Saffron and her faithful comrade, the rightful king Bower, have survived their first battle, but the war for Torvald is far from over. She warns the scholarly prince they must take action and adapt for the sake of their people, while their enemy—and her relative—King Enric waits in the wings. The powerful mage knows orphaned Saffron wishes for a family above all, and his offer to make her his heir may be too tempting to refuse. As both dragons and Riders struggle to return to the ways of old, from before the land fell into darkness, the evil king undermines their every move with spies and sabotage. Bower knows their efforts are doomed without a final assault against the palace, but Saffron has doubts. Risking everything in a single attack isn’t what concerns her—it’s what victory may mean. She knows she must overcome her Maddox nature to save her people. Toppling the ruthless Enric means an end to one deadly threat, but will she be able to resist the temptation to use her wild magic to seize power for herself?

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.