A Long Way To Shiloh

Casper Laing, the young, fiery and brilliant Professor of Semitic Languages, is asked to decipher an ancient parchment found in Israel. Piecing together its mysterious fragments, his translation soon reveals directions to a shrouded location. Believed to be the secret hiding place of the True Menorah, an ancient and priceless Jewish candelabrum, the Jordanians and Israelis begin a frantic race to claim the prize. Surrounded by violent and treacherous rivals, Casper is enjoined on a deadly adventure deep into the burning Negev desert. A Long Way to Shiloh (1966), Lionel Davidson's third novel, was a Book Society Choice and won the Crime Writers' Association Gold Dagger Award as well as the Crime Critics' Award for Best Thriller of the Year. Published in the USA as The Menorah Men, it was a no. 1 bestseller on both sides of the Atlantic. It further cemented his reputation as one of the pre-eminent genre writers of his generation, and was described by the Guardian as 'first-rate' and by the New York Times as 'a supple delight in which learning, wit and style are beautifully integrated.'

Eleven-year-old Marty Preston loves to spend time up in the hills behind his home near Friendly, West Virginia. Sometimes he takes his .22 rifle to see what he can shoot, like some cans lined up on a rail fence. Other times he goes up early in the morning just to sit and watch the fox and deer. But one summer Sunday, Marty comes across something different on the road just past the old Shiloh schoolhouses -- a young beagle -- and the trouble begins. What do you do when a dog you suspect is being mistreated runs away and comes to you? When it is someone else's dog? When the man who owns him has a gun? This is Marty's problem, and he finds it is one he has to face alone. When his solution gets too big for him to handle, things become more frightening still. Marty puts his courage on the line, and discovers in the process that it is not always easy to separate right from wrong. Sometimes, however, you do almost anything to save a dog.

Marty gets to keep Shiloh! He wasn’t able to rescue all the dogs that Judd Travers mistreated, but at least Shiloh is safe . . . right? Not necessarily, it turns out. With hunting season approaching, Judd has started drinking again, and hunting on the outskirts of Marty’s family property. What if Judd tries to take back Shiloh? What if one of Marty’s sisters gets in the way of Judd’s shotgun? It seems only a matter of time before something goes very wrong. The thing is, Marty knows a secret about Judd that no one else does, and if anything terrible happens, he will never be able to forgive himself for keeping quiet. Is it time for Marty to speak up? And can he find the courage to do so, before someone he loves gets hurt?

Marty Preston wonders why it is that despite Judd Traver's attempts to redeem himself everyone is still so willing to think the worst of him. Marty's friend David is sure that Judd will be named as the murderer of a man who has been missing. Others are sure that Judd is behind a series of burglaries in the area. But Marty's parents and, with some trepidation, Marty himself persist in their attempts to be good neighbors and to give Judd a second chance. Now that Marty has Shiloh, maybe he can help Judd to take better care of his other dogs. Then again, maybe folks are right -- there's no way a Judd Travers can ever change for the good. Then a terrifying life-or-death situation brings this dilemma into sharp focus. Saving Shiloh is a powerful novel that brings this trilogy to a close.

"Marty and his best friend, Shiloh are on another adventure. Marty learns when a secret is too dangerous to keep, and that hate can spread like fire"--

The appearance of James Macpherson's Ossian in the 1760s caused an international sensation. The discovery of poetic fragments that seemed to have survived in the Highlands of Scotland for some 1500 years gripped the imagination of the reading public, who seized eagerly on the newly available texts for glimpses of a lost primitive world. That Macpherson's versions of the ancient heroic verse were more creative adaptations of the oral tradition than literal translations of a clearly identifiable original may have exercised contemporary antiquarians and contributed eventually to a decline in the popularity of Ossian. Yet for most early readers, as for generations of enthusiastic followers, what mattered was not the accuracy of the translation, but the excitement of encountering the primitive, and the mood engendered by the process of reading. The essays in this collection represent an attempt by late twentieth-century readers to chart the cultural currents that flowed into Macpherson's texts, and to examine their peculiar energy. Scholars distinguished in the fields of Gaelic, German, Irish, Scottish, French, English and American literature, language, history and cultural studies have each contributed to the exploration of Macpherson's achievement, with the aim of situating his notoriously elusive texts in a web of diverse contexts. Important new research into the traditional Gaelic sources is placed side by side with discussions of the more immediate political impetus of his poetry, while studies of the reception of Ossian in Scotland, Germany, France and England are part of the larger recognition of the cultural significance of Macpherson's work, and its importance to issues of fragmentation, liminality, colonialism, national identity, sensibility and gender.